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Giuseppe Bonaccorso: The Magic Of Music & Poetry (Interview)

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Giuseppe Bonaccorso

Get to know the magic of Giuseppe Bonaccorso, where music and poetry intertwine to create timeless art. In this exclusive interview, he opens up about his journey from mastering the classical guitar to composing avant-garde pieces.

1. What inspired you to pursue such diverse creative pursuits, from classical guitar to poetry and avant-garde composition?

Art belongs to a single act of creativity that can take different directions according only to techniques adopted by artists. I studied music and found the classical guitar to be an optimal means of expressing myself.

At the same time, I loved poetry, read so many books, and wrote my poems. Again, I didn’t see any boundaries. All artistic activities arise from the same spiritual human need, and my goal is to get closer and closer to it as much as I will be able to do.

2. How has your relationship with your favorite instrument, the classical guitar, evolved over time?

When I discovered it, it was real love, and it never vanished or changed. Of course, I improved my technique and explored many different styles and compositions.

From this viewpoint, evolution has always been focused on discovering new ways to employ this fantastic instrument to express my artistic world.

3. Do you mix classical guitar with experimental composition?

In the past, I mostly studied the existing repertoire. Now, I dedicate a lot of time to composition and play for about three hours daily.

classical guitar techniques

4. How is poetry integrated into your overall art?

I used some of my poems as “special” lyrics in some songs. Even if I never wrote Pop songs, I always loved the idea of inserting some vocal parts in the composition.

One goal is to help the listener understand my purpose. The other is part of my taste: I liked the result the first time and replicated many others.

5. What role does your Italian heritage and cultural background play in your artistic style?

This is a difficult question. Honestly, I don’t know what impact my heritage had on me. However, my father was a visual artist who taught me many things about painting, sculpture, and architecture.

I visited many artistic cities during my childhood and loved walking through the long corridors of famous museums. This is my actual heritage, and living in a country with a millenary history helped me love art more and more.

6. Your new single is titled “Miserére.” What exactly does it mean, and what concept did you aim to convey in the music video?

“Miserére” is a sacred composition based on some verses from Psalm 50 (in Latin), which starts with the words “Miserére mei, Deus.” After writing an avant-garden version of the prayer “Ave Maria,” I decided to put some energy into a slightly different composition, where sadness and hope live together in a very particular atmosphere.

I chose the verses that initially express sorrow and sadness; later, they turn into hope and joy. I think the result is not suitable only for Christians but for everyone who wants to take a break and meditate for a few minutes.

Even if you don’t understand Latin, I tried to convey the feeling in the music, and I hope every listener can perceive the spirituality and enjoy it.

Miserére sacred composition

7. What inspired this piece, and how does it fit your artistic vision?

As explained before, I was fascinated by the idea of composing a few sacred hymns, and I chose this one because I always liked its structure, which can be perfectly expressed with avant-garde music. Whenever I can employ atonal music to render specific emotions, I’m always excited because this is my true artistic vision.

8. Can you describe your approach to collaboration when working with other musicians?

I prefer to be a “lone wolf” and try to do everything alone. When I collaborate with singers, I explain the feelings I’d like to convey, and until now, I have always found excellent artists who perfectly fit their roles.

9. As a self-described countercultural artist, how do you navigate the challenges of creating work that may not align with mainstream tastes?

That’s the most challenging point. Finding a broad audience isn’t easy, as most streaming platforms focus on mainstream genres and penalize music that is not “ordinary.” I can try repeatedly promoting my music and kindly asking to listen at least once before judging.

It usually works, but I often found reviewers who disliked my music because it wasn’t Rap, Trap, EDM, or any other “easy” genre. Even if I don’t love this reaction, I’m used to it, so I turn the page and go on.

On the other hand, many people love my music; if they are part of a niche, it’s acceptable to me!

10. What advice would you offer to aspiring artists who want to explore the intersection of different creative disciplines, as you have done?

Please do it! It’s the most exciting part of being an artist! Never limit yourself, and don’t be afraid to be aligned with a particular cultural background. Just create your own based on your experiences and personal taste.

I think this is the only valid way to avoid creating clones that always resemble something already published.


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By Erick Ycaza

Hi, my name is Erick Ycaza. I have a BA in Advertising & Graphic Design. This blog is to provide you with daily music news and share my personal style. Surprisingly, I have been blogging and writing about music since 2007.

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