Modern lingo may digress from the poetic lyrics of classical days, but last year DENM proved that all romance isn’t lost with his single “Lit,” which forever transformed a slang term into a bona fide sensation. The world became very familiar with DENM‘s catchy electronic garage-pop when his debut EP “Dreamhouse” soared to the very top of Soundcloud‘s electronic charts and now has over 10 million combined streams across Spotify, Soundcloud, Apple Music and Youtube. “Lit” also settled into the top three slots on Spotify’s Global, UK, and US Viral playlists, and ultimately served to place DENM among the top new talent in the indie dance scene. While he’s in the studio producing his next EP, DENM has released a fire remix package of both “Lit” and “Green” for your listening pleasure. Featuring edits by Nicolas Haelg, De Hofnar, Jamie Edge, ERMEZ, and Niklas Ibach, the remixes range from deep and driving to groovy and funky; fans of DENM and artists like Daft Punk and ZHU will certainly enjoy every one of the five tracks.
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Modern dance music hasn’t heard anything quite like DENM; the talented Santa Barbara artist has an organic and whimsical take on electronic garage-pop, effortlessly blurring the lines between a myriad of genres. This ability to create sonically diverse but relatable, profound but entirely danceable, music is what sets DENM apart from other up-and-coming artists, whose sounds often seem shallow and mundane by comparison. Following the breakout success of “Dreamhouse,” DENM released the deeply personal single “Under Pressure” and a thoughtful rearrangement of OutKast‘s 2003 iconic single “Hey Ya.” True to his original form, DENM‘s interpretation of the now-class dance floor jam turns it into a downtempo, piano-fueled track featuring DENM‘s own vocals on the chorus. His “Hey Ya” remix has been featured on Spotify Germany‘s New Music Friday playlist and was also the #1 song in Spotify‘s Chill Tracks & Friday Cratediggers playlists in the US. It seems like the world can’t get enough of DENM‘s breezy, dancy and utterly captivating tunes, and we are sure that the best is yet to come.
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A Remix Of Deltiimo’s “Happy For The Weekend” Is Popular On TikTok
Surprisingly, TikTok has one billion active users from all over the world. The short video platform welcomes Deltiimo and Electro Wow to a great marketing tool for artists. Indeed, dance videos of Deltiimo’s “Happy For The Weekend (L&O Cool Vibe Remix)” are currently circulating the app. Honestly, I’m not sure if this is a sort of challenge, but it still requires a massive online sharing strategy in order to go viral.
What is certain is that this remix is becoming popular as time passes by. Additionally, it urges everyone to share clips of themselves dancing and singing like nobody’s watching. It was back in the late 90s when the original version of “Happy For The Weekend” was released. Today, this remix gives a new dimension to the dancey track, filled with good vibes and beats.
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Masked Female Electronic Music Producer, Rogue Sinner Drops 👽 “Baelien Invasion”
Masked female electronic music producer, Rogue Sinner is making serious waves since the premiere of her new single, “Baelien Invasion”. Primarily, she delivers a bass-heavy track with a touch of hi-hats and wobbles. Without a doubt, it was designed to round on the EDM festival circuit for this summer. From my view, the track unleashes the kind of hands-in-the-air effect that will turn up the crowd. Of course, this is an absolute heater with a unique pumping sound you can’t resist in the end. So, are you ready to move your feet? If you wish, check this out!
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Love “Baby Shark”? Here’s What You Shold Listen To Next: “Buzzy Bees Are Everywhere”
Kids and parents can dance together to Deltiimo & The Grandkids‘ new single “Buzzy Bees Are Everywhere”. As a matter of fact, this tune has a special significance to the veteran British Producer, Gary Louca because it features his two granddaughters singing on. Together they create a family-friendly atmosphere with uplifting EDM. In fact, it is as catchy as the children’s viral song “Baby Shark”.
Incredibly, it’s got a huge response on the world wide web in less than 24 hours. After fans requests for a lyric video on Youtube, sooner or later, I believe this is going global on all streaming platforms. To sum up, “Buzzy Bees Are Everywhere” is a clear sign that Deltiimo continues to evolve with new projects and creative ideas. Listen in full above.
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Phantom Boy Celebrates Summer With New CD + Shares “Bandolero” Remix
Every time we talk about Latin Dance music, we’re inclined to think of Phantom Boy. The multi-talented artist based in Los Angeles will make your summer better with his upcoming CD. Be sure to mark your calendar so that you can dance to the beat of ‘Sweet Candy Caramelo Remixes’ on June 28th. What’s more, five of his classic hits have received the remix treatment. According to Phantom Boy, he explores the EDM spectrum by providing you with different listening experiences.
Planning ahead before its release date, he shared with us the “Bandolero (Euro Urban Remix)”. The addicting rhythm seems to works well at clubs or even in workout playlists. In addition, drum machines and synths are in perfect harmony with a tropical melodic touch, which recalls the passion of Flamenco dancers. Ultimately, the fresh energetic bassline is what gives new life to the original version. Enjoy it!
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Dress Code Delivers Melodic EDM Single “Ride Tonight”
Dress Code returns in time with a summer single, “Ride Tonight’”. The American Producer combines melodic EDM with some Rock elements. First of all, this interesting track starts off with a stripped catchy rhythm. The listener is then introduced to the driving 4/4 beat with an infectious vocal performance. Undoubtedly, “Ride Tonight” has the ability to resonate with EDM aficionados as the single contains every feel-good element + the anthemic melody. As it progresses, you are introduced to the gritty electric guitar lead. In other words, Dress Code delivers a sonic hybrid that brings aspects from different genres into one danceable piece. Press play below.
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