I think it was the track itself and re-watching Boogie Nights around the same time that sort of made me want to shoot a video like Foreign Language.
What was the budget?
We had around $4,500 AU, and later we added and extra $1,500 to get the helicopter and other extra shots.
The main challenge was the budget, $6,000 can sound like a lot of money but in film just to hire equipment for 3 days can cost you around $4,000. Foreign Language was the sort of project where everything should have gone wrong. We had a small budget, small crew, bad weather, multiple locations, a period piece (70’s), extras and so many absurd ideas but then again we had extra luck… an epic cast and track.
Who were your key collaborators?
Our key crew/production team was made up of 4 people so the line between roles sort of disappeared. Laura Gorun managed to pull some amazing deals as a producer, she also stars on the film and worked in all areas (ideas, wardrobe, cast, cinematography, art direction). Dominque Bassil produced and worked on the art direction Toa Daguet was the producer and shot some of the second unit imagery. We had a great team of make up artists from Jane Cameron Make up Academy. Katy Clucas coordinated the make up and hair team .
What was the process you took to producing the video?
We made a couple of location test shoots around Tamarama Beach. For wardrobe we will all strolled through different vintage shops and looked for 70’s clothes, by the end we could all tell the decade that something was made. We waited patiently for the right weather. We had to reschedule the shoot three times because we kept getting rainy days.
What was the turnaround?
We shot it all 3 days and then we had an extra day for pickups, however because we had to reschedule the shoot so many times due to the weather, the turnaround was almost 2 ½ months from concept until final cut .
What did you shoot on? What lenses did you use?
We shot on a Red One and got hold of some old Zeiss lenses that were very popular in the 70’s.
Where did you shoot it? There are some great locations in the video, are they all in Sydney?
It’s all Sydney, however because Sydney was having such a bad weather patch at the time, we had to drive overnight to Byron Bay to get some extra footage as the weather was better up there at the time.
Did you shoot the aerial footage also?
I did, and it was a lot of fun… we just left the helicopter side door open and I hand held the camera… I remember the pilot saying at the very beginning while taking off “make sure nothing drops out of the helicopter because the propellers might suck it in and it might give us problems”. My inner paranoid schizophrenic started flashing images of all the possible scenarios of how the helicopter could go down.
Tell us a bit more about the helicopter shoot. Sounds like it was pretty ‘loose’. Who did you use? Where they pretty helpful? How much flight time did you have?
We had schedule to shoot a few pickups and the helicopter sequences in Sydney, but then it rained… We had already hired the camera and lenses so we had to find a helicopter, good weather and a cool location. The closest place was Byron Bay, so we got in a car and drove all night. The helicopter sequences were shot in the morning, we had around 45 minutes, we took two lenses and the Red One camera and jumped in the helicopter. I wanted faster, lower shots but unfortunately the helicopter wasn’t one that could do that sort of thing. At the end it was all real fun, we had a night road trip (from Sydney to Byron), we then jumped in a helicopter with no door and shot handheld, had breakfast, drove around Byron got some extra shots and then had a good swim. We packed the equipment drove back home to Sydney around 6:00 PM, Laura was sick, Dominique drove all the way non stop and Toa kept saying with his French accent “this experience was summthang (something) sooo special moon (man)”.
That speedboat looked pretty special, where did you find it?
Laura approached Premier Marine with a proposal explaining the project, Lee Poulson at Premier Marine like the project and jumped onboard. Premier Marine provided the boats they were very helpful. They were great. Merivale was just as helpful they helped us out with the pool and other locations.
Did you have shooting permits for all your locations or was it all on the fly?
Mainly no permits for the public areas, I love shooting with no permits, I highly recommend it. It makes you think faster and to be spontaneous and work with what you’ve got. Then again it depends on the project, you don’t want to blow a day of work because you didn’t get a permit, but whenever possible do so, your days will finish way earlier and there isn’t better feeling than jumping slow bureaucracies.
Did you cast this yourself? Its a great cast, who are they?
Yes!!!!! I agree… The cast is great! On the day some of the stuff the actors were improvising was very intriguing and funny. Lizzi Leighton-Clark at Priscillas Management helped us cast the girls and some other cast we approached directly on the streets. I love approaching people on the street it sort of makes people uncomfortable… and for some reason I love odd uncomfortable moments. Dick Von Lockley is a German actor and as far as what I’ve seen a very sinister filmmaker. Hilton Dennis is a very talented dancer. Annaliese Treharne is a model, and up and coming actress. Laura Gorun is a filmmaker & photographer, Nik forster is a theatre director /actor.
Do you feel that the client understands the production process? How involved were the band and label throughout the process?
Flight Facilities are the easiest band I’ve work with, they let us do whatever we thought was right for the clip and every now and then they will send their ideas and thoughts without imposing anything.
With all the bad weather delaying the shoot, did this delay the overall release of the single at all?
It didn’t, Flight Facilities released the single a week or two before we met for the first time. I wish we would have had better weather so the clip could have come out around October as it was planned.
If you had a chance to approach it again, what would you do differently?
I would try to record some dialogue, or have a sound person on stand by.
Special thanks for this interview to:
Producer (Screen Media)
Interview | Questions & Answers With Ginny Luke
In this exclusive interview, electronic violinist and singer Ginny Luke tells us about her passion for music, personal preferences, and her collaborative track with Taylor Graves, called “Take You On A Trip”. With an incredible voice and the right violin technique, she always takes her songs to the next level. Find out more below.
1 — First of all, what do you love about violins?
The violin is so rich in its history and I think it is the most beautiful instrument besides the cello. I find it so interesting how differently the violin was played throughout history – from the original ‘viol da gamba’ to the famous Stradivarius violins, to Middle Eastern gypsy music, country fiddle players in Europe and early America, and now to the electric violin, which can be played for every style. I think it is one of the most stylistically versatile instruments.
2 — What would your destiny have been had if you were not born in a musical family?
Wow, I don’t know, but I probably wouldn’t have practiced violin 8 hours a day! I would probably be an actor or dancer, something still in the arts. Maybe fashion designer – I had a clothing line as a child called GinderZ Fashions.
Oooh this is a good question. I don’t smoke and I try to stay super hydrated, especially on tour. On tour, I workout every day, I steam, I drink tea with lemon and honey, I do classical vocal exercises and Pop/Rock vocal exercises. I almost start a singing day with humming scales around the house or in the shower to warm my voice up.
4 — What is the best quote to describe your music?
Powerful. Honest. Electrifying.
5 — If you could only listen to three artists for the rest of your life that you’d never get tired of, who would they be?
Tchaikovsky, Miles Davis, Michael Jackson.
Taylor and I wrote “Take You On a Trip” a couple of years ago and it was a natural collaboration – we’ve been friends for a number of years and I’ve always loved his musical sound and style. He’s an extremely virtuosic pianist and incredible producer; he understands what simplicity, groove, and vibe can create and how it supports a good song. Every time I make music with him I see a new way to look at music, so that’s a huge reason why I love creating with him.
7 — Is there something special about this song that makes it stand out from your past releases?
It captures a different side of me… it frames my voice and my writing in a different kind of sound. My vocal performance is soft, feminine, and different than any song I’ve done. The outro is a jazz chord progression that Taylor and I solo over. I think those aspects make it the most different and notable song I’ve done so far.
8 — How much importance do you give to music videos?
I think music videos are a new required component for every song, if possible for the artist. MTV used to make videos special and cool, but I think in this “Instagram era” digital content is one of the only ways people can quickly become fans; they need a visual aesthetic and message to latch onto, not just aural.
9 — Are you performing live anytime soon?
I have performances almost every day of the week, but most of them are for corporate or private clients or recording sessions! I am mostly in the studio right now but I will announce live shows SOON on my FB and IG.
10 — Finally, what are some things most of your fans don’t know about you?
Some things fans don’t know about me… that I love opera and musical theater (my dad conducted musical theater my whole childhood – my family did about 30 shows). I love ancient Egyptian history. And that I played alto saxophone for 6 years and placed in Iowa state competitions when I was in middle school!
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Michael Push Chats About House Tune “Don’t Give Up On Love” In Interview
Michael Push broke into the mainstream back in 2012 with his release on Restylers Records. “Freeze” featuring Moonfish entered MTV’s Top 10 Dance Chart, reaching a number 3 position. Having always been in love with music, Michael combines his love for pop and club music to create stunning tracks. His latest release “Don’t Give Up On Love” is an incredible classic House tune featuring the soulful vocals of LaTisha, we caught up with the Italian Producer to have a chat about his latest production.
1 – What was the inspiration behind “Don’t Give Up On Love”?
“Don’t Give Up On Love” was born back in 2015 after listening to a song by TCTS and K Stewart called “Games” which I absolutely loved back then. Once I got to the studio and started experimenting something whilst recalling that bassline. I wrote music and lyrics quickly on top and kept it in my drawer for a while as it sounded too different from what I was doing at that time.
2 – How did you and LaTisha start working together?
I discovered LaTisha in a production of someone I have been following for a while and immediately got in contact with her. Once I sent her the original idea sang by me she returned an amazing performance and I remember having chills listening to that for the first time. Also, she definitely has a voice for House music!
So far, the reaction has been amazing, I had great feedback from top DJ’s like Redondo and great support in general in clubs and on mix-shows, we also tracked some good spins on radios which is great!
4 – What was the reason behind the 4 different remixes?
The track was originally the remix that’s now called the “Love 90s Remix”. I played around with some different versions to update the sound. I’m actually surprised how that version is a DJ’s favourite and so far, the most played which means it was ahead of times…
5 – Which remix is your favourite?
I love the original, but the club mix has a contemporary piano feel which goes strong nowadays.
6 – Sum up “Don’t Give Up On Love” in 3 words?
Catchy, groovy, romantic.
7 – What’s your favourite part of the track?
I personally love LaTisha’s ad-libs towards the end and how they overlap the choir, there’s something magical in that and the track really opens up.
You can hear some 90s influences in everything this track has, from the piano to the melody and lyrics. 90s have been influencing me quite a lot recently and every song I write and produce takes from there.
9 – What’s next for Michael Push?
A new single is coming very soon and it’s amazing. I can’t wait to put it out so keep following me!
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Exclusive Interview: Discover Nigeria’s Promising Hip-Hop Artist FascoJ
Believe it or not, there’s growing talent in Nigeria. With this interview, you will discover everything about FascoJ. The promising Hip-Hop artist just dropped his debut album ‘Curves’, and has a desire to expand his horizons. For the very first time, FascoJ shares with us his own story and latest music project. Scroll down and read the rest.
1 – Tell us about your musical journey. How did you become FascoJ?
My musical journey has been an exciting experience in my whole life career and perspective for me. Because if you asked me these questions when I was young, I would say I wanted to be a doctor or rather a pilot or even a soldier…But then I fell in love with music. In 1999, when I was only 4 years old I had grown siblings who will play music all day after school and I had no choice but to watch and listen to them, while I had my friends watching cartoons at such age, my elder siblings inspired by the whole thing they watched all day which was Hip-Hop, RnB, Pop music and a few Rock and Country music as well.
My real name is John Fasanmade Adeoye (Born on March 11th, 1995), better known by the stage name of FascoJ. I used to be called “Jaguar” in elementary school, and when I got to middle school a group of friends started calling me by my elder brothers’ last name which was David because they saw how much I was inspired by his music through him. I went from “FascoD” to “Don John” in high school but after my first live performance on stage I opted for “FascoJ” as my artistic name. Actually, it came from my first and last name altogether.
Well, I grew up in a country called Nigeria, somewhere in Africa where most people listen to Afro-beats, Apala, Fuji, Reggae and so on… There wasn’t much of Rap, Hip-Hop nor RnB music. Many artists in the country never thought of it as a thing for Africans, but when I was growing up I felt inspired by my elder siblings and the music they used to listen. I found a lot much more interest in the foreign content of music from the sound to the lyrics and I turned them up into poems in my poetry classes at elementary school. I was in love with American and Canadian-type of music. So, I decided to try something a little more different and that’s how I found my style of music a little bit different from other artists in my country. It’s been really exciting for me finding my passion in the Hip-Hop/Rap field of music.
3 – Is Nigeria a good place for Hip-Hop artists? How do you see the music scene over there?
Currently, now in the Nigerian Hip-Hop and Rap field, we have a handful of artists, not to mention citizens that were born outside the country in foreign lands and came back to Nigeria to implement their style. Nearly in 2011, we already had artists playing this genre but I’m not going to lie to you, the promotion has been tough knowing that 70% of people in the country weren’t used to the Hip-Hop style, so it’s a struggle in that field to get fans. However, with experience, effort, and perseverance we’ve been able to acquire about 30% of fans in that area and with our efforts, I believe in the next years to come, there will be a new generation to inspire others in the Nigerian music industry.
Growing up I used to love music, to be more precise, American Hip-Hop, Rap, RnB and Pop musicians were my idols. To cite some artists, 2pac, Biggie, Dr Dre, Snoop Dogg , Ice Cube, Xzibit, Big Pun, JayZ, Nate Dogg, Eminem to Ja Rule , Nelly , Bow Wow, Chingy, Lil Romeo, Cassidy, Ludacris, Kanye West, Lil Wayne, Gucci Mane, Bossie Badass, Ashanti, Brandy, Beyonce, Fat Joe, Kelly Rowland, Micheal Jackson, 50 Cent, The Game, Lloyd Banks, Chris Brown, Buck, Lloyd, Omarion and including the recent artists on the scene like Drake, Nicki Minaj, Lil Uzi Vert, Wiz Khalifa, Currensy, Berner, Dave East, Young MA, and I could go on for days mentioning them all…
But my first album ‘Curves’ came through me as that experience when entering an unknown field in the music industry where Hip-Hop and Pop wasn’t a people thing, so I thought of all the life curveball quotes would throw at me that time, knowing that this material wasn’t inspired by half of the populations’ in the country. So, I named it “Curves” because life has thrown curve balls and the struggle to find your voice heard in such situations at the time was not easy but with effort, hard work and perseverance I was able to go through success.
5 – Which is your favorite track? Why?
Fortunately, I love every single song on the album so it’s hard to pick one because they all have different melodies and tunes to the heart. But, it was right after I released the album ‘Curves’ and I started dropping singles when I stumbled on my favourite track “No Time” outside the album and I played it over and over till I was in love and even obsessed with it… “No Time” was a great collaborative song for me not with any much specific story in mind, but really something most people listen to because of the bravery and confidence most people usually need when going through hard times of knowing you’re worth and people around trying to ride you down, bring you down in scenarios where you know with all you got, you’ve got to stand for yourself and persevere no matter what the danger or issues are. At the end, everyone is worth it, so the message of this song is to raise people’s hopes and not to belittle anyone for what they want to believe in.
Apart from the fact my music is so different from what most people are used to listen to in the country, It’s exciting for me because the journey wasn’t easy and I was inspired by my own potentials trying to comply both, rapping and trapping, and even the singing aspect is a little bit more with explicit lyrics in the contents. Of course, this felt amazing and creative to what’s known in the Nigerian music industry. So, yeah, it’s an exciting album from my view.
7 – Did you collaborate with other artists on this record?
Yes, I collaborated with a few of my colleagues from childhood friends to intuitional colleagues we all had the same taste and perspective of music, which was amazing. Exploring with them our potentials, I was able to learn more of what the Hip-Hop fans are interested in, which made things a lot much easier to work with at the time we produce the album and the singles. It was such a great experience.
In the current era we live in, social media is everything to me and as someone who has been in the fandom since I was 9 years old, social media has really helped me out in getting myself out. It helps me to find out and listen to other people’s opinions on their music tastes, which inspires me a lot as well in doing what I’m doing now.
9 – What’s next for you?
Well, currently at the moment I started my projects on the ‘Curve’ album. Since last year, I have been dropping song after song and haven’t really set up a music video project on any of the singles yet. So, I think shooting visuals for my songs in order to get more recognition and publicity of who I am as an artist in the world and doing live performances are the next big things on my mind.
10 – Where do you see yourself in the next 10 years?
Well, one sure way to gain a level of success in the music industry keeps relation to the phrase “never ever stop making music” as simple to not stop “being one”. Most artists give up after an overnight success, but in reality, goals are likely to be reached through years in the making.
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Interview | Questions & Answers With Zaritza
With innate talent and good training, Zaritza is an artist to watch out for. Influenced by classical Russian composers and contemporary European electronic producers, her pop music links the new with the old. Scroll down to discover much more about her latest single “Slot Machine”.
1 — First of all, why did you decide to make music in America and not in Russia?
Despite growing up in a very isolated village geographically, I was lucky to be exposed to a variety of music that enriched my life and influenced my own creativity. Much of the music was, of course, Russian, including traditional folk music and the great Russian classical composers — Tchaikovsky, Shostakovich, Stravinsky, Prokofiev, Glinka and, by far my favorite of all classical composers, Rachmaninoff. In addition, my father introduced me to American/British pop, rock n’ roll music, ranging from the Beatles to Motown to my all-time favorite rock band, Queen. This music from “the West” was so magnetic; it opened up an entirely different world of musical possibilities for me and led me to focus on pop/rock and later electronic music as an artist in my own right. So when I first came to America as a teenager, I immediately felt energized and inspired to explore the music scene here without compromising my values and my authenticity! I first arrived in America from Russia many years ago, I was extremely fortunate to be introduced to and spend a little time with one of my musical heroes, the legendary songwriter, performer and producer Nile Rodgers, who generously gave me musical and career advice that continues to help me to this day.
2 — What’s something you miss about your homeland?
Aside from my family who is now spending more time with me here in the US, I miss Russian nature – seeing miles of beautiful fields, birch trees, getting lost while mushroom picking, all the simple but often magical things and surroundings of suburban Russia.
3 — Are you musically trained or self-taught?
My arts education, on scholarships, included nine years of both dance school and music school, where I trained in my greatest passion, classical piano. Every year I competed in regional dance and piano competitions, frequently placing first. At age 15, I started composing my own music, combining Russian classical with modern forms popular with my generation. After immigrating to the US, I took piano, music theory and musical theater courses at Rhode Island College, and later studied voice with Kathryn LaBouff, chairperson of the voice department at the Juilliard School.
I would hope that my audience connects to my music in their own individual way, finding some reflection of their feelings, desires, experiences or struggles in my lyrics or at least in the tapestry of sounds each tune shows. I love hearing when people find their own meaning to my lyrics and interpret them through their prism of emotions.
5 — What was the creative process behind your new song “Slot Machine”?
I wrote the initial idea on piano (my most common way of writing demo ideas) and then I took it to my friend Chris – collaborator of my new music, a guitar player in all of my live performances in last two years and just an incredible musician overall – and we’ve worked on producing the song together and experimenting with different sounds for a few months. Then, I finished remaining lyrics with my other collaborator/producer and long-term friend Steve who has helped me bring more wild and daring ideas out of me and put the last touches to the song.
6 — What is the deep meaning of a “Slot Machine”?
The title is obviously a play of words, referring to gambling, feeling lucky and free to experience pleasures and deepest desires, even in one night. The concept of the song was originally about exploring sexual fantasies but then it formed into a stronger statement of female sexual confidence, desires, and expression.
7 — Is there any funny anecdote while you were filming the video?
The video shoot was quite ambitious with different scenes involved that all had be done in one night, almost 14 hours of non-stop setting and shooting, so it was very intense and dramatic at times. But the most challenging and funny experience of all was a club dance scene where I had to wear a very heavy costume with chains and belts attached to it, plus the boots! Through sweat and struggle, I was dancing for hours and cursing at myself for creating such crazy wardrobe ideas 🙂
I do support feminism in many ways that are essential for women to function freely without any constrains and additional challenges that men don’t often face. With “Slot Machine”, I express my desire for women to be less oppressed with regard to their sexuality, to always have a choice and power. I’ve always believed that feminism is about embracing female sexuality and celebrating it, as opposed to denigrating sexually aware and empowered women.
9 — What can we expect from Zarita in the next months?
I am currently in the production of my next EP, which has even more focus on my electro-pop influences and a strong emphasis on the visual aspect for my live performance – including choreography, dancers and video elements. I also am planning on a small UK/European tour this coming Spring which might even take me to my native country, Russia!
10 — Finally, how much have you grown up as an artist through the years?
As you always wish to evolve as a human, I certainly hope to grow as an artist as well! Through pain and happiness, disappointments and inspirations, loss and gain, self-criticism and self-praise, you learn more and more about yourself which is essential to artistic growth!
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Exclusive Interview: Meet Cambodia’s Fast-Rising Electronic Producer SANDAP
SANDAP was born in the Land of Smiles, Cambodia. With his latest EP ‘Silent Start’, he wants to share his personal stories through enigmatic sounds. That being said, there’s a good mix of oriental music and contemporary occidental electronic beats in almost all his projects. From an early age, he became interested in creating music. Today his main goal is to spread good vibes through this art. Learn more about SANDAP below.
1 — What’s a song that made you fall in love with electronic music?
Around 2007 I discovered “D.A.N.C.E” from Justice, at this moment I really understood the power of music on a crowd. I danced so many times and shared so many goods moments with my friends during my childhood with this track, and I think that it’s the beginning of my passion. After that, all I wanted was just doing the same thing. Daft Punk was also a big part of my inspiration with the song “One More Time”. It was the perfect mix of emotions and musicality that I just love and live for.
2 — When and where did you learn to produce music? Are you also into DJing?
I started to learn piano and guitar when I was 5 years old, and it became really fast for my two best friends. In 2007, I got my first computer that owned Garageband. At this time I discovered the world of production and it was a big creative liberation. I was able to talk about my own intention and not just reproduce songs from other artists. My teacher was the internet and my classroom was my bedroom. I learned all the skills by my own experience and also by listening to others. It became a game for me and maybe two months after I tried to convince my parents to buy me Logic Pro.
I do not consider myself as a DJ, I’m just a simple electronic producer.
3 — Can you educate us on the electronic music scene in Cambodia? How would you describe it?
Cambodia is an undeveloped country, most people just discovered the Black Eyed Peas recently, as you can see, we are a little bit late. There are very few Cambodian Producers, but we have many more DJs. I’m Cambodian and I represent Cambodia in my music but with occidental basses. Currently, the scene in Cambodia is slowly in development but I think that in a few years we are going to see talented Producers from this country.
4 — What do you love most about your recent EP ‘Silent Start’?
My favorite track is “Rina” cos this song is going to the narrative direction that I wanted. The other tracks are more like ambiance songs.
5 — Did it take you a long time to produce the whole record?
I released this EP working on other projects in parallel, I had to take 2 months to finish it.
I liked working on it because it was the first time that I made an entire project including several tracks belonging to me.
6 — Which artists have influenced this project?
The Cambodian music style is my first inspiration. Mandragora and PANG are also two artists that inspired me for this EP.
7 — The music video for “Rina” looks like a true cinematic experience. What did you want to portray with these visuals?
The music video of “Rina” is an introduction to all the universe that I will like to bring later, I talk about my origins (Cambodia), but also links that are dear to me. It is an happy and proud country that I present, a country that has suffered for many years and whose culture has been forgotten. I speak of my memories of childhoods, it is also the title of the last track that I released “Childhood Memories” available on youtube. My music is a message that says I do not forget my past and I’m really proud of it. This video clip has been shot with the idea of capturing a moment, it is a positive and light vision of a daily life that is the daily of many people in Cambodia.
8 — Are you currently working on new videos or new tracks?
I work on many new tracks, the next music video will be shot in Cambodia and it will talk about my first steps and my first days.
9 — Do you consider yourself an underground artist?
I do not consider myself as an underground artist but more like a narrator of my own life.
All you will have to learn about me will be told in my future track over time, this is why I create and share.
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