Calzo Houdini has been involved in different projects with Empire of the Sun, Peter, Bjorn and John, The Streets and a few others… He’s clearly a talented producer who opens up about his passion for music in this exclusive interview. Don’t miss a word of this creative artist who has a lot to offer!!!
1 – How long have you been producing and how long does it take to produce a track?
I have been producing music professionally on and off for almost 10 years. Starting around 2007 I had a label which became a sub of Warner Music Group (WMG) and then part of BKKMG Records in Thailand. The time put into a track varies. If I’m making my own tracks I’d say anywhere between 2-4 weeks per track. That will sound like a long time to some producers but I take breaks in-between so I’m not burning myself out, plus I have other work commitments. If I’m producing music for another artist it really depends on the style of music, what they expect of me and their deadline.
2 – What is your state of mind when you produce a track?
There are long periods of time when I’m not in the mood to make music. It’s either a lack of motivation or I’m too busy. I’m easily distracted when I’m sitting in my studio so if a track isn’t working I’ll start a new one and see what comes out after an hour or so. If I like what I hear I’ll focus on that track for a few sessions which will hopefully turn into a finished song. So to answer your question, my mind is always wandering all over the place. I have 5 hard drives full of unfinished tracks.
3 – You are also into DJing and what genres do you play?
I have tried DJ-ing a few times but again I’m easily distracted and lose sight of what I’m doing. I start enjoying the music and atmosphere a little too much and can’t focus. I prefer to listen to the music rather than concentrating on making sure people are having a good time. We record DJ live streams in my studio every now and then but I hand over the DJ reigns to my friend Ron who really knows what he’s doing whilst me and Valerio play around with the cameras and make sure the audio is on point. It’s mostly Deep House and Dance music I guess. A few of our past live streams are on my YouTube channel.
4 – You lived in Thailand, How good is the nightlife and the electronic music scene over there?
Thailand has a massive choice of clubs and bars depending on your taste in music. For electronic music the larger clubs in Bangkok cater to more mainstream dance, EDM and house music. I’d recommend checking out Levels nightclub in Bangkok if you are ever over there. I loved Bedsupper Club in Bangkok but they had to close it down in 2013. They had a lot of top DJ’s and artists playing there every few months. My wife Chelsea and I used to live in Pattaya where they have club 808, MIXX and Lucifers which all have a stream of great DJ’s and live bands playing every night, resident DJ Andy P from Manchester being one of my favourites. I play his mixes on my radio shows, great stuff. Look him up on Facebook.
5 – Tell me about your work with Empire of The Sun? Was it easy or hard work?
It initially started when I produced a remix of the PNAU track ‘With You Forever’ which has Luke Steele on vocals, who at the time was in a band called The Sleepy Jackson. Luke then later created Empire of The Sun with Nick Littlemore who was in PNAU. Randomly out of the blue my remix was played by Swedish House Mafia on BBC Radio 1’s takeover show about a year after I released the remix. Someone in their camp heard it and I got to work on small bits and pieces with them on their second album ‘Ice On The Dune’ about 4 years later!
6 – Where can we listen to your new EP ‘One Man Room’? Are you planning to release a music video?
The new EP is available to buy from all of the usual digital retailers and on Spotify if you want to stream it. I wanted to release a vinyl but that’s something I’ll keep for an album. There won’t be a full-length music video for the EP. I filmed a short promo for the title track which is on my YouTube channel but nothing on the EP really warrants a full-on music video.
7 – Do the lyrics tell a story? Who provides the vocals on this EP?
When I set out to make the EP I planned to have the tracks flow together and tell a story but the deeper I got into it the more I realised that I just wanted to release a collection of songs that I had finished and enjoyed making, which is why it doesn’t fit together like an album would. There are a few artists providing vocals on the EP. The majority of the vocals are from the super talented Stevie Adams and Holly Drummond. You can find Stevie’s EP on Spotify and her videos on YouTube and Holly does a lot of studio session work. Both great artists in their own right. When we were recording vocals in my studio Stevie was bringing melodies to the tracks that I would never have dreamt of. She’s a great singer and songwriter. Keep your eye out for her.
8 – As an artist, do you share every aspect of your life with the Internet?
Ha! No. Musicians, actors, performers and artists all have to share a certain amount of themselves with “the internet”. It’s 2016 and the media industry is driven by the internet whether the big labels and studios like it or not. As loathsome as self-promotion is for both the artist and their followers it’s a large part of getting your music out there. There’s only so much a record label or publisher can do for you. An actor is obliged to promote their movie, why shouldn’t a musician tweet about their music? When it comes to personal stuff, I enjoy posting photo’s of my wife looking at menus in restaurants and videos of my cat but that’s probably as much of my family life as I’ll share with the internet. No one is really interested in the personal stuff, although I have been asked some strange questions over the last few years, mainly from Empire of The Sun fans.
9 – You produced a free a track for the IBIZA Together Week Parties, who is it aimed at?
I was contacted by a promoter for the IBIZA Together Week and asked to create a track and video that would be played in and around the weeks events. It was intended to be played more as background music or as an art piece that would be projected on screens in bars whilst everyone is chilling out and having a few drinks. So I guess it’s just there to keep people motivated and in the mood when they are socialising before they head out to see the big DJ acts in the clubs. I like to think of it as elevator music. The kind of music that you hear in the background but it sticks in your subconscious. Something you would remember if you heard it a few months later but couldn’t quite place where you had heard it. That’s the idea. It’s fun making quick off the cuff house tracks like that. Easy. Plus I’ve never been into the whole Ibiza scene, I’m a recluse. It would be amazing to be there and hear the track being played poolside but I’m in no rush. I made it and it’s over there being heard by someone, somewhere, that’s enough for me.
10 – What days are you live on your online radio show?
The radio shows are on a hiatus at the moment until I get other work out of the way but I would love to bring it back with some real DJ’s, hosts, and guests. I’d like to incorporate our DJ live streams and make it a monthly event. It’s something I’m working towards but it’s difficult to keep a schedule when there are so many other projects on the go. It’s a matter of sitting down with my friends Ron and Valerio and building something where we can feature new artists and local talent. I think there would be a huge interest for something like that, especially if we keep it local to start with. The guys at the Boiler Room do it perfectly.
11 – We know you’ve worked on film scores, In what kind of film does your music fit?
The first original film score I produced was a single track for Gerard Butler’s film production company back in 2011. It was intended for the end credits of the movie Playing the Field. My track was dropped from the movie when the producers decided to change the title of the movie to Playing for Keeps. Somehow my track no longer fits into the end credits and that was the only shot I’ve ever had at a “Hollywood” movie. I still haven’t seen the film but I know Andrea Guerra would have put together a great score for it. For the last year or so I have been sporadically working on a score for a Swedish independent movie called Spare Change. I’m looking forward to releasing the album for that soon. I love pulling together strings and orchestration and then watching real musicians play it. Magical.
12 – What’s your favorite song you’ve ever produced? Why?
That’s a tough one. I think it would probably have to be when I wrote orchestration and produced the remix of ‘The Streets’ (Mike Skinner) track ‘Everyone Has Something to Hide’ from his last release as ’The Streets’ ‘Computers and Blues and Cyberspace and Reds’. Shoutout to Tess, Jamie, Shep, Ozzie, Rod, Emma & Adam Dempsey. Good times.
13 – Do you find that most of the people you meet in the world of music have quite bad taste in music?
I’m not sure I understand what ‘bad taste in music’ is? I think there is an ear for everything out there. There are genuine people in charge of the industry who have no interest in even being associated with the music side of the process. Businessmen who can’t decide what music they enjoy because they don’t understand the concept of music. As one of my hero’s, Gene Wilder, once said, “Show-business… I like show, but I don’t like the business.”. Music is subjective but at least let the creative ones produce, influence and direct the industry. The same goes for the art world, comic books, movies, and radio industries. Everyone needs to back off, let people who know what they are doing get it done. Business men will always reap the benefits regardless but at least talent flourish and grow without being restricted by sociopathic old men with money and fuck all else to do with their time. I dunno, it’s a vicious circle of the industry. Keep on, keeping on.
14 – What’s your label’s plan for making you a more commercial-oriented artist?
I’ve never been interested in becoming a commercial artist. My label primarily focuses on building K-Pop bands and Asian rock bands. I knew that from the beginning and I’m happy to just have an output to get my music out there to the few who want to hear it. It’s fun. My music performs pretty well in Asia but I have no intentions of trying to be anything other than a guy from Edinburgh who makes music in his bedroom.
15 – Which artist would you like to collaborate with?
Paul Buchanan. Single greatest songwriter of all time in my opinion. Please look him up on Spotify and if you meet him in Glasgow, tell him I’m asking for him. He was part of the 80’s band The Blue Nile. Their music is phenomenal.
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Dar.Ra Talks Latest Single And Confirms New Album In 2021 — Interview
Following the release of his latest single “Rise Like The Sun” along with its proper EP, Dar.Ra also plans to drop a new album in 2021. ‘Ballads For The Down-Trodden’ has been confirmed to be out by the end of January. In this exclusive interview, the British artist talks about the recent single, the most important details on the upcoming album, but also his various side projects, which include his own radio show.
1 – Can you reveal to us the name of your upcoming album?
I have two new projects out, a single called “Rise Like The Sun” with 6 killer remixes. One from Columbia and one from Sri Lanka from a killer Producer called Vidula who did the “Lights” remix from the new kinda normal album.
I did the other mixes which have a tribal House feel and an Ambient 6 am Chill Out mix. All mixes have a Sunshine title, from UK Sunshine mix, Indian Sun mix to Australian, Indonesian, USA, and Columbian mix. It’s all about not being dictated too in your time here and “Rising Like The Sun” every day of your life.
The other project is more of an alias back vibe and is a compilation of slower more Ballad type songs that I have had released over the years. I am doing a radio show called The Kusha Deep Radio show which is going out around the world through various Radio outlets and I did this show which featured some of the laid-back tracks I’ve done and I thought it would make a great album of torchlight songs. The album is 12 tracks long and is titled ‘Ballads For The Down-Trodden’ and is out later this month.
I am also working on a new album of songs for the spring with a new single planned for the first quarter of the year release.
2 – Were there specific things that helped you get creative?
I’m always inspired by life, it’s hard not to be unless you shut off from what’s going on around you. Even in the middle of a global pandemic, I had two singles out “Stand Up For The Heroes”, “Rise Like The Sun” and the ‘Whisky n Honey’ EP plus two remixes out. I also started doing a new project which is now syndicated around the world called The Kusha Deep Radio Show, which started off playing tracks that I had out over the past 25 years.
I also started doing a TV show with a Washington DC-based journalist MJ Godfrey which is a cultural review show looking at things happening in the UK and the USA. I’ve also written the next album to follow up on 2019’s ‘New Kinda Normal’. If you stay open to ideas and let them flow it’s a natural vibe for staying creative.
3 – Are you discovering new sounds on this new record?
I explore different sounds all the time, I’m getting known for merging styles and creating new hybrids like Rock Step a vibe that featured on the ‘New Kinda Normal’ album which mixed the elements of Rock and EDM together which you can feel on tracks like “Nightstepper,” “The Beat” and “Heart Shape Pill.” There’s also a genre called Gothic Soul which you can hear on tracks like “The Lights” and “Whisky n Honey.” I was feeling the Latin vibe on “Rise Like The Sun.”
I wanted something uplifting that holds no allegiance to what’s happening in the charts but has a classic Santana vibe mixed with that Gothic style vocal.
The actual record itself is truly global, the mixes and mastering were done all over the world, the drums recorded in Italy, the Horns in Portugal, the rest in the UK. I love that about the technology vibe that you can work with people everywhere now.
4 – How many tracks will there be on the album?
The album ‘Ballads For The Down-Trodden’ has 12 tracks and “Rise Like The Sun” single has 6 mixes on it. The new album will have around 12 tracks on it as well, value for money I say!
5 – What themes will the new album explore?
The new album has some wide themes such as loyalty on a track called “No Time For Tears” which has a cool Rock vibe about it. There’s a track about power struggles with relationships on “Don’t Make Me Beg.” There’s a track about migrants looking for a safe place to call home on “Renegade Serenade.” At the moment, it’s looking very love-oriented in one way or another.
6 – Did you collaborate with other artists?
I do work with other artists when the vibe is right. I’m doing a track with a producer called KDX in the UK, a Deep House kinda groove.
7 – What makes your latest single “Rise Like The Sun” special to listeners?
It’s honest, it’s real and it’s played with passion.
8 – What exciting projects can we expect from your label Kusha Deep Records?
All the above and more.
9 – Can you tell us more about your 2021 tour?
We were supposed to be doing a US tour last year, not sure how things will pan out this year but would be good to get out on the road again for a bit.
10 – The global pandemic forced the music industry to try innovative things. What do you think about private live zoom concerts?
I played Rock the Lockdown back in May and we had a few thousand people all rocking out to the set. I also did a US online tour in the summer which broadcast shows into the venues from my studio. I’ve been doing lots of interviews from Brazil to America, Australia, and the UK online which is ace as you don’t have to drive anywhere. Less hit on the climate and you can hit so many more people with a live stream if it’s set up properly.
Nothing will take the place of a jam in front of people, but I think the live stream is here to say alongside the live gig. I love technology though so it’s all good in my book. Be safe out there and looking forward to partying with you all soon!
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Quickfire Interview With: SOUNDQ
Hailing from Krakow, the cultural capital of Poland, Kuba Kubica aka SOUNDQ carries the flag of innovation when it comes to producing electronic music. The interview below is very clear and gives you a deep insight into his art. Scroll down to read his answers.
1 – You’ve been composing songs since…
Year 2000. The year when computer records got screwed by the two 0s was the year when I started programming a dodgy Korg workstation.
2 – You got involved in the music realm because…
I found it liberating not to have to depict anything. To be able to express what I feel without saying or drawing what it was.
3 – Your sound is…
As incomplete as I am. There’s always at least one element causing some imbalance. You’re never quite sure if it all won’t fall apart.
4 – Your biggest inspiration is…
I am most creative when I’m deadbeat and stressed out. So, in a way, pressure inspires me – or rather makes my creative juices flow faster.
5 – People should listen to your new track “Bad Lot” because…
It offers a glimpse into a complete world – fatalistic, sexy, and dangerous.
6 – If you want to know who SOUNDQ is, listen to the track…
“Bad Lot.” And if you’ve heard it already, give “This Heart” a spin.
7 –Your most memorable career moment so far has been…
Crossing the Ural Mountains in -30 degrees Celsius to play a death metal gig in Jekaterynburg.
8 – Your dream is…
Long forgotten the moment I wake up.
9 – Your next release is called…
“Disco Turista Antifascista.”
That’s a tough one. I’ll go with “My Kingdom” by Future Sound of London.
11 – Your favourite place to write songs is…
I love coming up with ideas when I’m traveling. Not a lot of occasions for that in 2020 though.
12 – If you weren’t an artist, you’d probably be…
An Instagram influencer pretending he’s a XIXth Century French flaneur. All dressed in epoch clothes doing product placement for travel gear and shit.
13 – You’ll only stop making music if…
I don’t think I have it in me to stop.
14 – In a few years, you want to be…
Able to go out without a mask, play gigs, laugh together with large groups of people. Travel to big cities and get lost wandering through them.
15 – What are you doing for the rest of the day?
It’s evening already, so I’m going to be busy writing music till late.
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Singer-Songwriter Media Mogul Martone Ready To Launch IRMIX Radio
On March 1st, 2021, IRMIX Radio will be your new alternative to find out the hottest music and your favorite talk-shows. Best of all, it will be in operation 24 hours a day and 7 days per week. The CEO behind this online broadcasting station is singer and songwriter Martone who opens up about this project in the following interview.
1 – What should people know about IRMIX Radio, and can listeners expect to hear when listening to the station?
What people should know about IRMIX Radio is that it is not a hobby and that we have a top-notch staff willing and able to conduct serious, fun, and enlightening interviews, plus, shows. Listeners can expect to hear their favorite artists when it comes to RnB, Hip-Hop, Dance, Indie, and Gospel.
2 – How many radio shows will you broadcast?
Possibly ten to twelve in total. We have a stellar show host roster, some of the shows require hosts. While others do not. I am so looking forward to telling you about them.
No, I have not interviewed artists in advance of the premiere date. That will happen around February for prerecorded interviews for the shows. Lately, I have been interviewing strictly for the website at the moment, and those interviews have been extraordinary, not because I did them, but because of the people that I interviewed and their responses to my questions.
4 – Please tell us more about your collaborators or the staff behind IRMIX radio.
The staff is amazing, we have Donia Collier, Arricca Oberlin, and LA Jackson who are the account executives for the station. They are in charge of bringing revenue into the station from the banner, and commercial ad sales. They are excellent at what they do.
Lamont Hicks is in a league of his own when it comes to video editing, there is no other that can do what he does, the way that he does it. He created The Legends Panel and Madonna Dearest for VH1. We worked together prior when I did my show Industry Revue in the Mix, so I am proud to welcome him back.
So, I will be hosting a show called Spotlight, where I give an in-depth interview with celebrities about their careers, career longevity sort of like the interviews that I post on www.irmixradio.net/interviews, I will play a few of their songs.
The Bridge with Cory George
Cory George is a Certified Clinical Trauma Specialist, he has appeared on Iyanla Fix My Life on OWN. “The Bridge with Cory George” was created by the author, mental health practitioner, producer, and award-winning television host Cory George and is the vehicle that showcases what he describes as his “purpose work”. On-the-air “soul-work sessions” with those that have been negatively affected by various forms of trauma, crisis, and other negative circumstances combined with conversations with compelling guests whose stories are compelling and riveting yet also motivational and inspiring are the heart of the show. He believes that every conversation is a conversation that is worth having. It’s time to take an honest look at salvageable situations and how information and compassion can lead to remarkable breakthroughs.
Common Sense Required
Common Sense Required is designed around two girlfriends who have a passion for discussing provocative topics including relationships, pop culture, lifestyle, networking, and more. Throughout their conversations, common sense always comes to the forefront. What happened to good old Common Sense? People are always searching and seeking answers from a variety of sources when Common Sense is readily available, and it is FREE! Olivia Pope says it best…“What does your gut tell you?” Where education, intelligence, and street smarts are not necessarily, required, but common sense, definitely is! Stacey and Wanda will be the judge if you have it or not.
Time Tuesdays with Tee
Tina Spence is a former model and Hollywood actress. She hosts Tea Time Tuesdays with Tina. She will be interviewing actors, singers-songwriters about their latest projects, delving deep into their careers.
Friday Night Jamz
Friday Night Jamz with DJ Suspence, DJ Extreme Detroit, and DJ Cos – they have rotating schedules. Their styles vary when it comes to playing music, generally, it is House music in all of its variations. I am talking about traditional House music, the kind of House music that you would hear walking into clubs in Detroit, Chicago, New York, and LA. DJ Cos has been known to play club mixes of RnB songs which is always appreciated.
Some shows are host free, like The Drive which will put you in the mind of The Move on XM Radio station back in the day. The Billboard weekly Top 20 countdown from the hot 100 charts.
I am currently in negotiations with bringing on some syndicated shows, that I really cannot talk about at the moment until the deal is done. I will say that all of these shows are exciting, my team from the administrative staff to the radio show hosts bring the experience and skills to make IRMIX Radio a success. I am very proud of the team I have assembled and their abilities.
5 – What challenges did you face since the start of this project?
Man, I have been working around the clock since the beginning of November, when I decided that I was going to bring the station back. Some of the challenges were building the website on my own, designing the look for the ROKU Channel, writing all of the content that you see on the website, aside from the bios of our show hosts and staff they did that themselves, scheduling interviews for content, listening to the artist’s music, then coming up with the questions for the interview.
Finding the right people who can and will bring revenue to the station, coordinating show schedules, contracts, writing contracts, interviewing potential staff, writing policies and procedures for the staff, and more writing, a lot of writing. Sometimes, I felt that there are not enough hours in the day, but I did all of those things because I believe in what I am doing, I believe in what we are all doing. The funny thing is, I found the time to finish up on my personal development by completing my Life Coaching certification, all within the last 30 days.
6 – Will IRMIX Radio be available globally or locally?
IRMIX Radio is global with a local feel if you can imagine that. We are based out of Detroit, MI but the show hosts are scattered throughout the United States.
7 – Are you working exclusively with the ROKU app?
For now, yes. But I do have plans to expand to other platforms by summer 2021.
8 – Is IRMIX radio a platform for unsigned artists, and being an artist yourself and making the switch back to the interviewer, have you given up on your recording career?
We are certainly an unsigned artist-friendly radio station, but we do also play artists that have established careers in music. For what I have in mind in the way that the programming will go, it will blend seamlessly. To answer your question, no, I have not given up on my recording career, I am just on hiatus at the moment, as you know that this is due to COVID. I do not see the need for me to release any new music right now especially since all of my music is performance-based music, if I cannot perform it the way I want to, then it can wait.
9 – What type of experience do you have when it comes to interviewing guests? What are some things that artists should expect when being interviewed by you, and how can artists submit their music?
A lot of people do not know this, but I was 13 years old when my entertainment career started. I started out interviewing guests for a music video show called Video Control, that I produced, directed, and hosted, in Lansing, MI, on cable access channel 37.
My guests can expect 100% professionalism, as for indie artists, I will be speaking with them from artist to artist point of view. I have first-hand knowledge of the challenges that artists face when it comes to being heard and having their music supported, so they can expect an in-depth interview. When it comes to submitting music, they must submit their broadcast quality, no more than 4-minute tracks to firstname.lastname@example.org with that, they must also submit high-resolution photos through Google Drive, along with the photo credits so we can post their info on www.irmixradio.net.
10 – Finally, what’s your ultimate goal with IRMIX radio?
It is two-fold, we have a vision and a mission. The vision is To be the number one source for music, news, talk radio, and entertainment worldwide. The mission It is IRMIX Radio’s mission to create responsible radio programming that will provoke thought and inspire our listeners through music and conversation.
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