Calzo Houdini has been involved in different projects with Empire of the Sun, Peter, Bjorn and John, The Streets and a few others… He’s clearly a talented producer who opens up about his passion for music in this exclusive interview. Don’t miss a word of this creative artist who has a lot to offer!!!
1 – How long have you been producing and how long does it take to produce a track?
I have been producing music professionally on and off for almost 10 years. Starting around 2007 I had a label which became a sub of Warner Music Group (WMG) and then part of BKKMG Records in Thailand. The time put into a track varies. If I’m making my own tracks I’d say anywhere between 2-4 weeks per track. That will sound like a long time to some producers but I take breaks in-between so I’m not burning myself out, plus I have other work commitments. If I’m producing music for another artist it really depends on the style of music, what they expect of me and their deadline.
2 – What is your state of mind when you produce a track?
There are long periods of time when I’m not in the mood to make music. It’s either a lack of motivation or I’m too busy. I’m easily distracted when I’m sitting in my studio so if a track isn’t working I’ll start a new one and see what comes out after an hour or so. If I like what I hear I’ll focus on that track for a few sessions which will hopefully turn into a finished song. So to answer your question, my mind is always wandering all over the place. I have 5 hard drives full of unfinished tracks.
3 – You are also into DJing and what genres do you play?
I have tried DJ-ing a few times but again I’m easily distracted and lose sight of what I’m doing. I start enjoying the music and atmosphere a little too much and can’t focus. I prefer to listen to the music rather than concentrating on making sure people are having a good time. We record DJ live streams in my studio every now and then but I hand over the DJ reigns to my friend Ron who really knows what he’s doing whilst me and Valerio play around with the cameras and make sure the audio is on point. It’s mostly Deep House and Dance music I guess. A few of our past live streams are on my YouTube channel.
4 – You lived in Thailand, How good is the nightlife and the electronic music scene over there?
Thailand has a massive choice of clubs and bars depending on your taste in music. For electronic music the larger clubs in Bangkok cater to more mainstream dance, EDM and house music. I’d recommend checking out Levels nightclub in Bangkok if you are ever over there. I loved Bedsupper Club in Bangkok but they had to close it down in 2013. They had a lot of top DJ’s and artists playing there every few months. My wife Chelsea and I used to live in Pattaya where they have club 808, MIXX and Lucifers which all have a stream of great DJ’s and live bands playing every night, resident DJ Andy P from Manchester being one of my favourites. I play his mixes on my radio shows, great stuff. Look him up on Facebook.
5 – Tell me about your work with Empire of The Sun? Was it easy or hard work?
It initially started when I produced a remix of the PNAU track ‘With You Forever’ which has Luke Steele on vocals, who at the time was in a band called The Sleepy Jackson. Luke then later created Empire of The Sun with Nick Littlemore who was in PNAU. Randomly out of the blue my remix was played by Swedish House Mafia on BBC Radio 1’s takeover show about a year after I released the remix. Someone in their camp heard it and I got to work on small bits and pieces with them on their second album ‘Ice On The Dune’ about 4 years later!
6 – Where can we listen to your new EP ‘One Man Room’? Are you planning to release a music video?
The new EP is available to buy from all of the usual digital retailers and on Spotify if you want to stream it. I wanted to release a vinyl but that’s something I’ll keep for an album. There won’t be a full-length music video for the EP. I filmed a short promo for the title track which is on my YouTube channel but nothing on the EP really warrants a full-on music video.
7 – Do the lyrics tell a story? Who provides the vocals on this EP?
When I set out to make the EP I planned to have the tracks flow together and tell a story but the deeper I got into it the more I realised that I just wanted to release a collection of songs that I had finished and enjoyed making, which is why it doesn’t fit together like an album would. There are a few artists providing vocals on the EP. The majority of the vocals are from the super talented Stevie Adams and Holly Drummond. You can find Stevie’s EP on Spotify and her videos on YouTube and Holly does a lot of studio session work. Both great artists in their own right. When we were recording vocals in my studio Stevie was bringing melodies to the tracks that I would never have dreamt of. She’s a great singer and songwriter. Keep your eye out for her.
8 – As an artist, do you share every aspect of your life with the Internet?
Ha! No. Musicians, actors, performers and artists all have to share a certain amount of themselves with “the internet”. It’s 2016 and the media industry is driven by the internet whether the big labels and studios like it or not. As loathsome as self-promotion is for both the artist and their followers it’s a large part of getting your music out there. There’s only so much a record label or publisher can do for you. An actor is obliged to promote their movie, why shouldn’t a musician tweet about their music? When it comes to personal stuff, I enjoy posting photo’s of my wife looking at menus in restaurants and videos of my cat but that’s probably as much of my family life as I’ll share with the internet. No one is really interested in the personal stuff, although I have been asked some strange questions over the last few years, mainly from Empire of The Sun fans.
9 – You produced a free a track for the IBIZA Together Week Parties, who is it aimed at?
I was contacted by a promoter for the IBIZA Together Week and asked to create a track and video that would be played in and around the weeks events. It was intended to be played more as background music or as an art piece that would be projected on screens in bars whilst everyone is chilling out and having a few drinks. So I guess it’s just there to keep people motivated and in the mood when they are socialising before they head out to see the big DJ acts in the clubs. I like to think of it as elevator music. The kind of music that you hear in the background but it sticks in your subconscious. Something you would remember if you heard it a few months later but couldn’t quite place where you had heard it. That’s the idea. It’s fun making quick off the cuff house tracks like that. Easy. Plus I’ve never been into the whole Ibiza scene, I’m a recluse. It would be amazing to be there and hear the track being played poolside but I’m in no rush. I made it and it’s over there being heard by someone, somewhere, that’s enough for me.
10 – What days are you live on your online radio show?
The radio shows are on a hiatus at the moment until I get other work out of the way but I would love to bring it back with some real DJ’s, hosts, and guests. I’d like to incorporate our DJ live streams and make it a monthly event. It’s something I’m working towards but it’s difficult to keep a schedule when there are so many other projects on the go. It’s a matter of sitting down with my friends Ron and Valerio and building something where we can feature new artists and local talent. I think there would be a huge interest for something like that, especially if we keep it local to start with. The guys at the Boiler Room do it perfectly.
11 – We know you’ve worked on film scores, In what kind of film does your music fit?
The first original film score I produced was a single track for Gerard Butler’s film production company back in 2011. It was intended for the end credits of the movie Playing the Field. My track was dropped from the movie when the producers decided to change the title of the movie to Playing for Keeps. Somehow my track no longer fits into the end credits and that was the only shot I’ve ever had at a “Hollywood” movie. I still haven’t seen the film but I know Andrea Guerra would have put together a great score for it. For the last year or so I have been sporadically working on a score for a Swedish independent movie called Spare Change. I’m looking forward to releasing the album for that soon. I love pulling together strings and orchestration and then watching real musicians play it. Magical.
12 – What’s your favorite song you’ve ever produced? Why?
That’s a tough one. I think it would probably have to be when I wrote orchestration and produced the remix of ‘The Streets’ (Mike Skinner) track ‘Everyone Has Something to Hide’ from his last release as ’The Streets’ ‘Computers and Blues and Cyberspace and Reds’. Shoutout to Tess, Jamie, Shep, Ozzie, Rod, Emma & Adam Dempsey. Good times.
13 – Do you find that most of the people you meet in the world of music have quite bad taste in music?
I’m not sure I understand what ‘bad taste in music’ is? I think there is an ear for everything out there. There are genuine people in charge of the industry who have no interest in even being associated with the music side of the process. Businessmen who can’t decide what music they enjoy because they don’t understand the concept of music. As one of my hero’s, Gene Wilder, once said, “Show-business… I like show, but I don’t like the business.”. Music is subjective but at least let the creative ones produce, influence and direct the industry. The same goes for the art world, comic books, movies, and radio industries. Everyone needs to back off, let people who know what they are doing get it done. Business men will always reap the benefits regardless but at least talent flourish and grow without being restricted by sociopathic old men with money and fuck all else to do with their time. I dunno, it’s a vicious circle of the industry. Keep on, keeping on.
14 – What’s your label’s plan for making you a more commercial-oriented artist?
I’ve never been interested in becoming a commercial artist. My label primarily focuses on building K-Pop bands and Asian rock bands. I knew that from the beginning and I’m happy to just have an output to get my music out there to the few who want to hear it. It’s fun. My music performs pretty well in Asia but I have no intentions of trying to be anything other than a guy from Edinburgh who makes music in his bedroom.
15 – Which artist would you like to collaborate with?
Paul Buchanan. Single greatest songwriter of all time in my opinion. Please look him up on Spotify and if you meet him in Glasgow, tell him I’m asking for him. He was part of the 80’s band The Blue Nile. Their music is phenomenal.
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Matstubs Talks New Platform Designed For Indie Artists — BitSubmit
Check out our interview with DJ & Producer Matstubs, who is the founder of BitSubmit. This is a powerful platform designed for indie artists like yourself. A new tool that will speed up the whole marketing process so that your music can get noticed among labels, radio stations, and blogs. Learn more below.
1 – What’s the biggest lesson you’ve learned since funding BitSubmit?
I have learned that musicians are not putting nearly enough into their marketing strategy. It took me a long time to realize that this industry is a lot more than simply making music. So many artists go unnoticed, even when their music is incredible. Imagine a painter leaving their art in a basement for no one to see. It’s a shame because there’s a ton of music out there that deserves the spotlight.
2 – What benefits and opportunities do this platform offer to indie musicians?
BitSubmit allows artists to easily connect with the very best in the industry. Spotify & Apple Music Playlist curators, YouTube music channels, record labels, Soundcloud promoters, music blogs, radio stations and so on. We made it as easy as possible to send music to hundreds of places in seconds – it’s mind blowing how easy it is to automate releases with it.
Something that holds back a lot of musicians is the money for guaranteed promotion. Sometimes placements can run into the thousands of dollars for a single promotion – that is way too unrealistic for a lot of upcoming artists. We wanted to level the playing field, so instead all artists will get an equal shot at submitting their music to the largest promoters.
3 — How many people are behind this project?
For the first year, it was just my partner and I as we built the platform from the ground up. We built it alongside both artists and networks because we wanted to make sure we developed it right and got everything that was needed. After we launched, we saw a lot of growth and interest in the platform, so we decided to bring on a few more developers and a customer relations team. Every day we work together to make BitSubmit a better platform.
4 — Do you think there are other similar platforms on the web? What makes BitSubmit stand out from the rest?
Sure, there are some others, but they don’t do the job. I am a musician myself under Matstubs, so I’ve tried all the different submission platforms. I came into a ton of things that were straight up amateur… bland websites, hard to use interfaces, low-quality networks. Ultimately it was a waste of money. This is why I set out to create BitSubmit. Not to sound arrogant, but anything that these other platforms do, we do it better. I can only say this because that is exactly what our goal was when developing BitSubmit. Our platform is by far the most simple to use and straightforward. Our networks are the highest quality in the industry. Our artists get results and it’s as simple as that.
5 — As a marketing tool, what’s probably its best feature?
Let’s go through what happens when you don’t use BitSubmit. You make a track… Okay, now you need to think of the top 100 electronic music networks that you want to send it to. That’s going to take you a bit of time to research. Not only that, but you actually have to go and find the contact for each of these networks. More time wasted. Once you finally have all the contacts in your spreadsheet, you need to send an email to every single one, hoping that your email doesn’t get lost in their inbox.
These networks are getting hundreds of emails per day – yours probably isn’t even getting opened. Now you can sit and wait for a few weeks and maybe you’ll get a reply – but most of the time, you’re in the dark. The process sucks. Now imagine doing all of that in 10 seconds. Imagine that you are guaranteed to get listened to. Imagine you can track exactly when each network will listen to you. Imagine getting valuable feedback from them. This is what BitSubmit will allow you to do. Essentially we’re putting your marketing on steroids – and at the same time allowing you to spend more time making music.
The main difference between the plans is the amount of bits you get per month. Bits are used to submit your music to different networks. I would suggest at least the Premium plan for artists that are serious about getting their music out there.
7 — What record labels and blogs are working directly with the platform?
There’s too many to list… EDM·com, Trap Party, ZIAS, Royal Music, NightBlue, Diversity… we’ve got hundreds of powerful outlets. We have local radio stations, internet radio stations, music blogs, YouTube Channels, streaming playlist curators (Spotify & Apple music), Soundcloud promoters, Instagram pages. If the network is quality, then they are most likely with us.
8 — Can you talk about the contest you have recently launched on the platform?
For sure! We’re always giving away awesome things to help our musicians get to the next level. We just recently gave away KRK Rokit studio monitors and a pair of studio headphones. We want to do more for our artists than simply help them market music. We want to help artists get to the next level in any way we can. We write up blog posts with helpful tips, give away cool equipment, and most important give you a world leading marketing platform.
9 – What temporary challenges are the users currently facing on BitSubmit?
There will always be a challenge to get heard. Although we make it extremely easy to make connections, your music still has to be on point. Musicians need to consider the fact that every single one of us has our own bias towards our own music and we may not agree with feedback from others. But handling objective feedback is such an important part of growing as an artist. This doesn’t mean that artists need to give up their creativity or choices when it comes to making music, but if 9/10 people think you’re singing flat, you’re probably singing flat.
10 – Finally, what further improvements would you like to implement in the near future?
We have something big in the works for our artists. I can’t discuss it in detail just yet, but it is going to be extremely powerful for connecting with brands and other alternative outlets. We’re very excited about pushing it. We have a lot of room to grow, but we’re working hard every day to make it happen. We’re excited about the future.
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Trst Talks New Remix “My Neck, My Back” In Interview
DJ and Producer Trst is back with a stomping remix of the 2002 classic hit, Khia’s “My Neck, My Back”. He has transformed the track into an absolute roof raiser, he is best known for other tracks such as “Throw Yo Body” and “Bitch Boyz”. Inspired by the likes of Tony Romera, Noizu, & Rex The Dog, Trst is on a mission to bring back Fidget House. Electro Wow caught up with Trst to discuss his latest remix.
1 — What made you decide to remix “My Neck, My Back”?
I loved this song since middle school. I’ve tried remixing this song like 8 times and it always sucked. This is my favorite version that I’m finally proud of.
2 — This song has been remixed quite a bit in the dance scene; did you feel any pressure when releasing this?
Not really, no one has really took the direction I did. It was popular a while ago to remix and kinda faded. I’m bringing it back.
3 — What was your inspiration when creating your version?
4 — How would you describe the remix to someone who hasn’t heard it yet?
Grimey and loud!
5 — What has the reaction in clubs been like for “My Neck, My Back”?
Well I live in San Francisco, so everyone’s always like ‘hey this isn’t DirtyBird!!’. Jokes, but its gone down pretty well so far, its a fun song to sing along to, especially in a club since it’s so explicit and you can scream it.
6 — Is there any remixes out there by other artists that you really love?
Not really, they’re pretty old school Trap.
7 — Do you prefer creating remixes or originals and why?
Both are different processes for me. I like originals just because it’s a more familiar workflow.
9 — Can you give us an exclusive into any other releases you are working on at the moment?
I have a release coming up soon on one of everyone’s favorite French label. That’s all I can say for now.
10 — Finally, where can we go to download your remix of “My Neck, My Back”?
Free download on Soundcloud!
Here is the link: https://theartistunion.com/tracks/6ca8cd
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Interview | Questions & Answers With Helsinski
Hailing from Finland, Juho Vehmanen aka Helsinski, is a promising new talent within the world of contemporary Pop music. Electro Wow had an interview with him to find out all the most important details you’ll probably want to discover about himself as an artist. In addition, I fully recommend you to listen to his newest single “Glow Sticks” below, which seems to be on everyone’s lips.
1 — First of all, why did you choose “Helsinski” as your artistic name?
I think the name ‘Helsinski’ (the capital of Finland is correctly spelled Helsinki) encapsulates some relevant information about me in one word. Obviously it gives away my geographical location which – I think – is always an interesting fact to know about an artist, since it puts them in a cultural framework. The name also suggests that the music is somewhat urban. Helsinski also really sounds like a surname, so it could lead to the correct conclusion that the music is performed by one person only. For some, it may represent a humorous reference to the political concept of Finlandization. All in all, I think it’s a name of many associations.
2 — How would you define your music with just three words?
Urban alternative pop would be my genre description in three words. To put it more informally, I’d use the adjectives soft, nocturnal and relaxed.
3 — Which popular artists can we compare to Helsinski?
I’ve heard some Depeche Mode comparisons. I’m a fan of Die Antwoord, Daft Punk and Air myself to name a few, but don’t think you can really hear those influences in my stuff. I keep surfing Spotify for random stuff for inspiration. My background as a musician is in Pop and Rock. I think Helsinski is a hybrid of a whole lot of stuff. I’m eager to hear those comparisons, though!
After marking the structure and chord progressions with a piano I laid the foundation for “Glow Sticks” with a pretty loose Hip-Hop drum groove that’s partially programmed “in the box” and partially played with real drums and percussion. I’m not too solid of a drummer so I had to cheat a little. The bass part is a combination of overdriven and side-chain compressed synth and an electric bass slapped and played with a pick through a Big Muff fuzzbox.
I put some ambiance pads and a groove-emphasizing synth arp to the background. The shimmering top end consists of granulated delay effects derived from other, already existing elements. Most of the guitars were played by Riku Karvonen, a super talented guitar connoisseur whom I’ve been lucky to play quite a lot with over the past few years. All elements combined, I ended up with pretty 80’s sounding track by accident. But I decided that as an 80’s product myself I have all the rights to sound like one. Vocals are pretty heavily effected with saturation, huge delays, doubling, pitch and formant shifting and vocoding.
5 – What is this song “Glow Sticks” about?
It’s about two self-contained, short-term light-sources who find comfort in each others company in this impossible place called life.
6 – Any plans to drop a video for this single?
Would you like to invest in one? I’m short a couple grand. The revenues will be surprising, I assure you!
7 — What can listeners expect from your next release?
The next release after the single “Glow Sticks” will be a similarly named album of 9 songs. It will be released on May 17th and it’s gonna be great company for a night drive under neon lights!
8 – Finally, what’s your ultimate dream as an artist?
To crystallize my own sound to the max and keep the high motivation on learning new stuff every day. A billboard hit would also be cool.
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Interview | Questions & Answers With Adam Noah
Read this exclusive interview with Bronx-based rapper Adam Noah. Not so long ago, he released the music video for “Blaze”, which is a heartfelt tribute to his late mother. On the other hand, he’s currently promoting his brand new album ‘Trajectory’, that could be relatable to some listeners as its concept revolves around life itself.
1 — Hello Adam, when did you begin to develop a passion for Hip-Hop & Rap?
Growing up in the Bronx, Rap was a part of the environment. My older brother was always playing Pun and BIG around the house. I lost a lot of people in my life due to violence, sickness, natural causes, and writing was my only therapy since I was 8 years old. Although I have a passion for music in general, I always felt that Rap was more direct and true to who I am.
2 — Who are your musical influences?
Eminem, Nas, Jay-Z, Pun, Mos Def, Big L, Fabolous, the Beatles, the Neptunes, Justin Timberlake, Frank Ocean, Marvin Gaye, Jadakiss to name a few.
3 — What’s your creative process behind your lyrics?
Most of the times it starts with an instrumental. If it doesn’t speak to me, I don’t write. Sometimes I have an idea and I go back to that beat I wasn’t feeling a year ago. There are other times I have a melody or a verse, and we start making the music from scratch.
Yes. I started making beats in high school. Going to thrift shops, buying vinyl off online marketplaces, and experimenting on FL Studio. However, I’m starting to work with other producers and getting more involved in the mixing/mastering aspect of my music. I’m starting to fall in love with actually making each track sound like what I hear in my head.
5 — You recently released the music video for “Blaze”. Why did you choose to film it in your bedroom?
I’ve sacrificed a lot to chase my dreams. I had to leave my childhood home at a young age because I was misunderstood. A lot of my friends are living with their parents and I’m renting out a bedroom. A lot of pain and overthinking goes on in my bedroom. It was only right to perform Blaze in that setting.
6 — Who would you dedicate this single to?
It’s definitely for my mom. I wrote it while she was dying and I just want her to know my presence is not a waste. I have a purpose and this music is going to do great things not only for my family but for the world.
7 — On another note, why we should listen to your latest album ‘Trajectory’?
Everyone struggles in life, I think ‘Trajectory’ highlights it very well. From being homeless to being in a job that you clearly hate, there is something for everyone on that project. Everyone makes life sound easy until it’s time to live it. Bringing lyricism, songwriting, musicality together, makes the album something special.
8 — What’s your favorite track from this material so far?
It changes every time I listen to the project. Currently, my favorite track is “Conditioned”. Heading into my job while listening to that track makes me want more out of life.
9 – Any plans to do live performances?
Definitely. I have a lot of ideas to bring these smaller venues to life as well. A lot of people are performing pretty much the same nowadays, it’s time to give people an actual experience. You can always email: email@example.com and I’ll kill your stage.
I’m working on an EP called ‘Save UR Emotions’, S.UR.E. for short. I’m coming out with a lot more visuals, Melo’s Story was just the beginning. Also working on a collab with a couple of West Coast artists. So I’m pretty much going back and forth from NY to LA. I’m trying to spend all the time I have outside of my 9-5 to make this happen, staying as busy as possible.
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Quickfire Interview With: Drew Schiff
Over the last two years, Drew Schiff is 100% focused on his artistic career. To my great surprise, the Indie Singer-Songwriter has a degree in political science, but his passion for music would not change it for anything else. “Ride The Wave”, is his latest single, and all proceeds from it are going to the Stonewall Community Foundation. Electro Wow caught up with him to do a quickfire interview to get to know him better.
1 – You’ve been singing since…
Does the shower count?!
2 – You got involved in the music realm because…
It’s a beautiful way to express yourself. When you’re hurt, or happy or excited. I always loved the idea of being able to spread a message, influence people, be the soundtrack of their special moments. It can be a very powerful and rewarding tool.
3 – Your sound is…
How do I describe the ‘Drew Schiff’ sound? Especially as it’s still evolving and hopefully it never stops doing so. “Ride The Wave” is only my third release yet I already have things I would change in both of my previous songs. I think I am very knit-picky. I’ll probably be like George Lucas, going back time to time to enhance my previous works! This probably sounds controversial huh? To answer the question, I’d say pop. But then as we know, pop can go to so many directions, I view it as a tree. Add more heavy, hip-hop influenced beats, or a guitar to make it more rock, I love experimenting. I’d say my heart is closest to RnB, with some good beats, bit atmospheric, added some electronic influences which I think is exciting. One thing I’d make clear: I do not view ‘commercial’ as a dirty word. ‘Imagine’, ‘Like A Prayer’ or ‘Purple Rain’ all reached phenomenal commercial successes, yet I don’t think that any self-respecting ‘musos’ would say anything against them. Be smart.
This is a tough one. I love MJ and Beyoncé for their work ethic and how they consciously built / building their legacy. Kanye West for being so experiential. The list goes on. I’d like to take and implement different traits of different people that I look up to, whether it’s for their message, their vocal technique, their writing skills, moves or styling.
5 – Fans should listen to your new single “Ride The Wave” because…
It’s a beautiful midtempo ballad with a singing style in the pre- and chorus that somewhat imitates the movement of waves. It is a love song but if you listen again and concentrate on the lyrics, it is a song about loving someone no matter what. Where you’re coming from, what some people tell you you should or shouldn’t be. You can have a shit storm around you, but as long as you got someone to got you, you can deal with it all, together you can be the eye of the storm. It is also a charity song, with the proceeds going to the Stonewall Community Foundation. So the more you listen, the more you help. 😉
6 – If you want to know who Drew Schiff is, listen to the track…
Given that I only have three tracks out atm, I’d say, listen to all. Or listen to “Ride The Wave”, the new one.
7 –Your most memorable career moment so far has been…
Charting in the USA with my second song, “It’s Just Today!”.
8 – Your dream is…
To become big enough to play with Ariana Grande.
9 – Your next release is called…
TBA. I mean I don’t have such a detailed master plan. I have checkpoints I want to make but I write a lot so even right now, I am simultaneously working on about eight songs that are at various stages of readiness. Two weeks ago, I gathered some friends for an extended weekend, we went out, played videogames and wrote some tunes. It was awesome!!
10 – Your all-time favourite track is…
Wow, this is a very cruel question haha! Ask me about a favourite album, that’s hard enough, but at least I could attempt to crack it!
11 – Your favourite movie is…
Hm. I’d say The Little Mermaid. I love the music, the old-school, beautiful hand-drawn animation and how Ariel dares to dream big, she goes against what people in her ‘bubble’ tell her. I can definitely relate to that.
I think a politician. I would try to make a difference. And make beautiful speeches with mermaid metaphors.
13 – You’ll only stop making music if…
First I wanted to say, ‘if hell freezes over’ or something cocky like that but come on, let’s be real, if no one wants to listen, I shan’t be as arrogant to keep on pressing it. But I hope this won’t be the case.
14 – In a few years, you want to be…
…called the Prince of Pop.
15 – What are you doing for the rest of the day?
Working on my website, gym, plotting world domination… I actually need to tell my stupid ex off for something so I need to find sufficient time to do that. We are super close but sometimes you gotta do what you gotta do.
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