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Interview | Questions & Answers With Drival

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Interview | Questions & Answers With Drival
Drival
has kicked off 2018 in style. With the release of his immense single “Forever Is Gone”, he put down a marker for the coming year and showed us exactly what makes his music so special. He has a great sound, with unique and mesmerizing synths in abundance. We caught up with Drival to explore his production traits and learn more about how he makes his tracks sound so good.

1 – Hey! Thanks for taking time to talk to us about the production aspect of your career. Can you tell us about how you got involved in producing?

You’re welcome, thanks for reaching out! I think that I might have got into production just like many DJs did, after loving the tracks you play and mix you and started to be curious about how to make something that cool myself. Then, it’s all about trying, so I got my first DAW license and begin playing with it.

2 – Are you a self-taught producer?

Yes, although I don’t dismiss the idea of getting extra lessons since there is always something to learn. Even the biggest producers out there still learn new tricks after countless years messing around in the studio. But so far I’m coping by myself!

3 – How do you develop your music production skills and talents?

Nowadays finding information and how-to’s is no big issue since there are many tutorials out there on the internet! I like to play with the DAW, keyboard, and plugins and, if you have inspiration and music in your head -which I believe is the most difficult skill – the rest is all about time and trying.

4 – Where do you get your inspiration from when producing new music?

It really depends! I mean, sometimes you just picture a melody or a specific sound in your head and try to reproduce it as soon as possible. Other times you get inspired by another track, either your own or someone else’s. You never know where the fire is going to start!

5 – What’s the typical process you go through when working on a new tune?

Every time I want to work on a new production I tend to think this way (and in the following order): what style/subgenre is it going to be? Will it be vocal? After that, I imagine and play the main melody, and build up the rest from there.

dj drival
6 – Do you have a unique production technique?

I suppose I produce music like the vast majority does, but to be honest I haven’t compared my process with other producers! I believe that the most important thing is that you feel comfortable with how you work.

7 – When you are producing, what are your go-to plugins and equipment?

I use FL Studio as my DAW, with a Novation Impulse 49 midi keyboard and a pair of Rokit 5 monitors. In terms of plugins I’ve tried many but my go to ones would be Spire, Nexus, Serum and Sylent!

8 – What’s your favourite synth?

I would say Serum. It is visually stunning and 3D wavetables are eye-catching, but it is also really versatile technically speaking, with different modulation capabilities, two different filters and LFO’s. On top of that, it sounds really damn good!

9 – What’s your favourite sample pack?

Vengeance sample packs for sure. I absolutely love their basslines, drums, and pads as they are very well organized.

10 – Do you have any specific plugins for mixing and mastering?

Yes, I use iZotope Ozone or Waves plugins, especially the former. Features like spectral shaper module, track referencing or tonal balance control simply rock.

11 – What plugins/equipment is on your master channel?

Basically EQ, Multiband Compressor, Exciter, Stereo Imager and Limiter.

12 – How long does it usually take you to complete a new track?

If the track is instrumental; maybe around 1-2 weeks. If it’s vocal I’d say another week or so to make sure everything is in the right place!

13 – Which traits do you think make an excellent producer?

I’d say versatility and creativity. Messing around with the tools might take more time if you don’t master them, but you can eventually get into them for sure. On the other hand, those initial skills you simply have or you don’t. Being able to imagine a massive melody from scratch and showing capability of doing different kinds of things is what makes the difference to me.

14 – Finally, what can we expect in terms of new music from Drival?

In the short term, I have a couple of instrumental tracks to be released soon with Phoenix Recordings and Promind, and there is a massive tune with Jennifer Rene signed to AVA Recordings. There are also new collaborations on the way with Amy Kirkpatrick and other top vocalists and producers.

Thank you for time and stay tuned for upcoming releases and news!


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Hi, my name is Erick Ycaza. I have a BA in Advertising & Graphic Design. This blog is to provide you with daily music news and share my personal style.

Interviews

More To Discover: Additional Insights Into Rubayne’s EP ‘Connections’

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Rubayne Connections
Don’t miss out on rising artist Rubayne’s new EP ‘Connections,’ a blend of genres he calls Bass Pop exploring the ups and downs of love. With a special live performance airing on February 24th and music videos planned, it’s an EP not to be missed. Read the interview to learn more.

1 — What is the main theme you explore in your new EP ‘Connections’?

The EP is a set of eclectic love stories that are connected to each other. Throughout the EP, you will discover the feeling of falling in love, being in love, and holding on to love in the toughest time.

2 — Is there any special meaning behind its title?

There are multiple. Firstly, the titles of the songs relate to each other. In addition, I made a stronger connection with my music by involving myself in the songwriting as well.

3 — Did you collaborate with other artists or producers on this project?

Yes. There are a couple of great singers involved with ‘Connections’! Some new, some I do know from the start. I must give credit and big ups to Romy Dya, Yunnee, EthanUno, and Ansaly for their amazing work.

4 — How did you go about crafting the overall sound and style?

The approach for creating ‘Connections’ was different in comparison to my regular creative approach. With each project, I first focused on selecting a main instrument that would characterize the song. Unattainable has the guitar, “Connections” has the bass, and “In Love Tonight” has the piano. After the main instrument and its melody, I would carve out the full production.

Rubayne
5 — Did you have any specific genre in mind while producing this material?

I had not, but I focused on having a blend of genres that I and the love theme associate with. I would say this blend of genres can be best described as Bass Pop.

6 — Is there a particular track on the EP that you have a special connection with?

Nope! They are equally special to me and as they complement each other, I feel that I have a special connection with the project as a whole.

7 — Are there any things you wish you had done differently?

When it comes to the EP, there’s nothing I wish I had done differently.

8 — In what ways do you think your songs will resonate with listeners?

I think this project, as well as other songs I have made, encourages its listeners to open up and acknowledge their feelings. I hope my music provides the listeners with a better understanding of themselves.

9 — Have you ever considered creating a music video for any of these news tracks?

I did! I feel like each of the songs has a visual story to tell. However, I have prepared something special for this EP which is visually pleasing as well.

10 — Is there anything else you would like to share about the EP that we haven’t covered in this interview?

To celebrate the release of  ‘Connections,’ I recorded a live performance of the EP with all the vocalists and an amazing guitarist (Rob). It will air on February 24th and you can get notified here.


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Discovering Lucii’s Musical Journey And Her New Song “Narcissist”

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Lucii
In this exclusive interview, Lucii shares more about her journey as a musician, the meaning and inspiration behind her new single “Narcissist, and her plans for the future, including incorporating a live band into her performances and releasing a new album.

1 — How did you first become interested in music and what led you to pursue it as a career?

So I always sang and made songs on guitar as I was growing up but never thought I was good enough. I went to a rave at 17 and really loved it so I started DJing and producing and started to use my vocals on my tracks and it turned into a career!

2 — As a member of the LGBTQ community, how do you feel your identity influences your songs?

I feel like Idk I just write songs about girls, but I think cause I’m female writing about a female gives this extra sparkle of divine femininity.

3 — How do you aim to use your artistic platform to uplift and inspire others in the community?

I just want to make people feel something, music is a form of expression sometimes easier than talking. Mac Miller helped so much with my mental health and I just wanna be that to someone. Make people not feel alone, especially the LGBTQ community.

4 — Please tell us more about the meaning and inspiration behind your new single “Narcissist.”

I was in therapy and was describing this person to my therapist and she said (her name is Andrea and I shout her out in the song) “well that person sounds like a Narcissist” I NEVER heard of that word in my life so I started writing that night “you’re a Narcissist says my therapist” and that’s how it came about. I just wanted an angry song about a Narcissist so I made it.

5 — What’s your favorite lyric line?

Probably “thank god for Andrea I should send the bill to ya for all the times I’m in the chair wondering how I got here” Andrea is my therapist and I just think that’s a BA.

6 — How has your experience been as an electronic music producer and how has that influenced your shift into the Pop genre?

I feel like it influenced my Pop music a lot because I want my songs to have energy even if they’re sad, I want that emotional wave rollercoaster to feel like dance music gives.

7 — Are you planning to incorporate a live band into your performances?

YES!! I cannot wait to start playing with my band. I can’t wait to be closer to my audience and just play my songs, that is my dream and I can’t wait to do that soon hehe.

Lucii
8 — Can you share a bit about the creative process of your upcoming album?

Details on the upcoming album will be announced soon.

9 — What message would you like to send to aspiring LGBTQ musicians looking to break into the industry?

I would say just fucking go for it we NEED you. Look at fletcher she is breaking boundaries right now she is a full-on amazing Pop star and watching her grow has just been so inspiring and made me realize I can do this, I can make the move from being a DJ to being a live performance act.

10 — How do you see your music evolving in the future?

I see myself going through eras, I really love how Taylor Swift each of her albums feel like a chapter to read from ‘1989’ to ‘REPUTATION’ and OMG ‘Folklore.’ All of them are AMAZING but I just want to give that feeling with every one of my albums, as you listen to it and you’re transported back in time to a feeling.


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Exploring An Experimental Album With XENOBYT — Interview

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XENOBYT
Are you a fan of electronic music with a hint of nostalgia and horror? Look no further, as XENOBYT‘s new album ‘Nine Nights In The House Of Harrow’ is exactly what you’ve been searching for. In this exclusive interview, the up-and-coming artist gives you an inside look at the inspiration and creative process behind his original work.

1 — How would you describe your sound to someone who has never heard it before?

I try to make music that people can vibe to. Something you can put on and get lost in while driving or doing something mundane. There is something fascinating about using a synthesizer, which for a long time was considered the sound of the future, but using it to make music that reminds us of the past. I like to think that if you like Horror and synth music and enjoy the groove of the song over the technicality of what’s played, you would enjoy what I am trying to do here.

2 — Which artists are you most influenced by?

When I was younger, I was a huge Metalhead, but my dad was a big tech geek and loved messing around with a synthesizer and listened to a lot of Kraftwerk and Giorgio Moroder. So I had an early appreciation for it. I was big into Horror movies and really dug the soundtracks that John Carpenter was doing, and Brad Fiedel’s Terminator 2 soundtrack was another of my favorites. But I didn’t decide to start making this kind of music until I heard Carpenter Brut and Perturbator for the first time.

3 — What drew you to the experimental genre and what sets it apart from other electronic music styles?

I went to college for sound design, so I love taking a sound that people are familiar with and messing with it to make something completely new. And I try to incorporate that into my music in ways that aren’t done very often. Classifying yourself as experimental kind of takes the chains off and resets expectations of what your fans expect to hear when they listen to your music.

4 — What inspired the title of your new album ‘Nine Nights In The House Of Harrow’?

Usually, I come up with a simple horror theme for an album before I even start writing the songs for it. The last album, New Retro Witch, was about witchcraft and this album was about malevolent spirits. The concept of getting hired for a certain time to caretake a haunted mansion resonated with me and the things I had going on in my life at the time. I was facing a lot of old trauma I had buried and this concept paralleled with what I was dealing with in my own head, so I based the title of the album around that idea.

5 — How does this material differ from your previous works?

I wanted this album to be heavier than my last album from the start. I wanted to incorporate more Rock and Metal vibes into it but keep some of the same beauty and melancholy that I really liked about New Retro Witch.

Because of the more personal nature of this album, I didn’t really do any big collaborations on it, which is something I normally try to do.

experimental electronic music
6 — How long did it take you to complete this project?

I started working on this album in the Spring of 2021 and had 9 songs written for this album by the end of summer, but I wasn’t happy with it and scrapped all but 3 songs. I kind of fell into an artistic rut after that and sat on it until February of 2022 and wrote, mixed, and mastered the remainder of the album over the spring and summer.

7 — Could you tell us where ‘Nine Nights In The House Of Harrow’ was recorded?

I have my own recording studio here in Austin and I did all of the writing, mixing, and mastering for this album there.

8 — How did you approach the design of the artwork?

During that artistic rut I had mentioned earlier, I got really enthralled in AI Art Generation and went as far as learning how to and coding my own AI Art Generator. I made a bunch of stuff with it that actually helped inspire me to finish the album. While I am a big fan of collaborating with other artists, I was really proud of the fact I made this art-making machine and how it helped me get back on my grind. I wanted to showcase what it was capable of with this release.


9 — Is there a particular song on this album that stands out to you?

“Deluge,” because there is a sad and dark story behind it. I suffer from depression and PTSD and had a bit of a mental breakdown last summer. That song was created live while I was in the midst of that breakdown. I felt like I was drowning, and I wanted the song to sound like I felt. But I also wrote the song I wanted to hear to feel better, and it worked. I still put it on when I am feeling depressed, and it still makes me feel better.

10 — Are you open to collaborations? If so, what are the requirements?

Absolutely! I am always open to collaborating with other artists. My only requirement is ensuring proper credit is given to everyone involved.


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