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Zeds Dead, Snails & Akylla Drop New Track “Magnets” Ahead Of The Shell 2.0 Tour

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While a love song isn’t necessarily what you’d expect from the inventor of a genre called “Vomitstep,” that’s exactly what Snails has created on his newest release “Magnets”. Produced in collaboration with heavyweights Zeds Dead and live electronic duo Akylla, “Magnets” is a rollercoaster ride through a passionate relationship, complete with dramatic vocals, stabbing percussion and goosebump-inducing bass. To sum up the track, Snails says “”Magnets’ is all about putting together beautiful melodies and vocals with intense basslines to create a powerful love song. The mix of all our styles complimented each other exactly how we wanted and so happy how the song came out.” A romantic ballad for the modern basshead, “Magnets” is guaranteed to create some serious flames on the dancefloor this fall. It’s out now as a co-release between Snails’s Slugz Music and Zeds Dead’s Deadbeats labels.

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Just in time to showcase his recent releases – such as “Magnets” and “The Shell: Remixes” LP – Snails is about to embark on his massive 52 date North American tour, which will feature his brand new stage The Shell 2.0. The stage is being called a “holographic bass music experience powered by groundbreaking production” and is done in part with Beama Visuals, the stage production wizards for Excision and other impressive clientele. The tour kicks on October 5th at Snails’s own festival Sluggtopia at the iconic Red Rock Amphitheater, where “The Shell 2.0” is being unveiled to the world. Expect to hear some heavy tracks from Snails’s recent remix album of “The Shell”, which features some guest artists who will perform at Sluggtopia, including Funtcase, Space Jesus and SVDDEN DEATH among others. Also, 12th Planet, Kill the Noise, Liquid Stranger, Cookie Monsta and Voyd will be joining Snails throughout the entire “The Shell 2.0” tour on select dates as well as SVDDEN DEATH, HEKLER and UBUR as touring support. Check out “The Shell 2.0” tour dates below and grab tickets to a city near you!

Snails is truly an artist whose music has no boundaries. After spending years crafting music featuring the most grimy sounds and unrelenting bass imaginable in his small apartment, his “Vomitstep” sound found a home on labels like OWSLA, Dim Mak and Monstercat – along with a cult following that truly embraces it. Snails recently launched his label Slugz Music as home for his music and others’ that is as outrageous as they want it to be. As collaborators on “Magnets,” Zeds Dead add their pioneering touch of bass music that has developed into their iconic sound over the last decade through classics like “White Satin” and “Lost You.” Their consistent stream of quality releases has won them the adoration of millions of fans and praise from the biggest names in music. Following the release of their long awaited debut album in 2016, Zeds Dead have continued to surprise old fans and gain new ones with a series of collaborations with Illenium, Ganja White Night, Jauz, and 1000 Volts (Redman & Jayceeoh). Zeds Dead runs their own label Deadbeats, recently released singles from Devault, DNMO, GG Magree, Hunter Siegel, an EP from 1788-L, and a critically lauded debut album from Shades entitled “In Praise of Darkness”. The organic melodies and emotive vocals on “Magnets” are compliments of electronic live duo Akylla, who join forces with Snails again after working with him on 2017’s “Only Want U.” “Magnets” is bursting with the talent of these three artistic groups, so don’t miss the chance to be among the first to listen!

Snails’s The Shell 2.0 dates. Grab your tickets here

10/05 – Denver, CO – Red Rocks Amphitheater
10/08 – Des Moines, IA – Wooly’s
10/09 – Omaha, NE – Sokol Auditorium
10/11 – Missoula, MT – The Wilma
10/13 – Seattle, WA – WAMU Theater
10/15 – Reno, NV – Cargo: Whitney Peak Hotel
10/16 – Boise, ID – Revolution Center
10/17 – Chico, CA – El Rey Theater
10/18 – Fresno, CA – Rainbow Ballroom
10/19 – San Jose, CA – City National Civic
10/20 – Los Angeles, CA – Hollywood Palladium
10/21 – San Luis Obispo, CA – Fremont Theater
10/24 – Tucson, AZ – Rialto Theatre
10/25 – Albuquerque, NM – Sunshine Theater
10/26 – Las Vegas, NV – World Market Center
10/27 – Phoenix, AZ – The Van Buren
10/30 – Columbia, MO – The Blue Note
10/31 – Fayetteville, AR – Fayetteville Town Center
11/01 – Tuscaloosa, AL – Druid City Music Hall
11/02 – New Orleans, LA – Republic NOLA
11/03 – Atlanta, GA – Buckhead Theatre
11/04 – Birmingham, AL – Iron City
11/07 – Greenville, SC – The Firmament
11/08 – Norfolk, VA – The NorVa
11/09 – Richmond, VA – The National
11/10 – Charlotte, NC – Fillmore Charlotte
11/12 – Mobile, AL – Soul Kitchen Music Hall
11/14 – Tallahassee, TN – Bajas Beachclub
11/15 – Tampa, FL – The Ritz Ybor
11/16 – Orlando, FL – House of Blues
11/17 – Miami, FL – The Hangar
11/20 – Syracuse, NY – The Westcott Theater
11/21 – Pittsburgh, PA – Stage AE
11/23 – Montreal, QC – Telus
11/24 – Toronto, ON – Danforth Music Hall
11/26 – Portland, ME – State Theatre
11/28 – Buffalo, NY – Town Ballroom
11/29 – Boston, MA – House of Blues
11/30 – Washington, DC – Echostage
12/01 – New York, NY – Terminal 5
12/02 – Columbus, OH – The Bluestone
12/03 – Louisville, KY – Mercury Ballroom Box Office
12/04 – Cincinnati, OH – Bogart’s
12/05 – Grand Rapids, MI – The Intersection
12/06 – Royal Oak, MI – Royal Oak Music Theatre
12/07 – Chicago, IL – Aragon Ballroom
12/08 – St Paul, MN – The Myth
12/11 – Cleveland, OH – House of Blues
12/12 – Indianapolis, IN – Old National Centre
12/13 – Kcmo, MO – Arvest Bank Theatre at the Midland
12/14 – Dallas, TX – South Side Ballroom
12/15 – San Marcos, TX – The Marc

MORE INFO ON ZEDS DEAD / SNAILS

Zeds Dead: Soundcloud | Facebook | Instagram | Twitter 
Snails: 
Soundcloud | Facebook | Instagram | Twitter

Dubstep

Oliverse Releases Five-Track Experimental Bass ‘Outerworld’ EP

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Oliverse
At a time when Bass music is at its peak, it can be hard to find an original sound among the womps. Enter Oliverse, the young Producer who is forging his own experimental Bass sound with his newest EP, appropriately titled ‘Outerworld’. The five-track collection spans a variety of genre inspirations, from the electro, dubby and futuristic opener “My Vibe” to the ethereal vocals and melodic basslines of the sensual “Unspoken” ft. Elle. Oliverse employs the fusion of elements from Electro House, Future Bass, Dubstep and more to make his unique sound, which is sometimes brought to life with the synth-laden drops of “Parachute,” or the more cinematic and melodic outro track that gives the EP its name. No matter your taste on the bass spectrum, this EP has something for you. ‘Outerworld’ is out now on Disciple Records.

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Ryan Oliphant – better known as Oliverse – was always destined for music. An emo kid at heart, the UK artist started playing guitar at a very young age, which eventually led to the exploration of producing music. In his earlier career, Ryan used multiple different aliases to create Dubstep primarily, but Oliverse was born in 2015 when he decided to shift his focus to a more experimental Bass sound. The talented youth quickly found his feet in the Bass scene and released his debut EP ‘Mountains’, which he quickly followed with his single “Hold It Down” alongside the highly anticipated remix from recurring collaborator, Tisoki, which earned a staple track status in Skrillex’s sets throughout the year. He’s also lent his high-energy, dynamic sound to remixes for Modestep, Emalkay, Dodge & Fuski. Since then, he’s earned the support of legendary artists including Excision, Getter, Borgore, and Diskord. As the ‘Outerworld’ EP demonstrates, Oliverse is just getting started, and he’s only going up from here. Keep an eye out for more from Oliverse coming soon!

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Dubstep

Riot Ten Drops Dubstep & Hip-Hop Influenced ‘Hype Or Die: Sun City’ EP

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Riot Ten
They say everything is bigger in Texas, Lonestar state native Riot Ten proves this true for music as well with his new ‘Hype Or Die: Sun City’ EP. Out now on Steve Aoki’s Dim Mak Records, the six-track EP hits hard out of the gate with the stabbing, robotic bass of “Los Pinches” and never stops, carrying through on tracks like the absolutely relentless, heavy-metal influenced “Ain’t Scared” with Pierce featuring Hashu and the hip-hop tinged “ShutYaMouth” with Foreign Suspects featuring Atarii. The EP’s closing track “Sun City” provides some respite from Riot Ten’s massive assault to the senses, serving as a well-needed breather after an adrenaline-inducing sonic experience. Riot Ten teamed up with 9 producers and singers/songwriters for “Hype Or Die: Sun City,” making for an all-star lineup of bass, hip-hop and dubstep names. To tie it all together, he’s preparing for the premiere event of his own “Hype Or Die” festival in his hometown of El Paso, Texas on May 31st. Get ready for a day of pulverizing basslines courtesy of Riot Ten himself with support by Bonnie x Clyde, PhaseOne, G-Rex, Moonboy and more. Get your tickets here while you still can!

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Riot Ten is best known for his breakout single “Rail Breaker,” which held down a place on the Beatport Dubstep Top Ten chart for almost half a year and continues to be one of the most played out records in dance music over 2 years later. Even across genres, fans of The Chainsmokers will recognize Riot Ten’s “F*ck It” as the track they opened every show with on their massive “Memories Do Not Open” tour. After those early successes, the American producer dropped his debut EP with Dim Mak called “Hype Or Die: The Dead” in February 2018, recording a Top 10 debut on the iTunes Dance Album charts. Riot Ten followed up with a second EP “Hype Or Die: Genesis” to coincide with his 40+ city “Hype Or Die 2018 Tour,” selling out shows across the US in nearly every major market. Although he’s a gamer geek at heart, Riot Ten also knows how to throw a party, having performed live sets at popular festivals including Coachella, EDC, Electric Zoo, Nocturnal Wonderland, Lost Lands, and more. Keep an eye out for more new music and exciting appearances from Riot Ten coming later this year!

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Dubstep

NGHTMRE & SLANDER’s Gud Vibrations Label Releases ‘Mutation’ EP

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Gud Vibrations Label
NGHTMRE
& SLANDER‘s imprint Gud Vibrations welcomes the newest member of the crew, Midnight Tyrannosaurus, with the release of his ‘Mutation’ EP. The three-track project delivers Midnight Tyrannosaurus’s incredibly unique, heavy-hitting dubstep style from the instant the robotic, mechanical title track begins, starring bone-shaking bass and jarring synths. “Banana Planet” packs an otherworldly, tribal bass punch, evoking images of a terribly dystopian jungle. Wrapping things up is “Styx,” featuring ominous, minimal production style and disembodied vocal samples. While Midnight Tyrannosaurus’s sound is difficult to classify, one thing is for certain – you won’t be forgetting it anytime soon. Labelheads NGHTMRE & SLANDER share their excitement about bringing on this talented new artist:

“We are very excited to welcome Midnight Tyrannosaurus to the Gud Vibrations family! He is an incredibly talented producer that is truly pushing the boundaries of bass music. The one thing we love the most about Midnight T is that his songs are instantly recognizable and very unique. We can’t wait for the world to hear his new EP! We hope it really challenges listeners to open their minds to something new! Get ready!” – NGHTMRE & SLANDER

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Before linking up with the Gud Vibrations camp, Midnight Tyrannosaurus had written releases on multiple bass labels over the majority of the past decade, most recently on Never Say Die’s Black Label. He is currently on his first solo worldwide headline 40+ date “Mutation Tour” to promote the EP, which began on January 18th in China and hits major cities such as Sydney, Las Vegas, Los Angeles, Chicago and more. The tour also features Midnight Tyrannosaurus’s own visuals and support from bass artists YAKZ, Kai Wachi, and Cromatik. The future is looking very bright indeed for Midnight Tyrannosaurus, who is set to be one of Gud Vibrations’ artists of 2019, alongside WAVEDASH, Shadient and of course NGHTMRE and SLANDER themselves.

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Dubstep

Jarvis Revitalizes Hard-Hitting Brostep Genre With Full ‘The Bro Code’ EP

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The Bro Code
If you haven’t heard of Brostep yet, it’s about to become part of your vocabulary courtesy of British producer Jarvis and his new EP, appropriately titled ‘The Bro Code’, out now on Firepower Records. Featuring recently released tracks “Death Rave” and “Reborn” as well as the previously unheard “New Dimension” and “Moombruh,” Jarvis uses pulse-quickening basslines, serrating synths and unexpected melodies to create a personal style that is aggressive, distinct and dancefloor-friendly – that is, if headbanging in a mosh pit is your idea of dancing. Brostep is certainly not for the faint of heart, but Jarvis’s legions of Bros are a special breed, abiding by his “Bro Code” and ready to assemble for their leader at any moment. Press play to listen to ‘The Bro Code’ EP and jump on the Bro-wagon yourself!

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Since the summer of 2015, Jarvis has been making waves with his dynamic, bass-driven and foot-stomping sound. Throughout his years as an artist, he’s experienced a transformation he describes as a phoenix, rising from the ashes of the sounds of old to reveal his new sonic mission: reviving the Brostep movement. Armed with the hashtag #BringBackBrostep and a list of commandments for every brostep lover to live by called the #BroCode, Jarvis is amassing a loyal following of listeners just as devoted to the early-Skrillex-era music as he is. The #BroCode spans a myriad of unspoken rules between bros, touching on everything from DJ etiquette to fashion do’s and don’ts to rave rules. Open to all genders, colors, shapes, and sizes, Jarvis means to use the #BroCode to unite the scene in these divided times, bringing people together to enjoy the universal religion that is electronic music. Keep tabs on Jarvis and the latest Brostep news and music.

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Dubstep

Rising Dubstep Producer HattteR Will Blow You Away With New Remix!

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HattteR
Dubstep fanatics get ready for this hot remix of  Lil’ Troy‘s “Wanna Be A Baller”. Personally, I can’t get enough of its heavy bass treatment. HattteR, a rising Producer from Houston, Texas literally transforms this old school Hip-Hop hit with vicious slashes, bouncy wobbles and whomps. Pushing the boundaries of the genre with a makeover that will blow you away.

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In fact, I’m surprised how the track starts off rather calm but then the high energy kicks in. This happens when you feel those thunderous bass quakes penetrate your ears. Despite he’s new in the underground scene, headbangers are getting addicted to his inventive takes on classics. Incredibly, since its premiere, the remix has reached over 16K streams on SoundCloud. Consistency is key, therefore, HattteR has announced to drop new music every month, and sometimes, every week. Let’s keep an eye on him!

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