How much do you really know about DaGeneral? He’s a Scottish Techno DJ, an accomplished producer and the co-owner of General Surgery Records, a prestigious label that supports underground music artists. Read this exclusive interview and get all the details you need!
1 – What inspired you to start Djing?
My uncle is Mike C (Equinox | Fantazia | UBIK) so it was ground into me from the early 90’s fortunately. Back when music in my opinion growing at a rapid rate. There were so many great artists, even back when I was learning the ropes, such as Joey Beltram, Carl Cox, Jon The Dentist, and Jeff Mills were smashing out some belting tracks. From then on with support from Mike, and then Jay M, and Toadtastic to groove me into the DJ that I am today.
2 – Is there anything you miss about the old “Techno” days?
The party scene although I have grown up a bit now, the mad raves were a good scene but the business head has to come together to ensure you have the right frame of mind to spend hours in the studio working on your next track.
3 – What’s the best party you’ve ever played in the UK?
Had a few favourites over the years, supporting 808state at CIRCUS was great, but I also have some fond memories of Judgment Day, and of course Sensations in Glasgow was a great residency to be involved with. It’s hard to choose a stand out night or event as each one has its own quirks and the crowd are always awesome so it wouldn’t be fair to choose favourites.
4 – How big is the Techno scene in the UK?
The techno scene in the UK is flourishing, the crowds are awesome and they love good music. I think a lot of people are sick of the commercial storm that EDM has been giving them. I think the enthusiasts want to enjoy some good underground sounds rather than the generic hands in the air breakdowns, thrown in with vocals which seems to be the norm at the moment.
5 – You’ve released many Techno EPs so far, what have you got in store for us in 2015?
Already working in the studio with Moggi on our next EP which is going to be called “Gods of the Underworld” expect some awesome remixes from at least Two Times Four (Tomorrowland), and Angelo Posito (Italy). And another few tricks up our sleeve on this EP. Expect some banging Techno to come of the production line on this beauty. Also on the Tech House sound I am working in the studio with Felo Rueda (Colombia) on our next cracker. Of course both EP’s will be released on General Surgery Records and will be exclusive initially to HTFR Digital. Then of course you can expect myself and Moggi to go straight back into the studio to work on our next masterpiece.
6 – How did you end up being the co-founder at General Surgery Records?
I was chatting to Jon The Dentist, and he was getting into his Techno sound, so it made sense. We put our heads together and put our names together to make a label, hence the name “General Surgery”. After 6 months of hard work doing our preparation the label was off the ground and we started getting some releases out there.
7 – How do you support underground DJs and Producers via General Surgery Records?
We have an open policy at the moment. So our ethos is that it doesn’t matter who you are, send us a demo and we will listen to it. Whether you have been producing for 10 years or 10 days we will listen to it, give you feedback. And if the track is good enough we will sign it and support you through the process. Why not? We all had to start somewhere, right?
8 – Do you also manage live DJ events?
Yeah keeping busy of course I co-own “This Is Techno Live” with N.K.D. we have a monthly techno radio show running featuring some massive guests 2015 already we have in store UMEK, Goncalo M, Dualitik, The Anxious, and Skober. And that is all before easter! Of course to compliment the radio show we now try to put on 2 club nights per year to make it a great all around show. So far the feedback has been awesome and we have no plans to stop.
9 – Who is your favourite producer at the moment?
Oh that is a tricky question, at the moment their is a few that stand out for me. New talent wise you got to love Simone De Biaisio (Italy), and Huan OC (Spain). For the more tried and tested I am right into Dualitik, their stuff is awesome. Also really digging David Meiser at the moment as well, you have to say the machines really are alive with his production skills.
10 – And finally, What’s next for DaGeneral?
More of the same progression, I hope. Looking forward to some cool events that should be coming up in 2015. Of course the radio show is going from strength to strength so each month’s show is always something to look forward to. Also looking forward to playing at Bodstock festival in Somerset in October, I hear the event is one of the most enjoyable in the country for DJ’s and clubbers alike. I also heard a little rumour I will be flying out to Berlin in the middle of the year which should be awesome. Apart from that a few gigs in Scotland already booked in and 2015 hasn’t even started yet. So fingers crossed it’s all going to plan for a busy year. Of course on the production front expect another good few releases of Techno, and the odd Tech-House thrown in for good measure.
Listen to DaGeneral’s latest hit “Destroyer”.
Out Now on Beatport.
Exclusive Interview: catinca Opens Up On ‘Planet Maniac’ Album
catinca is an electronic musician and producer whose uniqueness makes her songs extra special. After experimenting with Electro-Pop/Darkwave sounds, her debut album ‘Planet Maniac’ came to light. For more information, please read this exclusive interview.
1 — What’s the main theme of your new album ‘Planet Maniac’?
To find a way to live on this maniac planet and to seek the truth in yourself and in everything.
2 — Why did you decide to call this album ‘Planet Maniac’? Were there other ideas?
For a long time it had another name, which I’m gonna use now for the second album. As the debut single is called “Maniac,” it just came naturally.
3 — Did you spend a lot of time writing all these songs? Tell us more about the creative process.
It’s totally different from song to song. Sometimes I just have a slight idea… write a few lines and then it lies there for a long time until it gets attention again. Most of the time the lyrics just flow out at once. That can happen in 10 minutes or several hours.
4 — What drum machines and synths were used on this project?
For the entire album, I just used software synths (Analog lab 4, Analog lab V and Surge) with the Arturia Keylab 61. I’m not nerdy enough, to spend a lot of money on analog synths. I also used the Ableton Push for the drums.
5 — Which of these new songs has the best lyrics? Why?
This is of course a matter of taste and maybe also a fact of what you are going through right now and what resonates the most. But the lyrics of “Stay” are going very deep for me and “Black Angel” because that is what happened to me the last 2 years.
6 — If you were able to change something in this material, would you do it?
The truth is… I’m never 100% happy but if you keep and keep changing stuff… in the end, it’s not better.
Can you ever be satisfied? Even when you have millions of streams or whatever you come to the point where you’re not satisfied. I do it in the first place for myself. Secondly, I like the thought to left something creative on this planet when I leave, and third, I’m happy when there are a handful of people I can touch with my music.
8 — Is it important to you to be musically diverse? How would you describe your style?
Absolutely! I don’t want to be put in a certain genre. I don’t even wanna know what my style is because I wanna be as free as possible. Maybe there will be some kind of a red line through my work but be prepared that every album will be totally different.
That I did this freakin’ album all by myself! But I have to give a shoutout to the collaboration I did with Yellow Majesty from Sweden on the song “Forever.” He is just a crazy good musician and did a fabulous job!
And also a big shoutout to Tino Tranquilo who did a super freakin’ good remix of my song “Stay.”
10 – As an artist, is there something different you would love to approach in the future?
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Exclusive Interview: COY SWEDE & J.O.Y Collab On “Never Ever”
This is the first time COY Swede ventures into RnB by joining forces with J.O.Y. In an instant, you will be blown away as the quality of his new single “Never Ever” feels like charting song material. Read our exclusive interview with both artists!
1 — How did you end up working together?
COY Swede: Me and J.O.Y also did “Closer” through Soundbetter platform together. And RnB being one of J.O.Y’s genres I knew we could make another magic track together.
It’s very rare I work with the same singer again. But we speak the same language musically and we connected, even more, this time.
J.O.Y: Me and COY Swede first met up online on Soundbetter (the leading platform where singers and producers meet to finish each other work). He wrote me to be his singer for his track “Closer.” From there on we became friends and collab more frequently together!
2 — How would you define RnB music?
COY Swede: It depends on how far you go back in time, 50, 70, or 90, and our time. Genre changes very fast in our time and gets a bit blurred or, some genres evolve into something new.
But for me, RnB is still pure Soul and Blues and also can be a flavour of Chill Pop and influences rhythms from Hip-Hop. That’s my personal thinking.
J.O.Y: RnB was my first love in music! I remember listening to greatness such as Joe, Brian Mcknight, and Craig David and was impressed by the runs, variation of tone, and vocal skills these guys have! This made me do a lot of cover songs of the RnB genre and me ending up having my singing style from them.
COY Swede: For me, it evolves me as a producer. Gives me more experience. I work only with the best singers that share my passion among the independent areas.
Over the years I also have learned how to know what I’m looking for around a genre and theme for the song. What vibe do I want to create.
Marketing strategies change all the time and we Indie artists work really hard with the tools we have.
The most important thing for me is to keep going and deliver the music to my listeners. Show interest in other artists, be helpful if I can, and also learn more about how to get my music out there.
J.O.Y: Doing collabs is one of the best ways to showcase your music and learn from it. You learn to see different kinds of colors of music. You are also forced to go out of your comfort zone which allows you to grow.
4 — What new things did you learn while recording “Never Ever”?
COY Swede: Well, it’s actually the first time I produce an RnB track 😊 I would be very happy if the listeners can connect to it. The bells in the intro are actually recorded by an instrument and then I added some effects using “Thermal from Output.”
Every track I make gives me something new. I’m very happy with the variated bridges in this track to be a little technical. And my challenge was, how to make a short song feel longer than it actually is. We also wanted this song to have a good hook and a chorus to sing along to.
J.O.Y made awesome work with his skills as a singer and writer.
J.O.Y: As a songwriter, you always get to learn a new perspective after each song. Especially here I evolved my songwriting by having the hook be a statement and the verses describing my story. I will definitely write more songs like this, where the hook is simple yet catchy and the verses a bit more complex.
5 — Who is the main songwriter of this new track? What inspired you to write the lyrics?
COY Swede: We worked from a theme I sent J.O.Y. And for the chorus, I recorded a sample of my voice. Then J.O.Y did his magic. Just a note, only the VOCAL is mixed together from 15 stems to give you a perspective. 😉
It’s also a love song for people that found new love and how to carry it forward. But as a songwriter/producer you are open to how a listener feels about it. You can, “Never Ever” know. 😊
J.O.Y: COY Swede presented me with the theme of the song, and explained it to me pretty well. From that on I felt inspired and tapped into some of my experiences to replicate this feeling.
The unique bells in the song maybe is a slight try to call on that upcoming Christmas vibe. Mariah Carey, are free to make a cover if she wants. 😉
J.O.Y: To all the listeners that go through a tough time right now. It’s that season again when tracks like these are needed.
7 — How would you imagine the music video?
COY Swede: No plan at this moment. Maybe a lyrics video on my YouTube channel.
8 — Are you planning to drop remixes for this release?
COY Swede: No plans at this moment.
9 — How do you spend your free time when not making music?
COY Swede: Family first, I love to travel around the world, health, training, and love cooking if I have time. I also read everything that has something to do with space research and am also engaged in earth’s environment and climate.
J.O.Y: Coy Swede nailed it. Family first. Sometimes music can feel like a job where all you think of is music. It’s good to have breaks to enjoy with your loved ones. Also, it’s very good for your creativity and finding new inspiration to write music.
10 — Lastly, what are your future plans?
COY Swede: Next year maybe I will try to do some more DJ appearances. I did one this year 2022 in Stockholm. Maybe together with my music bro Alan Walker or, even Tiesto would be really cool!
It would be cool to finally meet them both in real life, and talk about music experiences and future experimental stuff. You “Never Ever,” know! 😊
One thing is for sure I will keep doing this, and create more music. I would also like to try to make a score for movies or TV in the future, would be cool, if one of my released songs were featured.
J.O.Y: Be more active as a songwriter and have a lot more placements with bigger companies or TV/Film. I want to watch a show and hear my music in the background – that’s something I can imagine would be super cool and surreal.
Blind Mutation Discusses Experimental Music Video “Shadows”
If you’re into hypnotizing Ambient Techno tracks, then Blind Mutation should be on your radar. Her latest experimental music video “Shadows” was awarded and this exclusive interview explains it all!
1 — If I’m not mistaken, electronic music is your passion. How does this interest has come about?
I actually think my dad’s taste in music really influenced me a lot. He used to put on a lot of quality electronic music for me when I was a child, from classic Depeche Mode to more underground experimental electronic How to Dress Well. So, my interest in electronic music started growing from a very young age. When I became a teenager, my mental health started to get worse, and I started to relate, and thereafter, listen to darker and gloomier electronic music like dark ambient, triphop, or hard warehouse techno. That’s basically how my music taste was formed, and why I love electronic music.
2 — When exactly did you become Blind Mutation?
In theory, I think I became Blind Mutation pretty much as soon as I started producing and composing music which was 2 years ago. I began writing tracks with an emphasis on cinematic melancholic sounds that translated my deep intense emotions, and I still continue to do it exploring more and more ways to express my feelings through music. But, officially, let’s say, I became Blind Mutation when I released my first DJ Mix called “WAVE/PHONK MIX” on SoundCloud almost a year ago.
3 — Musically speaking, who is your biggest influence or inspiration?
I love to answer that question 🙂 I would say that my influences/inspirations have been changing throughout the years. When I was 14-16 my favorite band was Coldplay. I loved their not-that-well-known tracks which were more on the electronic/ambient side, like my all-time favorite “Midnight”. As for now, I very rarely listen to Coldplay. Now I am more into experimental dark emotional stuff like Techno, Dark Ambient, IDM, and Trip-Hop. Some of my inspirations/influences at the moment are Aphex Twin, Arca, Trentemoller, Clams Casino, Hans Zimmer, I Hate Models, and Crystal Castles.
4 — Congratulations on winning Best Experimental Video at the Indie Online Film Festival. Did you ever expect this result?
I was hoping for it 🙂 But I don’t really like expecting something to happen, especially when it comes to receiving awards. Because if you think you would win the prize, and then you don’t, you would probably get upset. But if you don’t really think about it and just let it happen, you get more excited if you win, and don’t really care if you don’t get an award 🙂
5 — Tell us more about how your collaboration with All Around came about.
We met a little more than 4 years ago in college in LA. He was a directing major, and I was an acting major. We’ve been very good friends since that time, and we’ve done small projects together here and there in college and just for fun. Then, when I switched from acting to music and started releasing my DJ Mixes, he began doing all the visuals for them. So, when I was ready to release my debut track “Shadows”, I knew that All Around would be my director, cinematographer, and editor. We have a similar vision when it comes to art (music/video/films, etc.), and so it’s very comfortable and fun for us to work together.
6 — Would you interpret this clip as a short horror film or is it something else?
Shortly, I would say, yes, it could be interpreted as a short psychological horror film. To elaborate: it’s interesting that when we showed the music video to our close surroundings, a good amount of people said that “Shadows” looked more like a short horror film rather than a music video. “Shadows” indeed has a much slower pace than a usual music video. In terms of cinematography, it’s also shot more like a film rather than a music video. But I think I would still call “Shadows” an experimental music video rather than a short horror film, because, in my opinion, it still has a dynamic of a music video, and our initial idea was to create a music video not a short horror film.
Well, the track itself was produced, mixed and mastered in Ableton. As for “Shadows” music video production, My friend All Around who I collaborated with, has an amazing RED Komodo camera, the music video was shot on it. Also, my face, chest, neck and my arms had to be bandaged in the shot all the time. We needed special bandages, the ones that stick to the skin and to each other. We had 3-4 shooting days, and not all of the bandages could be reused. So, I had to buy lots of them. Was driving from one CVS to another buying the entire available supply of those specific bandages 🙂
We also had a chance to work with an amazing super professional makeup artist, Darya Kholodnykh, who did the make-up for the “demon’s” hand that appears in the music video. She managed to find a creative way to make the hand look realistic and creepy although we had a very small budget.
8 — What can we expect from Blind Mutation next? Are you keen on exploring science fiction themes?
I love science fiction, and I would like to explore themes connected to it in the future. But as for now, I think I’m more focused on expressing my inner feelings and emotions through my music, and treating producing/composing/creating DJ mixes more as a therapy for myself. I’d love to dive deeper into the psychological aspects of our lives and have an influence on people’s emotions and their unconscious through my music. That’s what my next release will hopefully do! It’s a dark ambient track called “I come with the rain”, and it’s coming out in the beginning of January! I’m also working on a new dark warehouse techno DJ mix which will also come out around the same time.
9 — What do you think you’d be doing if you weren’t an artist?
I’ve always loved to think about this. I am very interested in psychology, so I would definitely study it in college, and then probably become a psychotherapist (do not mistake with psychologist or psychiatrist), I would do scientific research and come up with new more effective therapies.
I would also love to direct and shoot (be DOP and operate camera) my own film(s) in the future! It’s a big dream! Plus I got my first degree from a film college, so I am familiar with that stuff. By the way, I’m also super interested in graphic and game design! Would love to try doing that in the future too!
And just to top off the list with more geek stuff: if I had another life, I would become an astrophysicist to study and explore space.
10 — Lastly, do you have any specific goals for 2023?
The most important and clear goal is to get the artist visa in order to be able to stay and work in the U.S. Speaking of my artist goals, I would love to get my first DJ gig in 2023! I would also love to explore new music genres in my productions (like trip-hop or hard dark techno)! Finally, I have so many things I still have to explore and discover in terms of production, mixing sound design, etc. So, another very important goal is to just continue learning!