Most of the artists that have transcended to other borders have a reputation for being bizarre. The eccentric ones make wonderful and creative music, and I think this will be the case of our interviewee KenKode. Discover more about this enigmatic character and his Electronica project down here!
1 – How did you learn to produce music?
I started doing music fifteen years ago, a dear friend taught me the basics and then I continued alone as self-taught. I continued using virtual instruments until 2009, then I started designing my music with analog machines. I had discovered a way to make my music sound more organic and improved its quality. It was also more exciting because I started applying the effects normally used for punk and rock music such as distortion pedals and heavy analog compressors. The result was a completely new, dirty and aggressive sound that contradicts Cyberpunkers and naturally evolved into KenKode.
2 – How would you describe your musical style?
It’s a hybrid of so many genres of music and moods. There’s a lot of 90’s electronic and indie rock. In the past it was characterized by a few stems but enormous, now it’s still huge but more complicated, totally not involved in the sound or metric standardization. The atmospheres are almost dark, bizarre and melancholic but at the same time full of energy. Distorted synths and heavy compressions are always present in my tracks. I don’t like trends, my tracks are always the result of my strong emotions translated into music as it should be if you have respect for music.
3 – What is your favorite electronic track of all time?
I’ve been feeding on The Prodigy, Bjork, and the old Daft Punk stuff but there is no track in particular that comes to my mind. In the last two years, I listen a lot to Lorn and Tobacco. They are a source of inspiration for me.
I did not leave Cyberpunkers. After 10 years of madness, we decided to take a break just for the musical productions. We’re still doing shows. I have decided to launch KenKode because for a long time I felt the need to explore new sounds and horizons without having any kind of filter and with a fresh eye.
5 – How long did it take you to make your new Electronica track “MK Ultra”?
In order to be able to create my sound, I spent a big amount of time focusing on sound design with my analog synthesizers and drum machines. I spent about a year to create a personal big present library that I’m using today to create the future tracks of KenKode. When I do a track, the longest part of my work is dealing with finding the right atmosphere through the bassline and melodies that I have in mind. Once I’ve done this I deal with the rest accordingly. All this process takes something like two weeks.
6 – Where did you get the vocal samples? Can you tell us more about it?
The “MK Ultra” sample comes from a real testimony during a process of a victim who has undergone mind control experimentation during the 60’/70′ in the USA. there is a lot of this material on the net especially on the Deep Web.
7 – Do you think is it possible to control people’s mind with music?
Absolutely yes. It has been happening every day since a long time. Music in its primordial form is a state of being and it’s a 360 degree show for the listener. Especially if the artist accompanies his music with hot performances. Sometimes the listener suffers a kind of “falling in love” state that may result in the obsession that motivates him to reason in a certain way, especially in younger subjects. Yes, it mind controls but however, this is out of our control as musicians.
Many artists use drugs to speed up their creativity. I think it to be a huge mistake because in this way we get to make music in a state of over-excitement that in the long-term risks to block creativity and even worst getting to a point in which you can’t do music without being on drugs. If you have the music inside for real you don’t need anything, just to know what you have to do in order to translate your visions into music.
9 – What has been your career highlight?
I spent 10 awesome years in Cyberpunkers. Even if it was an underground project it brought us around the world playing our shows. Fans have given a lot of energy and love in recent years. Maybe we can consider ourselves as one of the chief of Electro movement in Europe from 2009 to 2013 with Crookers, Boys Noize, Justice, EdBanger crew and The Bloody Beetroots. This year we took our first golden disk thanks to the collaboration with the rapper Salmo. I can feel satisfied and I hope to receive some attention also for the new project.
10 – What can we expect from your future releases? Where exactly can we listen to your music?
The future KenKode releases will be grouped in two different styles.
– To Listen saga:
Like “The Primordial Soup” and “MK Ultra” in which I allow myself to go beyond sound or metric standardizations. Bizarre and experimental sounds are the key points. It’s the craziest part of this project.
The frustration of having to follow all the rules created by the market and trends imposed by the system is over.
– To Rave saga:
Powerful tracks, designed for dancefloors. Also with original heavy sounds and a lot of oddities but with much more groove for raving. Almost all the tracks will be released on my creepy label “KK62636”.
You will be able to listen everything on Spotify and SoundCloud, of course also on my socials. Some super bizarre contents will be added soon to discover and interpretate some cryptic information that I’ll divulge from my socials.
Exclusive Interview: Paul Mayson Delves Into His Debut Album ‘One Life’
Paul Mayson‘s first-ever album, ‘One Life,’ is like a special mix of his love for House music, blended with different kinds of sounds and cool collaborations from artists all over the world. You definitely don’t want to miss this interview!
1 — With the release of your debut album ‘One Life,’ what are your expectations for how listeners will connect with the music?
My goal was to showcase my story and my sound. And for it to be an uplifting, positive, and summery album. Hopefully, it feels like that! It’s a collection of songs made at the moment, to make you feel happy and free. It’s about embracing life, the good things and the bad. And about doing what makes you happy.
2 — You’ve teamed up with a diverse range of international artists on this material. Please let us know how these collaborations came to be.
It was really exciting taking elements from different genres, working with a group of great artists who come from very different backgrounds, and bringing all of these sounds and flavors together on one project. A lot of artists I meet myself, reach out to the people I’m interested in. I often travel abroad to work on music together and do sessions in London or LA. Sometimes collabs can also happen through the label or the publisher, but ultimately it’s great to have an artist-to-artist relationship.
3 – What compelled you to emphasize the themes of life, freedom, and diversity in this album?
I’m very passionate about House music culture and the way it started. Which was all about positivity and celebrating life together. I love that message and think the soulful, feel-good element of House music is what always really attracted me to the genre. And to music in general, including other genres like Soul and RnB.
A few of the songs (like “Tell Me How” and “I Want You”) were basically made during one big jam session. It’s me just trying out completely different sounds, textures, and rhythms and experimenting with live drums, guitars, and whatever I feel like. Letting go of any rules connected to dance music allows for a really fresh approach to the album songs.
6 – How does the artwork complement the album’s concept?
It emphasizes the feel-good element and the overall message of the album. Life is in front of you, it’s there for the taking. You’re in the hallway, step into the light and embrace life.
7 – Will there be another amazing music video like “Have It All,” dropping in the near future?
We released a really cool art piece and visualizer for the album which I’m very excited about!
8 – Given your ambition to push boundaries within the Dance genre, do you think the bunch of producers already out there could make it tough for you to really stand out?
I think individuality is key. Doing something you’re passionate about. Telling your own story. If you go into that process, the outcome will be unique. Not following trends and doing my own thing is what helps me stand out and allows me to be ahead and I try to keep pushing myself.
9 – Among your studio essentials, what’s the item that you consider the cornerstone of your setup?
Quite a lot of my work is digital. I carry my laptop around and can produce and write anywhere with it, whether it’s my home studio, the studio in Amsterdam, a hotel, or even an airport. That’s what makes it flexible and international! Just being able to work anywhere and get the creative process going. At home I also love my Adam A77x monitors and I also use a Prophet synth.
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Exploring “My Friends”: Tobtok Talks Creative Process And More!
In this exclusive interview, Swedish producer Tobtok discusses all the details about his latest single as part of the ongoing countdown to the upcoming ‘My Friends’ EP. This is a collaborative effort with farfetch’d that you definitely shouldn’t overlook.
1 — Congratulations on the release of “My Friends.” Please tell us more about the influences and musical style that shaped this cool track.
Thanks! This tune has taken inspiration from bits and pieces of tracks I’ve been into over the last 10 years, everything from Daft Punk to Fred Again. It contains a lot of micro samples and vocal lines that are in a similar vein as old French House records, but we also wanted to experiment with the current UK rave sound, which we think ended up in a pretty unique and interesting way.
2 — How did you and farfetch’d navigate the creative process together, especially when faced with differing ideas or disagreements?
We were kind of on the same page with most things to be fair. Jerry from farfetch’d is a very creative guy and he loves to bash out new ideas, which worked well for me to develop into full songs. We worked on every track together in my studio and finished them off together. Of course, we had some different ideas about certain things but since none of us had a big ego, we just compromised. I think when you like the same kind of music, you usually think quite alike.
3 — What sets this collaboration apart from your previous singles?
I think this is possibly the strongest single from the EP. It feels catchy and is super simple yet not too boring. It also has Jerry’s voice in it which is unique to any other of our tracks.
4 — Can you share any funny anecdotes about specific moments while crafting “My Friends”?
We have hidden a few wacky voice notes in it as a sort of ambiance. It can be heard in the second verse or whatever you wanna call it. You clearly hear Jerry laughing about something, but I can’t remember what it was.
It’s track no.3 from our ‘My Friends’ EP which has a total of 6 tracks. It was released via Perfect Havoc on 29th September.
6 — What are your emotions when your music receives recognition and praise from other producers in the industry?
It’s always so much fun to get praise from your peers and colleagues. These people live and breathe music and probably hear way more stuff than the average listener, so I guess they tend to be less impressed by music.
Haha most definitely. I started out with French House which evolved into Nu-Disco. I later jumped on the Tropical House train (quite early on in my defense). Left that and tried something cooler with my track “ABER,” and from there, it’s been more of a mix between UK and Deep House.
8 — Is there any specific music genre you’re eager to explore?
Old School Disco and Soul. I’m a big fan of the 70s as a whole, that’s why I’ve bought a few vintage Roland pieces in my studio and a Rhodes Piano.
9 — Considering the global nature of music today, are there any international artists you’d love to collaborate with?
I love Jungle right now, for reasons made quite obvious in the previous question. They’ve mastered this cool retro 70’s/Motown sound and yet managed to make it sound fresh somehow. I’d love to just hang out in the studio with them and see what they do.
10 — As we conclude, do you feel that there’s a certain formula that artists can follow to produce chart-topping hits?
Nowadays, it’s all about doing something that stands out from what everyone else is doing and probably also adding a sprinkle of nostalgia and familiarity into something. A good example is the new Peggy Gou record which is a massive hit that takes inspiration from ATB but puts it in a new and interesting context. It doesn’t hurt to have a massive TikTok following either lol.
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From Drummer To EDM Producer: Kouss Opens Up About “Can’t Go Back”
You must read this interview with Kouss! He used to rock it as a badass drummer in the Stellar Revival band, but now he’s spilling the beans about how he switched things up and got into making electronic dance music (EDM). The spotlight is now on his latest track, “Can’t Go Back.” Learn more here.
1 — Putting your sound into words, how would you convey the mood and sensations that your music evokes to someone unfamiliar with it?
My music aims to be an uplifting and thoughtful blend of Progressive House and Dance-Pop. Even though the music is very dancefloor-friendly, the songwriting is very Pop-forward. I also love mixing live instrumentation with electronic production to create layered recordings. As a drummer, having live elements mesh with the electronic really brings out a unique texture.
2 — Your transition from Rock music with Stellar Revival to EDM is quite remarkable. Can you tell us more about it?
The transition from Rock to EDM is an exciting and natural creative evolution. I’ve always been passionate about electronic music, so finally being able to fully immerse myself in the genre as a producer and songwriter has been fulfilling. My background as a touring Rock drummer also gives me a unique musical sensibility that I try to incorporate into Kouss Records.
3 — As a drummer, you had to adapt to a different genre. How did you translate your rhythmic background into this new realm?
When approaching any genre, especially Dance music, I’m utilizing my background in percussion to create grooves and drum patterns. The drum parts still come from the same creative place whether I’m sitting behind a drum set or drawing with a MIDI controller. I will say that with EDM I find myself focused more on groove and restraint.
4 — In what ways have Illenium, Zedd, and David Guetta played a role in shaping the sound of your new single “Can’t Go Back”?
Illenium, Zedd, and David Guetta definitely influenced the melodic and atmospheric vibes in “Can’t Go Back.” Their music motivates and challenges me to produce massive soundscapes on the highest level. They’re all melodic magicians, and I continue to be inspired by their work. I also feel like I put my own spin on “Can’t Go Back.” It’s almost like the line between EDM and Pop became blurrier on this track.
5 — What’s the story behind the song title?
“Can’t Go Back” is generally about moving forward and not dwelling on the past. For me personally, it’s about evolving as an artist and person.
I was introduced to Anna soon after starting the Kouss project by “Can’t Go Back” co-producer and dear friend Phil Barnes. The second I heard Anna sing I knew I wanted to work with her. She’s an incredible songwriter and an awesome human. It was an organic collaboration that we’re both stoked about. Definitely be on the lookout for more collaborations with Anna in the future!
7 — How do you aim to connect with listeners on an emotional level through this single?
I aim to connect with listeners on an emotional level through the authenticity and musicality of “Can’t Go Back.” It’s about delivering that special feeling to the listener. We crafted this recording from a place of passion as artists. The lyrics are relatable and cathartic, and Anna’s vocals draw you into this sonic world we created. We also tap into some nostalgia with the Big Room House vibe. But overall the goal was to give listeners an authentic musical experience that resonates with them, regardless of what genre they usually listen to.
Yes, “Can’t Go Back” mixes electronic production with live drumming and live guitars. The live instruments give the song a dynamic texture and human feel. Not every Kouss song will have live instruments, but it’s definitely a major part of the debut EP coming in 2024.
9 — Looking ahead, how do you envision your music style evolving?
I want to continue bridging the gap between organic and electronic. Creatively, I think there’s a lot of meat on that bone. I also don’t want to limit myself to a single genre or style. I love all types of music and ultimately hope to develop a sound that draws from those diverse influences and experiences.
10 — Lastly, reflecting on your journey so far, what’s been the most memorable or rewarding moment of your music career?
Working with talented musicians and creators who are excited about my music has been humbling and inspiring. I didn’t expect it, but the reaction to “Can’t Go Back” has been both unexpected and validating. It’s so cool to see the song played in clubs, gyms, and cars. I’m truly fortunate to share my passion for music and connect with listeners who share the same passion.