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Carnage Joins Forces With Timmy Trumpet For Hardstyle & Trap-Influenced Single “Nah Nah”

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Nah Nah
For his next single back in the dance music game, Heavyweight Records head honcho Carnage teamed up with Australian producer Timmy Trumpet on their new track “Nah Nah”. This time Papi Gordo draws strongly upon hardstyle influences and fuses them with his signature festival trap style. Debuted on the Main Stage of Tomorrowland, this upbeat, euphoric track opens up with driving bass and plucky melodies before evolving into a hardstyle monster that will take no prisoners on the dance floor. Carnage’s latest track comes off the heels of his newly signed deal with UTA for representation across North/South America, Australia, and Asia. “Nah Nah” caters to Carnage and Trumpet’s specific brand of listeners, bass-minded individuals who never shy away from the grimiest, hardest sounds to be found at any given festival or club circuit. This is the second collaboration between the two formidable artists, who previously worked together on “Toca” in 2015 which has amassed over 50 million streams. Since then, Trumpet has made a solid impact on the scene with his energetic live performances, multi-platinum records, and sold-out venues across the globe.

[maxbutton id=”2″ url=”https://fanlink.to/NahNah” ]

Carnage has made a name through breaking the rules and staying true to himself. The Las Vegas-based artist established himself as the reigning champion of hard bass and trap music with early hits, later being one of the first artists to transition electronic music into hip-hop, rap and urban styles. Before launching his label Heavyweight Records in 2017, Carnage put out hit after hit such as “I Like Tuh” with ilovemakonnen, ‘Bricks’ with Migos, ‘Down for Me’ and ‘Guala’ with G-Eazy, ‘Homie’ with Meek Mill and Yung Thug, ‘Learn How to Watch’ with Mac Miller and MadeInTYO and ‘iShyne’ with Lil Pump. Heavyweight Records is a home for hard bass and hip-hop music. Since then, he has gathered a formidable crew of companions on the imprint, from the masked mastermind GRAVEDGR, Gommi, Sludge, Lil Texas, and more. After taking a break from music and touring in 2018 to focus on his mental health, Carnage dove right back into it with his hits “Letting People Go,” and “Wait For Me” with G-Eazy and Wiz Khalifa. In partnership with the RAICES foundation, the music video for “Letting People Go” raised awareness for immigrants at the US / Mexico border and retraced Carnage’s families voyage into America, as covered by TIME and dozens of other outlets. He also contributes his influence and time to this charitable causes close to his heart. Nonetheless, Carnage could not resist producing what he loves the most, bass music, and released ‘Blitzkrieg’, ‘Slot Machine’ and ‘Holy Moly’ all within a month. The ‘Holy Moly’ music video was declared a “Bloody Hysterical Short Film” by Billboard and now after being played out live by DJ Snake, Yellow Claw, Flux Pavillion, 12th Planet and many others have become some of the most hardest hitting tracks of 2019.

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Hi, my name is Erick Ycaza. I have a BA in Advertising & Graphic Design. This blog is to provide you with daily music news and share my personal style.

Trap

Sin Terry Blends Punk Vibes With Trap In New Single “Left Her On Dead”

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Sin Terry - Left Her On Dead
“Left Her On Dead”
by Sin Terry gives off Emo energy in a very peculiar way. At only 26 years old, the LA-based artist has developed his own sound, which blends elements of Punk and Trap music. With a sparkling captivating flow, lyrics revolve around a painful breakup. No one can deny the fact it is one of the most difficult situations to overcome in life. Therefore, he delves deeply into this disintegration of love through confessional feelings and signs of regret as the song continues to unfold.  Watch the new visuals right here.

Whoever believes his creativity exudes from his pores, is undoubtedly correct. Sin Terry grew up listening to Punk Rock, Post-Hardcore and Metalcore. One way or another, these genres influenced the tracks he writes today. Nevertheless, the latest music trends are also important when it comes to producing new stuff that will keep everybody craving for more. Among his top hits are “Keep Me Lighter,” and “Anthems & Angels.”

Might be a good idea to follow him on his socials as he plans to drop more original gems this year. Stay tuned!

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Trap

LISTEN NOW: Kilo House’s Trap EP ‘Ruthle$$’ Is Full Of Electrifying Beats

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Trap EP Ruthle$$ by Kilo House
In case you’re not convinced by the recent releases out there, Kilo House provides listeners a jaw-dropping Trap EP called ‘Ruthle$$ that will change your mind. Certainly, its title says it all. First of all, you can expect electrifying beats, plus a good dose of booming Bass. If you take the time to thoroughly stream this EP, it’s interesting to note incredible samples from classic movies he creatively applies to it. Furthermore, he keeps the hype going as all of these 4 tracks share in common a dynamic sonic structure. Press play down here.

In addition, get ready to blow out your speakers with two euphoric collaborative tunes. At this point, the LA-based producer joined forces with Tae Hero. As a result, here Rap triumphs due to the confident flow and delivery. Of course, I’m talking about “The Hopefuls” and “Sacrifice,” these two jams gives you a new perspective about the style of Kilo House like never before. Together, they offer a high-energy party atmosphere, an ideal opportunity to celebrate once the COVID pandemic finally ends…

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Christmas Trap Music That Will Rock Your Speakers, “Kilo All The Bells”

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Christmas Trap music by Kilo House
Are you tired of playing “Jingle Bells” during the holidays? Then, you must try Christmas Trap music. A few years ago, Kilo House dropped “Kilo All The Bells, showcasing his eerie, dark sounds in tandem with a good dose of Bass. Certainly, it’s different from what you’re used to listening to. Indeed, it’ll rock your speakers and probably wake up the neighbors as well, lol. 🤣

Inspired by John Carpenter’s soundtracks, he tries to emulate suffocating beats that evoke tension on the fly. The f*cking Christmas’ vocal samples are the icing on the cake to represent the fun nature of his work. Moreover, the emerging music producer from Los Angeles, California, goes into arpeggiated synthesizer lines + mysterious SFX in a continuous loop.

Kilo House delivers exceptional results as well as racking up thousands of streams via Spotify. Right at this time, he’s planning to release a fresh Dubstep track in collaboration with his colleague, the New Zealander Logan Ellis aka Lust1nfyr3. Watch this space for upcoming announcements.

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