Check out this super-informative interview with Beautiful Machines. My favorite band from San Francisco revealed some exclusive details about their upcoming single “Bastian”. Not to mention, we also discussed their new album ‘Singularity’, which is out soon. All this, and much more exclusively on Electro Wow!
1 — Hello guys, it’s nice to hear again from you. Are you on your way to reaching your 2018 goals?
It’s nice talking with you. Yes, we will reach our goals. Things have changed over the past year. We’ve decided to really take the reigns from here on out. What does that mean? We are now not only writing our own material but also recording, producing, mixing and mastering all of our stuff. So now it comes straight from the musical origin (I like to think of it as a gigantic swirling cosmic gummy bear) to the listeners’ ears and hearts. We are much happier with what we’ve been producing on this latest album and hope our audience will be too. We are also, in a sense, our own label, management, booking agent; art, show and product designer. So we wear a many hat, but it feels more in tune at this moment.
2 — What’s the inspiration behind your new single “Bastian”?
“Bastian” was inspired by the lead character from the movie The Never Ending Story. He’s the author of his own life, he creates his own destiny and what he imagines comes into existence. He realizes that he is part of the story he is reading and co-creating. What a beautiful metaphor for manifestation and how we as humans interact with life. “Bastian” also has a double meaning, since “Bastian” is that bastion of hope for his world, and likewise for our world. It seems how we view the world, what perceptions we hold, drive what choices we make and ultimately what we contribute to this world.
Now realizing it from a different perspective, “Bastian” inspired us. What I was saying earlier, about us embracing wearing many hats – allowing as much as possible to come straight from the musical origin. It’s what we’ve always wanted to do, embodying our musical visions so to speak. I think at least one of us feels like “Bastian” from time to time, and we’ve definitely asked ourselves and each other time after time: “Why won’t you do what you dream?” as the narrative in the song says.
We traveled a lot in 2017, it’s been a rite of passage kind of year, leaving behind the familiar, and taking a leap into the unknown. We spent Christmas in Thailand, against the strangely concocted backdrop of orange sunsets over coconut tree lined beaches, industrial wasteland, and ancient ruins. That was when the last pieces fell together musically and emotionally, and “Bastian” came into being.
3 — If listeners could take away one message after listening to it, what would you want it to be?
Never give up your dreams. Fear is a limitation, but it’s also a great teacher. When we overcome our fears, we grow and expand. From this place, we can create beautiful things.
4 — Was it hard to hit those falsettos?
After several rounds, you start to get really light headed. So no need for drugs during those takes!
The short answer is yes, we hope to. We love making music videos. They’re a great medium for expression and can really amplify and bring about what the artist is trying to convey. We would love to create a music video for all the tracks on this upcoming album. The artwork points to an expression of what the music video would be like. In this case, it’s about a boy’s daydream becoming his reality. The album cover was made by a young artist Elia Pellegrini from Italy, he really got the vision for the song, when we were discussing the album art it was practically a psychic conversation.
6 — What can your fans expect from your upcoming third album?
The third album is called ‘Singularity’. We want this album to be an experience. On headphones or in your car, we want you to just get taken away. I don’t want to say “a musical journey” but that’s what’s we intend. There’s a lot of thought put into this – little secrets, hidden messages, equations, easter eggs, riddles, secret passages, environments, and things that will later come to light for the seekers. We’re placing greater focus on sonic architecture, with really crystalline high details, a wide midrange, and sub sonic frequencies – something for the audiophiles like ourselves. Song length is something else that we have played with, so it’s not about radio tunes only, there are some longer tracks that tangent off into the aether.
We started using a lot more analog synths on this album. Moog Voyager, Jupiter 6, Juno, Oberheim OB-Xa to name a few favourites. First time using a saxaphone, new bits on the guitars like e-bow and slide, and we used some classic, yet modernized drum machine sounds. Some of these synths are so retro that they don’t have midi, so every note and pitch bend and knob tweak were performed and recorded in real time, such as the magnetic lead in “Bastian”. Stef the synths player quite enjoyed making things that way.
8 — Why did you choose the name ‘Singularity’ for this new project?
We love sci-fi and fantasy. We attend a lot of futurist events and meet with people on the crest of technological change. ‘Singularity’ is all about a new coming age where we get closer to a future where man and machine merge. I mean it’s already been happening for some time. Humans augment reality with technology, whether that’s as simple as glasses or prosthetics or as advanced as piloted rovers to explore distant worlds. Can we imagine trying to navigate driving in new places without our smart devices? Computers are everywhere. Just imagine where it will go from here. Even with our amazing abstract minds, we do have our time limitations – meaning, I don’t think we really can look 50 or 100 years into the future with great accuracy. Of course, we can make forecasts and model some aspects, but there’s just too much data and unknown variables.
‘Singularity’ has two meanings. In astrophysics, it’s the single-point origin of all matter and forces in the universe. Ray Kurzweil uses ‘Singularity’ to define a point where machine intelligence surpasses human. It can be seen as a powerful revolution in human history. There’s lots of debate on this subject as well. People are either pro technological advancement, such as transhumanists, while others don’t think it’s actually possible. And yet other people don’t believe an age like this will ever happen. As such, there is no right answer for this and we aren’t prescribing to any side. Instead, we are merely exploring through music some of the feelings that resonate when putting our creativity towards this idea. We actually went around from Berlin to New York to San Francisco, video interviewing people about this notion, with some very interesting understandings.
This concept unfolds in our album Singularity as we explore various facets of this subject. It really is a “what if” thought experiment.
9 — So far, can you reveal to us your favorite track?
Well, each serves a different slice of the favourite pie. “Bastian” hits us deep in the heart, while “Take the Night” makes us want to toss our heads around. “OperaTor” really drives and the ending is so good we just keep wanting to play it. Honestly, all the tracks in ‘Singularity’ are gems.
10 — What’s next for you in the remaining months and beyond?
We have several new releases coming each month. Following “Bastian’s” release on Oct 12, we have a Halloween track called “Take the Night” on Oct 26. It’s a Zombie-fighting party song. We’re working on a remix with FutureCop!. We have a sci-fi music video coming out called “We Have 2 Escape” with a sneak peek Nov 5 (hint Back to the Future). The video was directed by Timothy Plain (The Spirit Machine) and the song was mixed by Yoad Nevo (SIA, Goldfrapp, Depeche Mode, Dandy Warhols) Then we have “OperaTor” – a major odyssey of a song on Dec 6 and the album should be here before the holidays.
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Discovering Lucii’s Musical Journey And Her New Song “Narcissist”
In this exclusive interview, Lucii shares more about her journey as a musician, the meaning and inspiration behind her new single “Narcissist,” and her plans for the future, including incorporating a live band into her performances and releasing a new album.
1 — How did you first become interested in music and what led you to pursue it as a career?
So I always sang and made songs on guitar as I was growing up but never thought I was good enough. I went to a rave at 17 and really loved it so I started DJing and producing and started to use my vocals on my tracks and it turned into a career!
2 — As a member of the LGBTQ community, how do you feel your identity influences your songs?
I feel like Idk I just write songs about girls, but I think cause I’m female writing about a female gives this extra sparkle of divine femininity.
3 — How do you aim to use your artistic platform to uplift and inspire others in the community?
I just want to make people feel something, music is a form of expression sometimes easier than talking. Mac Miller helped so much with my mental health and I just wanna be that to someone. Make people not feel alone, especially the LGBTQ community.
4 — Please tell us more about the meaning and inspiration behind your new single “Narcissist.”
I was in therapy and was describing this person to my therapist and she said (her name is Andrea and I shout her out in the song) “well that person sounds like a Narcissist” I NEVER heard of that word in my life so I started writing that night “you’re a Narcissist says my therapist” and that’s how it came about. I just wanted an angry song about a Narcissist so I made it.
Probably “thank god for Andrea I should send the bill to ya for all the times I’m in the chair wondering how I got here” Andrea is my therapist and I just think that’s a BA.
6 — How has your experience been as an electronic music producer and how has that influenced your shift into the Pop genre?
I feel like it influenced my Pop music a lot because I want my songs to have energy even if they’re sad, I want that emotional wave rollercoaster to feel like dance music gives.
7 — Are you planning to incorporate a live band into your performances?
YES!! I cannot wait to start playing with my band. I can’t wait to be closer to my audience and just play my songs, that is my dream and I can’t wait to do that soon hehe.
Details on the upcoming album will be announced soon.
9 — What message would you like to send to aspiring LGBTQ musicians looking to break into the industry?
I would say just fucking go for it we NEED you. Look at fletcher she is breaking boundaries right now she is a full-on amazing Pop star and watching her grow has just been so inspiring and made me realize I can do this, I can make the move from being a DJ to being a live performance act.
10 — How do you see your music evolving in the future?
I see myself going through eras, I really love how Taylor Swift each of her albums feel like a chapter to read from ‘1989’ to ‘REPUTATION’ and OMG ‘Folklore.’ All of them are AMAZING but I just want to give that feeling with every one of my albums, as you listen to it and you’re transported back in time to a feeling.
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Exploring An Experimental Album With XENOBYT — Interview
Are you a fan of electronic music with a hint of nostalgia and horror? Look no further, as XENOBYT‘s new album ‘Nine Nights In The House Of Harrow’ is exactly what you’ve been searching for. In this exclusive interview, the up-and-coming artist gives you an inside look at the inspiration and creative process behind his original work.
1 — How would you describe your sound to someone who has never heard it before?
I try to make music that people can vibe to. Something you can put on and get lost in while driving or doing something mundane. There is something fascinating about using a synthesizer, which for a long time was considered the sound of the future, but using it to make music that reminds us of the past. I like to think that if you like Horror and synth music and enjoy the groove of the song over the technicality of what’s played, you would enjoy what I am trying to do here.
2 — Which artists are you most influenced by?
When I was younger, I was a huge Metalhead, but my dad was a big tech geek and loved messing around with a synthesizer and listened to a lot of Kraftwerk and Giorgio Moroder. So I had an early appreciation for it. I was big into Horror movies and really dug the soundtracks that John Carpenter was doing, and Brad Fiedel’s Terminator 2 soundtrack was another of my favorites. But I didn’t decide to start making this kind of music until I heard Carpenter Brut and Perturbator for the first time.
3 — What drew you to the experimental genre and what sets it apart from other electronic music styles?
I went to college for sound design, so I love taking a sound that people are familiar with and messing with it to make something completely new. And I try to incorporate that into my music in ways that aren’t done very often. Classifying yourself as experimental kind of takes the chains off and resets expectations of what your fans expect to hear when they listen to your music.
4 — What inspired the title of your new album ‘Nine Nights In The House Of Harrow’?
Usually, I come up with a simple horror theme for an album before I even start writing the songs for it. The last album, New Retro Witch, was about witchcraft and this album was about malevolent spirits. The concept of getting hired for a certain time to caretake a haunted mansion resonated with me and the things I had going on in my life at the time. I was facing a lot of old trauma I had buried and this concept paralleled with what I was dealing with in my own head, so I based the title of the album around that idea.
5 — How does this material differ from your previous works?
I wanted this album to be heavier than my last album from the start. I wanted to incorporate more Rock and Metal vibes into it but keep some of the same beauty and melancholy that I really liked about New Retro Witch.
Because of the more personal nature of this album, I didn’t really do any big collaborations on it, which is something I normally try to do.
6 — How long did it take you to complete this project?
I started working on this album in the Spring of 2021 and had 9 songs written for this album by the end of summer, but I wasn’t happy with it and scrapped all but 3 songs. I kind of fell into an artistic rut after that and sat on it until February of 2022 and wrote, mixed, and mastered the remainder of the album over the spring and summer.
7 — Could you tell us where ‘Nine Nights In The House Of Harrow’ was recorded?
I have my own recording studio here in Austin and I did all of the writing, mixing, and mastering for this album there.
8 — How did you approach the design of the artwork?
During that artistic rut I had mentioned earlier, I got really enthralled in AI Art Generation and went as far as learning how to and coding my own AI Art Generator. I made a bunch of stuff with it that actually helped inspire me to finish the album. While I am a big fan of collaborating with other artists, I was really proud of the fact I made this art-making machine and how it helped me get back on my grind. I wanted to showcase what it was capable of with this release.
“Deluge,” because there is a sad and dark story behind it. I suffer from depression and PTSD and had a bit of a mental breakdown last summer. That song was created live while I was in the midst of that breakdown. I felt like I was drowning, and I wanted the song to sound like I felt. But I also wrote the song I wanted to hear to feel better, and it worked. I still put it on when I am feeling depressed, and it still makes me feel better.
10 — Are you open to collaborations? If so, what are the requirements?
Absolutely! I am always open to collaborating with other artists. My only requirement is ensuring proper credit is given to everyone involved.
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Empowerment & Authenticity: An Interview With Tash Blake On “Mannequin”
With influences from icons like Madonna, Britney Spears, and Lady Gaga, Tash Blake is not afraid to break boundaries and bring fresh energy to the music industry. Her debut single “Mannequin” carries a powerful message of rebellion and authenticity. Read the full interview here.
1 — First of all, what makes Tash Blake an artist?
I am constantly thinking about what is missing from the music/visual world and want to contribute my vision, writing, and voice to provide my personal expression in a way that may resonate with how others are feeling but may not be able to express.
2 — How do you combine your passion for dance and musical theatre into your current projects?
I always strive to incorporate choreography and dramatics into all my visual projects. Whether it’s through storytelling or fashion, my goal is to use body movement and character to elevate the art every time.
3 — Can you tell us more about the message behind your debut single “Mannequin”?
“Mannequin” is all about the types of language and power structures that demean and are used to control others and then the recognition and rebellion against them so as to take the power back from whoever or whatever has suppressed your power as a human being.
4 — In what ways does the music video enhance or support this message?
In the video, it was really important to me to feel powerful, sexy, confident, and badass.
5 — What did you enjoy the most about shooting these visuals?
I always adore expressing myself through dance and fashion, and I got to do both! Additionally, I love working in black and white imagery to highlight form and shape.
6 — Was it difficult to translate your personal experiences with manipulation and the pursuit of authenticity into the lyrics?
It was extremely easy to write about my experiences in the lyrics. I was beyond ready to talk about my past, operate in the present, reach for the future, and help others grab their power back.
7 — How does the influence of Madonna, Britney Spears, and Lady Gaga manifest in your music style?
I have always adored the way these women didn’t play by the “rules.” They were always being themselves and consistently breaking boundaries. I like to be disruptive and break from the norm. Additionally, each of these women were incredible visionaries and performers, and I thoroughly want to bring that experience back to videos, music, and the stage in full force.
8 — Do you have any upcoming live performances scheduled?
I’m currently working on my live show and I’m so excited to share it with you. The stage is where I feel most at home.
9 — What are your most ambitious aspirations as an artist in 2023?
It’s a goal of mine to be playing at a festival this year like Tomorrowland! I would also be so grateful to perform at club venues and interact with and entertain fans.
10 — Finally, what will be your next song about?
I have always felt this deep desire and need for strong love even if it ends up hurting me, I’d rather feel something than feel nothing at all. “Inject Me” expresses exactly that. Throughout the song, I talk about performing and I pulled inspiration from both how I crave such an intense love before I die and how the industry can be a magical yet dark place where you can feel very loved, but overwhelmingly alone and I have always been fascinated by that contradiction.