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GloVibes Interview 2015

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GloVibes Interview 2015

Thanks to the magic of the Internet Electro WOW met up with DJ Leonardo GloVibes some days ago and it was amazing! We talked about his personal and artistic life. If you want to discover more about this talented House DJ, then you must read this exclusive interview.

1 – Where did the name GloVibes come from?

When coming up with the name GloVibes — I wanted to describe a sound that I like either to produce or play in my DJ sets. I don’t like being attached to 1 specific genre. I like many kinds of dance music — so what came to my mind was: Global Vibes = GloVibes.

2 – What inspired you to become a DJ?

Not sure I have a direct answer for this I was very young when I started to scratch on my family’s home turntables – after seeing that in the rap videos of the late 80s. Since then – I couldn’t stop.

3 – Did you take lessons of music production?

I am pretty much self taught. I started using some analog sampler machines in the 90’s then I had to learn music software production after the revolutionary transitions from analog to digital machines in radio.

4 –Did you used to work at a radio station in Italy at the age of 14? Tell us your most memorable moment during those times…

For me it was something magical. I use to spend days (and nights) listening to my favorite radio shows and DJs. Recording them and listening to them again and again. When I was 14 I started in a small radio station at my school with 2 friends. It was like a game for us. But at 16 I had been offered to work part time for a local radio and there it was true love. I had learned what it means to sacrifice yourself for your passion. Being a new comer, I had to work on holidays, nights, weekends, but I loved that! It helped me to learn a lot about the radio business. Then at 18, I was hired by#1 national radio station in Italy —Kiss Kiss.

5 – What is the purpose of House music in your opinion?

I’d like to answer to this with few quotes from a track from 1987 by Chuck Roberts, called “My House”.

– House Music is a universal language spoken and understood by all.
– House is an uncontrollable desire to Jack your body.
– You may be black, you may be white, you may be Jew or Gentile….It don’t make a difference in our House. And this is fresh!”

6 – Why did you decide to live in Los Angeles?

I came to California on holiday while I was living in London – where I still go there often for gigs. I had some good friends in LA and it has a cool vibe, so it was kinda love at first sight. Plus I love cinema and the movie industry so there is no better place in the world to feel that vibe. You never know, maybe one day you will hear my music in some blockbuster…

7 – What happens on a normal day in the life of GloVibes?

Just a regular life nothing crazy. I try to wake up early in the morning and catch up with my european connections while dealing with my 2 labels, Bonanza Records and Young & Vicious. I listen to promos, scout new artists and try to sign others. Then a little gym break. I always try to connect with friends and family which are very important to me. Then back in studio to either working on some new tracks or remixes. After a long day I enjoy staying home cooking and relaxing. But I also love to see friends and have some good food and wine out. And of course when I have a gig – things are a bit different.

8 – Why do you choose to collaborate with Luciana on your latest club hit “One By One”?

We know each other for long time now. I used to play many of her tracks – so when we became good friends here in LA I was like “oh that’s cool 🙂 ” We had been trying to work on some other stuff but when I heard the vocals for One by One – I said this is the one and now here we are!

9 – Any new projects you are currently working on?

Yes and many. I’m currently launching a new project called “Handzoff “ – which with my sound will be more specific. A bit more sophisticated while still respecting the “GLoVibes“ philosophy. Then a few collaborations with some of my best friends and mentors Severino and Nico De Ceglia – Stay tuned and you will see soon!

10 – Any advice to all future musicians and producers?

I don’t think being a dj/producer is an easy lifestyle for the stars. You can be a star – but first you have to feel what you do and you never stop practicing your craft.. Always explore new sounds and be original. Feel inspired by others – but never imitate! Above all — leave the clowns do their job — you are DJ!

Hi, my name is Erick Ycaza. I have a BA in Advertising & Graphic Design. This blog is to provide you with daily music news and share my personal style.

Interviews

The Reactivitz Shares Thoughts On Techno And “Todo En La Vida”

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The Reactivitz

“Todo En La Vida” is one of the latest club bangers from French Producer The Reactivitz. He has releases on Suara, Filth On Acid, Octopus Recordings, and more. In this exclusive interview, he shares his thoughts on Techno and, of course, the new single.

1 — What’s the story behind your artistic name?

Hey Guys, thanks for having me on your interview series. My name is Jonathan, a 29-year-old French DJ, and producer living in Lyon, France. I started producing and playing music under the name of ‘The Reactivitz’ about 10 years ago. At the start, I was producing different sounding music, more like Deep House, House, and Electro. Therefore, it took time to find my own style as I have always enjoyed many genres of music. The underground scene always gave me a buzz and I felt a strong connection with Techno in particular. For years now I have been releasing and playing Techno and Tech House. I love creating dark and powerful tracks with melodic elements, peak time energy, and cool vocal samples.

2 — How do you genuinely feel about the current state of the Techno scene as a whole?

Besides COVID-19 which put the whole scene at a standstill for 2 years, in my opinion, the Techno scene is at the same time full of opportunities yet really closed.

Indeed, we hear more and more amazing music from upcoming talented Techno artists. Every week, I listen to music on different platforms, and I am always amazed by all the new tracks I find from artists I never heard before. With social media, streaming platforms, and Beatport, we have now the opportunity to discover more music than before and it’s a really good point as we have a lot of choices. These ways of communication are helping a lot of the artists to showcase their tracks, even if sometimes DJs and producers spend more time on social media taking off their image than music.


Regarding festivals and parties, we are seeing more and more big Techno events worldwide. Many people enjoy Techno and it’s a good thing for the future of underground music. Nevertheless, I would deplore the fact that we can’t see new names on lines-up. We have so many talents out there, but I am always disappointed to always see the same names when I go to a party. I really think that a lot of truly talented producers and DJs would have their places at the top of the scene, but politics and connections are blocking them. As an artist, even if you are talented, you will need patience and a lot of hard work to get to the top.

3 — Where do you get inspiration for your Techno tracks?

Most of my inspiration comes from what I listen to every day. I listen to many artists in different genres and it’s helpful to give me some ideas for my tracks. I can spend days listening to house, techno, rap or even pop music to find interesting new sonorities. I really like to see how artists structure their tracks and how they make them sound, whatever the genre is. When I am producing, I am trying to mix elements from different genres to have a unique sound. It means that I am not putting up barriers, I produce what I feel when I am in the studio as I love to explore new things. Sometimes producing outside the box allows getting amazing results.

4 — As a producer, does it matter if music is commercial or underground?

In my opinion, it doesn’t matter as long as the music is good. Personally, commercial music is not something that I really enjoy as I prefer producing and playing underground music, but I am not against adding a bit of commercial sonorities into my tracks from time to time. Today, we can see a trend in both genres: a lot of the former commercial artists are getting into the underground scene and also underground artists are adding more commercial elements into their tracks. Is underground becoming the new commercial? The future will speak.

5 — What prompted you to take this Latin-influenced approach for your new single “Todo En La Vida”?

“Todo En La Vida” has a special meaning to me. It’s been a while since I have wanted to produce a track with some Latin vocals because my family is born in the south of Spain, so I wanted to do something related to my origins. Also, as I said before, I wanted to explore new things and I thought that the summertime was the best time to offer something different, more groovy and housey.

6 — “Todo En La Vida” is translated into English as “Everything In Life,” that being said, what’s the most important thing in your life?

The most important thing in my life is my family and my friends. I spent a lot of time with them. They give me advice and support me every day with what I am doing. I am happy knowing that I have their support whatever happens.

7 — Would you consider remixing this track? If so, what producers come to mind?

At the moment, I don’t think that it would be necessary to have another remix done on this track as Luke Andy made a stunning remix already. But maybe it could be a good idea to have some more remixes in the future. I am always interested to hear what other artists can do with my tracks.

8 — What do you think about this collaboration with Luke Andy as a remixer?

After having sent “Todo En La Vida” to There Is A Light, they suggested me to have Luke Andy as a remixer. I thought that it was a good idea as his style perfectly matches the vibe of the track. He did something different with his own vision and I really love it. Can’t wait to play his remix at my next few shows.


9 — What’s next in your schedule?

After “Todo En La Vida,” I will release a new collaboration track with djseanEboy on my label Immersion called “Strange,” followed by a two-tracker EP on Unity in August. I have also planned to release some tracks on Immersion further this year. This week, a new EP with Mauro Somm has been confirmed on FORM which will be released on September 2nd. During the next weeks, I plan to keep producing a lot of new songs and I have many tracks that I’m excited to release.

10 — How do you plan to keep your music style so innovative?

Listening to more music helps me to keep my music style innovative. As I said before, I love to hear many genres to get inspired for my next tracks. Traveling and discovering new amazing places is also a good opportunity to innovate. When I come back to the studio, I have a head full of new ideas and it’s always a good thing! Another important thing is to collaborate with other artists. I love sending and receiving new projects, so we can both share our visions and come up with something completely different from what we did at the beginning.


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Niko The Kid Talks Career + EDM-Driven Single “Fine” — Interview

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Niko The Kid
Niko The Kid
dove into 2022 with rapid fire. Upcoming releases on Toolroom, At Night, Sony, UMG, and more were all scheduled for this year. With this interview, you can learn more about his career and his recent EDM-driven single “Fine.”

1 – How would you describe your sound to someone listening to you for the very first time?

I’d say my sound is pretty versatile. It’s definitely very synth-driven. I love pulling inspiration from older dance records, Disco, Hip-Hop, and combining them with these modern sounds. I think I land somewhere between House and EDM.

2 – What do you enjoy the most about your artistic career?

I think my favorite part is DJing. There’s no better feeling than playing music out live and seeing people enjoying themselves to music you created yourself.


3 – Are there any artists or albums that marked your life and shaped you as an artist?

I would say Throttle, Oliver Heldens, and CID. I love these guys and they’ve been a tremendous help to me coming up.

4 – Did you ever imagine yourself creating beats for Akon, Young Thug, and Gucci Mane, among other heavyweight talents?

Never in a million years. It’s been a wild journey so far. Coming up in Atlanta and spending 6 years or so in LA, I found myself in these situations to be able to work with some incredible people. I’m super grateful.

5 – What have been the biggest challenges you’ve had to overcome in your career?

I would say navigating the ever-changing landscape of social media and streaming. It’s definitely a challenge getting new people to hear about you and grinding to create content while also making music. It’s definitely tough juggling all these things without losing your mind.

6 – Where did you get the inspiration to drop your single “Fine”?

I’ve been listening to a lot of melodic stuff like Rufus Du Sol and Camelphat. I’ve always loved these dark brooding synths and melodies. When we wrote the original demo I had these inspirations in the back of my mind.

7 – With this new release do you think your music has grown since you first started?

Absolutely. When I first started releasing music, I think I was still figuring things out. One of the hardest things about being an artist is honing in on a direction. It’s easy to get lost when you have such a passion for many types of music.

8 – What do you hope your listeners take from “Fine”?

The idea of the song is that we all tend to have self-destructive tendencies; big or small and that it’s okay to acknowledge that and move on.

9 – What’s your philosophy towards work while being at the recording studio?

My thing is to just always be creating, whether it’s music or visuals. Just making something. I also found a passion for 3D art during the beginning of the pandemic. It’s nice having another outlet. I find it helps recharge my creative juices for music to sit and create artwork or animations.

10 – Can we expect more songs to be released soon?

For sure! I’ve got a ton of new music on the way. I’m considering dropping an EP by the end of the year so definitely stay tuned for that.


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VON BUOYAGE Discusses New Song “You Ain’t Close” — Interview

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VON BOUYAGE

VON BUOYAGE is a young artist making a name for himself in the electronic music world. This interview explores all the details about his recent collaboration with Australian rapper Honey-B-Sweet on “You Ain’t Close.”

1 – First of all, how did you come up with your artist name?

A lot of people call me “Bui” (pronounced like BUOY) so I wanted to stick to my family & cultural roots and incorporate that into my name. I also love traveling and the original word “Bon Voyage” means “have a nice trip”, so I thought it’d be cool to turn that into VON BUOYAGE.

2 – How did your approach in making “You Ain’t Close” differ from your debut single “Baddy”?

“Baddy” was a collaboration that took months of bouncing ideas back and forth before we were happy with the finished product. “You Ain’t Close” was a lightning strike inspiration moment, where everything came to life in the same night. I remember it was a late night because I don’t stop when it’s flowing. “You Ain’t Close” is a song that’ll always be special to me because it helped define my sound and what to expect from my music in the future.

3 – What are your thoughts on Honey-B-Sweet’s vocals?

I love her vocal performance and lyrics. I actually started this song with a recording of my own vocals on my iPhone – my first time writing lyrics and recording my voice on a song. But I wanted to take the song to the next level, so I sent Honey my lyrics to work off and the rest was history. She completely smashed her part out of the park, and I think she brings a new level of depth to the song.

4 – Where do you see yourself playing “You Ain’t Close”? Clubs or festivals?

I can definitely see people getting down to this song at large-capacity events and clubs. Depends on the vibe of the night 😉

5 – Who would you love to see do a remix of this song? Why?

Taiki Nulight – I think he’s got a diverse range in his production and I’d be super curious to see how he’d flip this one.

6 – How much importance do you give to the number of streams, views, or likes towards your music?

That’s a tough question that I’ve been reflecting on a lot lately. At the end of the day, the value of the artist and their body of work isn’t based on streams and likes. Unfortunately, numbers talk in this industry for better or for worse. Followers, likes, and streams, they’re all looked at, and I noticed that people will treat you differently based on your numbers. I hate it, and I hope it changes.

You Ain't Close
7 – When and where did you learn to produce tracks?

I started back in 2017 after I started working a full-time corporate job. I was on the search for more, and thankfully music found me. I self-learned on and off for a few years then decided to dive fully into the world of music at ICON Collective for their Music Production program.

8 – What’s the most fucked up thing that ever happened to you at the studio or performing live on stage?

Fucked up? Other than the typical producer horror stories of writers’ block and frozen computers, I don’t think anything crazy happened to me. Maybe a spilled beer on my keyboard haha

9 – Some artists are unhappy with the state of music right now. How about you?

I think there’s a lot to be unhappy about with the current state of music, but I also think there’s a lot to be grateful for. There’s always something to improve on, but the biggest change I’d like to see is platforms and opportunities for rising artists on lineups. I want to see fresh faces in music – talented people that treat everyone equally and with respect.

I would also love social media platforms like IG and TikTok to focus more on good music rather than virality. Eventually, music is going to sound very different with artists and labels pushing agendas around “good” content vs good music. Of course, great content will always be important, but platforms are starting to stray away from artistic creativity and freedom.

10 – What are your hopes for VON BOUYAGE’s future?

First and foremost, I want to influence positive change in music, both within the industry and in the stands. There’s too much negativity towards each other because of “reputation”, jealousy, and selfishness. I want to forge this mindset into crafting fun and memorable live sets for people who come to see me perform. My first goal is to tour within the US, but I’d love to take my music overseas to Vietnam, other Asian countries, Europe, and really anywhere people will connect with my music.

Otherwise, expect to see a lot of unique music coming from me in the near future. I’m collaborating with a lot of people who I think are pushing the envelope in the House & Bass community, and I can’t wait to show the world what I’ve been working on behind the scenes.


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