Today I had the honor to interview Kid Loose, a veteran DJ from California who has many years of experience in the clubbing scene and has participated several times in radio shows. In the 90s he used to promote and play at underground parties. Consequently, he made a name for himself due to his energetic live sets. Time passed, and Ian Gottlieb (real name) makes a comeback in 2019 to shake any dance floor. Discover more below.
1 — Hello Kid Loose, can you describe your first show experience as a DJ?
Yeah, but it isn’t cute. I remember being very nervous and it was a massive rave that I had promoted in Oakland, CA. There was like eight or nine rooms of music and mine was the smallest, but still had a decent amount of folks in it… before I went on at least. I wanted to try and mix into the last track from the previous DJ as I was trying to demonstrate my medal as a DJ for several of my friends, who had recently filtered into the room for my set. Unfortunately, TRAINWRECK! Bad. Not a quick one either. I tried to get it back on beat repeatedly, but instead, I found myself overcorrecting one way and the other for what seemed like an eternity. It was a minimum of 45 seconds of “shoes in the dryer”. Funny thing, I didn’t clear the floor, yet. An awfully patient group at first, but by my third track, I was so rattled by the first mistake, that I had lost all sense of focus. It was like I didn’t know how to match a beat, at all. The dance floor was empty save for my few friends who just cheered me on like I was rocking the main room at midnight… bless them. Good thing I was a great promoter because I was given more opportunities which my talent hadn’t earned, but my hard work did.
2 — What do you miss from the 90s dance music scene?
So much. The general caring nature of partygoers as well as the number of entrepreneurs all in one place, hustling their asses off. Even the drug dealers had a hint of good nature and great business ethics. Example: getting a refund or replacement for your drugs if they didn’t “work” was as easy as asking the person you got it from. Usually a complete stranger you met upon arrival. Also, There was certain respect amongst other DJs and performers that you don’t see now. Back then, it was much harder to “fake” a performance. Ergo, anyone you were “competing with” for gigs, you knew that on some level, they had gone through what you had to, to get to that point. Had to spend $$$ on records and equipment. Had to learn to beat match which is a very long process to get dialed in enough to be in front of people trying it. I think I miss the opportunities the most. Back then, there were 2 or 3 or even 5 parties on any given Friday and Saturday night. All successful. Plenty of gigs for everyone. Not quite like that anymore.
3 — Is there any artist that inspired you to become a DJ?
Two actually. DJ King James (SF) and DJ Tosh (Sacramento). James’ older brother was a DJ and he let him play on it. That was when I was first introduced to mixing and scratching. Tosh was the first talented person to take me under his wing and breakdown the industry as a whole and where I saw myself in it. I was such a fan then… in fact, still,
Besides my headphones, I’m going to say a monitor (speaker). I don’t use the auto beat matching feature on most setups these days and still match beats the old way. To pull that off, I need a speaker right in my ear behind the decks.
5 — Please let us know more about your inspiration or track selection for your latest mixtape on Ghetto House Radio.
Radio mixing is different than club/event mixing. There are many levels of programming involved. It needs to be way more familiar than most House sets I would play because although it’s a niche audience, it’s still radio and people are tuning in to hear songs they already know and like. Also, there is a standard 1 male vocal, 1 female vocal rotation in radio that I tried to adhere to as well. That and remove any songs from being applicable, which could have been played in the last two hours and you can begin to see how your options get further and further narrowed down. Then I take into account the key of the various tracks to avoid key clashes and to have a harmonically sound mix. As it applies to this particular mix, I went with some slamming bootleg remixes of a couple of Pop hit tracks to stay away from other songs that were recently played and intertwined it with a couple of my own current favorites which I had recently acquired. Came out much better than I expected.
6 — Are you an active member of this radio station?
Not currently. This was a guest appearance hooked up by an old associate, Josser, who hosts the show. There are some really talented people (Nick G, Ron Reeser) that are in steady rotation as the GHR residents, along with the big names that play on that show weekly. So it could be a long wait for me to become a resident, however, I’ve been on this show several times before and can’t wait to do it again.
7 — What’s the name of the latest track you produced?
Still working on my first release. Kinda sad when you consider how long I’ve been doing this and moreover, that I had a full-time with benefits, producing job at one point. With that being said, I hope to have something out by the end of April! Where can we stream it? When I’m finished, it will be posted on SoundCloud and most of my social media.
8 — Are you currently a resident DJ on any club in America?
I have a tentative residency set up at London in Sacramento California when that opens later this year. Other than that, no. I took a 9-year hiatus to work on my family life and now I’m trying to re-establish myself as someone who can still move a crowd.
9 — What’s one track that partygoers always lose their mind to?
Wow, that has changed over the years. I remember when tracks like “Children” from Robert Miles, “The Launch” by DJ Jean, and every Club Kids track had the same result back in the 90’s. Before a couple of weeks ago, any decent Michael Jackson remix would win the night easily. Nowadays, it’s not that simple. A great buildup combined with a slamming bassline re-entry will produce the same results that any hit song will… if played at the right time.
10 — Finally, do you think your music style still evolves?
Oh god yes. If it didn’t, I wouldn’t have had the successes that I did. As musical artists, we all have a choice to evolve or become stagnant. Where do you see it going? Hard to say. The one consistent in my music selection is bass. I’m a bass head, plain and simple. I look to the history of genres like Hip-Hop for clues to where dance music is going as a whole and then adjust my course accordingly. I think with Hip-Hop, you had a unique sound that was expanded upon greatly when intermingled with other genres. Rock, Jazz and so on. Country seems like an obvious natural crossover to me, but for whatever reason, has rarely worked. I feel like dance can coexist with many other genres so I guess for me it’ll be finding the right combo, at the right time. I’m thinking a Folk, Hip-Hop and House combo is next.
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Discovering Lucii’s Musical Journey And Her New Song “Narcissist”
In this exclusive interview, Lucii shares more about her journey as a musician, the meaning and inspiration behind her new single “Narcissist,” and her plans for the future, including incorporating a live band into her performances and releasing a new album.
1 — How did you first become interested in music and what led you to pursue it as a career?
So I always sang and made songs on guitar as I was growing up but never thought I was good enough. I went to a rave at 17 and really loved it so I started DJing and producing and started to use my vocals on my tracks and it turned into a career!
2 — As a member of the LGBTQ community, how do you feel your identity influences your songs?
I feel like Idk I just write songs about girls, but I think cause I’m female writing about a female gives this extra sparkle of divine femininity.
3 — How do you aim to use your artistic platform to uplift and inspire others in the community?
I just want to make people feel something, music is a form of expression sometimes easier than talking. Mac Miller helped so much with my mental health and I just wanna be that to someone. Make people not feel alone, especially the LGBTQ community.
4 — Please tell us more about the meaning and inspiration behind your new single “Narcissist.”
I was in therapy and was describing this person to my therapist and she said (her name is Andrea and I shout her out in the song) “well that person sounds like a Narcissist” I NEVER heard of that word in my life so I started writing that night “you’re a Narcissist says my therapist” and that’s how it came about. I just wanted an angry song about a Narcissist so I made it.
Probably “thank god for Andrea I should send the bill to ya for all the times I’m in the chair wondering how I got here” Andrea is my therapist and I just think that’s a BA.
6 — How has your experience been as an electronic music producer and how has that influenced your shift into the Pop genre?
I feel like it influenced my Pop music a lot because I want my songs to have energy even if they’re sad, I want that emotional wave rollercoaster to feel like dance music gives.
7 — Are you planning to incorporate a live band into your performances?
YES!! I cannot wait to start playing with my band. I can’t wait to be closer to my audience and just play my songs, that is my dream and I can’t wait to do that soon hehe.
Details on the upcoming album will be announced soon.
9 — What message would you like to send to aspiring LGBTQ musicians looking to break into the industry?
I would say just fucking go for it we NEED you. Look at fletcher she is breaking boundaries right now she is a full-on amazing Pop star and watching her grow has just been so inspiring and made me realize I can do this, I can make the move from being a DJ to being a live performance act.
10 — How do you see your music evolving in the future?
I see myself going through eras, I really love how Taylor Swift each of her albums feel like a chapter to read from ‘1989’ to ‘REPUTATION’ and OMG ‘Folklore.’ All of them are AMAZING but I just want to give that feeling with every one of my albums, as you listen to it and you’re transported back in time to a feeling.
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Exploring An Experimental Album With XENOBYT — Interview
Are you a fan of electronic music with a hint of nostalgia and horror? Look no further, as XENOBYT‘s new album ‘Nine Nights In The House Of Harrow’ is exactly what you’ve been searching for. In this exclusive interview, the up-and-coming artist gives you an inside look at the inspiration and creative process behind his original work.
1 — How would you describe your sound to someone who has never heard it before?
I try to make music that people can vibe to. Something you can put on and get lost in while driving or doing something mundane. There is something fascinating about using a synthesizer, which for a long time was considered the sound of the future, but using it to make music that reminds us of the past. I like to think that if you like Horror and synth music and enjoy the groove of the song over the technicality of what’s played, you would enjoy what I am trying to do here.
2 — Which artists are you most influenced by?
When I was younger, I was a huge Metalhead, but my dad was a big tech geek and loved messing around with a synthesizer and listened to a lot of Kraftwerk and Giorgio Moroder. So I had an early appreciation for it. I was big into Horror movies and really dug the soundtracks that John Carpenter was doing, and Brad Fiedel’s Terminator 2 soundtrack was another of my favorites. But I didn’t decide to start making this kind of music until I heard Carpenter Brut and Perturbator for the first time.
3 — What drew you to the experimental genre and what sets it apart from other electronic music styles?
I went to college for sound design, so I love taking a sound that people are familiar with and messing with it to make something completely new. And I try to incorporate that into my music in ways that aren’t done very often. Classifying yourself as experimental kind of takes the chains off and resets expectations of what your fans expect to hear when they listen to your music.
4 — What inspired the title of your new album ‘Nine Nights In The House Of Harrow’?
Usually, I come up with a simple horror theme for an album before I even start writing the songs for it. The last album, New Retro Witch, was about witchcraft and this album was about malevolent spirits. The concept of getting hired for a certain time to caretake a haunted mansion resonated with me and the things I had going on in my life at the time. I was facing a lot of old trauma I had buried and this concept paralleled with what I was dealing with in my own head, so I based the title of the album around that idea.
5 — How does this material differ from your previous works?
I wanted this album to be heavier than my last album from the start. I wanted to incorporate more Rock and Metal vibes into it but keep some of the same beauty and melancholy that I really liked about New Retro Witch.
Because of the more personal nature of this album, I didn’t really do any big collaborations on it, which is something I normally try to do.
6 — How long did it take you to complete this project?
I started working on this album in the Spring of 2021 and had 9 songs written for this album by the end of summer, but I wasn’t happy with it and scrapped all but 3 songs. I kind of fell into an artistic rut after that and sat on it until February of 2022 and wrote, mixed, and mastered the remainder of the album over the spring and summer.
7 — Could you tell us where ‘Nine Nights In The House Of Harrow’ was recorded?
I have my own recording studio here in Austin and I did all of the writing, mixing, and mastering for this album there.
8 — How did you approach the design of the artwork?
During that artistic rut I had mentioned earlier, I got really enthralled in AI Art Generation and went as far as learning how to and coding my own AI Art Generator. I made a bunch of stuff with it that actually helped inspire me to finish the album. While I am a big fan of collaborating with other artists, I was really proud of the fact I made this art-making machine and how it helped me get back on my grind. I wanted to showcase what it was capable of with this release.
“Deluge,” because there is a sad and dark story behind it. I suffer from depression and PTSD and had a bit of a mental breakdown last summer. That song was created live while I was in the midst of that breakdown. I felt like I was drowning, and I wanted the song to sound like I felt. But I also wrote the song I wanted to hear to feel better, and it worked. I still put it on when I am feeling depressed, and it still makes me feel better.
10 — Are you open to collaborations? If so, what are the requirements?
Absolutely! I am always open to collaborating with other artists. My only requirement is ensuring proper credit is given to everyone involved.
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Empowerment & Authenticity: An Interview With Tash Blake On “Mannequin”
With influences from icons like Madonna, Britney Spears, and Lady Gaga, Tash Blake is not afraid to break boundaries and bring fresh energy to the music industry. Her debut single “Mannequin” carries a powerful message of rebellion and authenticity. Read the full interview here.
1 — First of all, what makes Tash Blake an artist?
I am constantly thinking about what is missing from the music/visual world and want to contribute my vision, writing, and voice to provide my personal expression in a way that may resonate with how others are feeling but may not be able to express.
2 — How do you combine your passion for dance and musical theatre into your current projects?
I always strive to incorporate choreography and dramatics into all my visual projects. Whether it’s through storytelling or fashion, my goal is to use body movement and character to elevate the art every time.
3 — Can you tell us more about the message behind your debut single “Mannequin”?
“Mannequin” is all about the types of language and power structures that demean and are used to control others and then the recognition and rebellion against them so as to take the power back from whoever or whatever has suppressed your power as a human being.
4 — In what ways does the music video enhance or support this message?
In the video, it was really important to me to feel powerful, sexy, confident, and badass.
5 — What did you enjoy the most about shooting these visuals?
I always adore expressing myself through dance and fashion, and I got to do both! Additionally, I love working in black and white imagery to highlight form and shape.
6 — Was it difficult to translate your personal experiences with manipulation and the pursuit of authenticity into the lyrics?
It was extremely easy to write about my experiences in the lyrics. I was beyond ready to talk about my past, operate in the present, reach for the future, and help others grab their power back.
7 — How does the influence of Madonna, Britney Spears, and Lady Gaga manifest in your music style?
I have always adored the way these women didn’t play by the “rules.” They were always being themselves and consistently breaking boundaries. I like to be disruptive and break from the norm. Additionally, each of these women were incredible visionaries and performers, and I thoroughly want to bring that experience back to videos, music, and the stage in full force.
8 — Do you have any upcoming live performances scheduled?
I’m currently working on my live show and I’m so excited to share it with you. The stage is where I feel most at home.
9 — What are your most ambitious aspirations as an artist in 2023?
It’s a goal of mine to be playing at a festival this year like Tomorrowland! I would also be so grateful to perform at club venues and interact with and entertain fans.
10 — Finally, what will be your next song about?
I have always felt this deep desire and need for strong love even if it ends up hurting me, I’d rather feel something than feel nothing at all. “Inject Me” expresses exactly that. Throughout the song, I talk about performing and I pulled inspiration from both how I crave such an intense love before I die and how the industry can be a magical yet dark place where you can feel very loved, but overwhelmingly alone and I have always been fascinated by that contradiction.