Connect with us

Interviews

Raybot Interview 2015

Published

on

Raybot Interview 2015This is the first time in my life that I have an interview with a robot. Well, Raybot is not a typical robot, he is actually an Electronic musician and a DJ. In this interiew, when answering my questions, Raybot demonstrated simplicity and practicality. Raybot differ from other robots such as Daft Punk and Kraftwerk because he has a particular purpose with music, and I really admire that! Read the interview below to discover more about this special character!

1 – Why did you become a robot?

I don’t think it’s a matter on why, I was created to try to restore music back to it’s former glory, before fame and riches got into young musicians brain.

2 – How would you describe your music style?

My music would be described as “Simple” as of now. I do not have an expert way on creating music, so I use the basics and find some creative uses for them, maybe later on, the sounds would be more complex, but for now I like to stay simple.

3 – When did you start producing music?

I started when I was created, which was in 2009, I made my first “CD” it is called “Static” but I didn’t like it, so I started a “Reconstructing” period with those songs.

4 – Do you think the anonymity of being a robot is a good marketing strategy?

Right now, you have humans as artists, a robotic mouse as an artist, and robots as artist. I say it’s a good strategy!

5 – Why do you think so many people wear masks in dance music now?

Mask? Are you talking about my face? Anyway, to answer it would have to be this. Either it’s because they are shy, or they just want to focus on creating music and separate their personal life, and if not showing their face helps then alright. I admire Daft Punk because of this, instead being bask into the celebrity limelight like so many artist are doing. They exclude that way of life and seclude their faces just for the purpose of creating music and to be more focus on their music.

6 – Can you act differently as a DJ with a mask on?

As I said before it is my face sir, and no, it is not difficult to function, I act like myself.

7 – Which one are better Daft Punk or Kraftwerk? Why?

Daft Punk, From Homework to Random Access Memories, their sounds have change a lot, from the House sound of Homework to the Disco like 70’s homage of RAM, they still continue to make humans dance and feel good.

8 – Are you promoting now any special song or album?

As of now I am trying to promote myself, being new isn’t easy but slow and steady sometime get rewards like this. But since you ask if I’m promoting a song, then yes, “Rocking Out” is a song that I am promoting. It is a song from the ‘Static’ CD that I reconstructed. It has all the elements from the original (which was called “Rock On” back then).

9 – What software or instruments do you use in your studio?

I use FL Studio 12…I still need to buy it but I’m doing well with just the home demo.

10 – What, to you, are the main functions and goals of music?

Just make people happy and get lost in the sounds, Music is timeless, and hopefully will be forever timeless. I want to give LIFE back to music.

11 – Artists and Labels should give fans free music? Do you agree or disagree?

I do not agree, if an artist is giving their sounds to a streaming company, then they should get their share of the profit, sure free streaming is nice, but these artist need to get their share too, it’s only fair.

12- What’s your favorite robot movie ever?

Ironically, WALL-E

13 – Are you able to create a soundtrack for a film?

Not just yet

14 – How can people contact you and hire your robotic services?

Facebook.com/DJRaybot, just give me a message and I’ll get to really quick.

15 – What have you got coming up for the rest of the year?

A complete robotic makeover! and hopefully the rights to my songs, and a CD! Plus more that I can’t say.

Hi, my name is Erick Ycaza. I have a BA in Advertising & Graphic Design. This blog is to provide you with daily music news and share my personal style.

Interviews

Notaker’s Insights On His Debut Independent Album, ‘Echoes In Eternity’

Published

on

Notaker Echoes In Eternity

In a candid interview, Notaker talks about the most important details behind his debut independent album, ‘Echoes In Eternity. He offers his fans a glimpse into the inspiration and emotions that fueled its creation. Happy reading!

1 — In your words, how would you describe the sonic atmosphere of this new album, ‘Echoes In Eternity’?

I would describe it as otherworldly, outrun retro, or dimensional. Those are the kinds of ideas I really aimed at for this project.

2 — ‘Echoes In Eternity’ is an interesting album title. Can you share the story or concept behind choosing this name?

I’ve always liked the famous quote from Marcus Aurelius “What we do now echoes in eternity”. It parallels what I wanted to do with this album which was to make something timeless that I could look back on many years from now and feel proud to have created.

3 — How do you think this album engages listeners on an emotional level?

As it hasn’t been released yet I’m not quite sure. It certainly holds a lot of myself in the music and hopefully, those emotions that I felt creating the music will shine through to listeners when they hear the album.

4 — What steps did you take to connect and work with Danyka Nadeau and Eric Lumiere?

I knew Eric from a collaboration we created previously so it was very easy to reach back out to him and work again. Danyka and I met through her manager Daniel who thought we could create something awesome together, and he was very right. It was a true treat to work with both, they are amazing artists.

Danyka Nadeau
5 — How does this material differ from your previous work with mau5trap and Anjuna?

It’s much less confined to any parameter a label might impose upon my work. This is truly a raw and unfiltered look at my music. The most “me” thing I feel I’ve ever created.

6 — Is there any particular track in the album that holds a special meaning to you?

In a way they all are, it’s tough to choose. I think the “Illusion of Time” is very special as I got to make that with one of my friends Kyu who played the hand pan which I sampled for that song. Always great to create things with friends.

Notaker interview debut album Echoes In Eternity
7
How would you describe the evolution of your artistic style and sound as reflected in this album?

In a way it’s cyclical. Finding new things that sound nostalgic to me and then creating them in a new and interesting way. Hopefully, people can hear that in my sound, something new but also familiar.


CONNECT WITH NOTAKER NOW!

YouTube
Facebook
Instagram

Continue Reading

Interviews

Öwnboss & Selva Dish On The Creation Of “RIOT” — Interview

Published

on

Öwnboss Selva
Closing out the festival season with a bang, Brazilian talents Öwnboss and Selva team up on anthemic dance hit “RIOT” for their debut on the respected label Monstercat. Not only a mainstage monster, “RIOT” gears up to take on the virtual world as the official anthem in the latest Brazilian-themed season of the sports-based video game Rocket League.

We caught up with Öwnboss and Selva to go behind the scenes on the making of “RIOT.”

1 — First of all, how do you maintain a balance between staying true to your own unique style while collaborating and complementing each other’s musical style?



Selva: I think the fun part about collaborating is to mix things up and see what happens. That being said, presenting ideas with context, staying true to yourself, and respecting the collaborator’s input is the formula to create something interesting that you wouldn’t come up with yourself. For example, Öwnboss has his famous lead synth, but we never forced it in. The progression choices and the energy that builds up until the drop made that synth not only essential but also brought the power we needed for the drop!

Öwnboss: I would say that I don’t have much of that balance because I’d say I don’t follow only a single style, you know? My sound is what I like to play, what makes sense at the moment, and what makes me happy. Of course, “Move Your Body” is a track that defines me in a way and I’m very proud of it, but I always try to evolve and improve my productions, as happened here with Selva. “RIOT” had more than 10 versions that went through various musical styles, which speaks a lot to my trajectory as a producer as well. The final version was our favourite, and it brings a lot of who we are as musicians.

2 — “RIOT” is set to debut in Rocket League’s battle arenas. Is this the first time you have produced music for video games?

Öwnboss: That’s a good question because we didn’t really produce the song thinking about having it in a video game, but that’s exactly what happened in the end. I had the pleasure of having “Move Your Body” on the Formula 1 2022 soundtrack, I believe for the size the track has taken by playing on the stages worldwide. With “RIOT,” I think we were able to produce such an exciting, rebellious song…. almost like a generational anthem, that seeing it as a soundtrack for such an important and young game like Rocket League turns out to be a perfect fit. “RIOT” really has a feel of action and adrenaline.

Selva: Yes, for me it’s the first time. I still am getting used to hearing my kids across the house turning on Rocket League and hearing my song!

3 — What qualities do you like the most about the vocals on ‘RIOT’?

Selva: I think the vocals are the soul of this song. We built the song around it, and we worked really hard for the production to play the role of enhancing the power of those lyrics.

Öwnboss: I agree. I really like the contrast between the vocals of the children singing in a very high-pitched tone and Brian’s voice, more serious. I think it’s a very good balance since the sonorities complement each other. Another thing that catches me is this “battle anthem” vibe of hers, it feels half revolutionary, like… Pink Floyd. It had been a while since I’d received a vocal with this strength, and I believe that’s why this track became so important to us.

4 — Imagine you could incite a riot for change. What goal would you inspire people to stand up for?

Öwnboss: That’s a tough question to answer because the world needs a lot of change, so how do you choose the most important one? Or the most urgent. What comes first in my mind is a riot for people to be themselves, without being ashamed and without worrying about what others will think. Be yourself. I think it is a path of no return to freedom and happiness. Probably the world would be better and lighter if everyone could follow that.

Selva: Interesting question! I think once you create a song and put it out into the world, the meaning of it is no longer yours to choose. Everyone has a different life experience and people digest ideas and messages in a very singular way. At first, this song didn’t have a political angle, but it can absolutely have.
I’d say: start a riot in your heart, soul, and mind.

5 — Öwnboss, your busy 2023 World Tour is currently underway. How does the release of “RIOT” fit into your tour’s momentum?

Öwnboss: The release of “RIOT” in the middle of my tour was very important because I was able to play the track on various stages around the world without it being released. People don’t know it, but the music captivates almost instantly, which makes it an important reinforcement for my sets. I see the audience eager to learn the lyrics. I can say “RIOT” certainly arrived at a good time.


6 — Selva, as a platinum-certified songwriter and producer, you have worked with prominent names in the EDM scene. What new things did you learn from this collaboration?

Selva: I think of myself as a songwriter above anything, and I’m blessed enough to work with so many different accomplished and talented artists, including Öwnboss whom I have written a number of songs. “RIOT” is a special one for me, and it just felt right to represent this one by his side. I personally learned to trust my gut more than ever.


7 — Can you capture the essence of “RIOT” in just one sentence?

Öwnboss: RIOT is energetic, revolutionary, and catchy.

Selva: All revolutions start in the soul.

8 — Were there any specific elements that made the creation of this track particularly challenging?

Selva: The chorus. We knew the chorus was potent and strong, but it was challenging to “dose” it through the song. We did a bunch of versions in order to land one that we felt delivered the chorus without being repetitive and enhanced it.

Öwnboss: Yeah, the vocals, for sure. And the collaboration with a children’s choir, which is the “extra touch” and makes it different from anything that I’ve ever produced before.

9 — What specific role did you play while working on “RIOT”?

Öwnboss: The lyrics were written by Brian, so my main role was to help set the musicality of the track, creating a climax on the chorus and the revolutionary footprint we wanted for it. Then, another challenge of ours was to integrate the high-pitched voice of the children’s choir with the other elements of the track, so that it would be dense, dynamic and keep the rebellious tone.

Selva: As mentioned I was on the songwriting. I dove in on the production as well later on, but I’d say I mainly focused on melody and lyrics and let my main man Öwnboss do his thing and create the whole context and drop.

10 — If a future collaboration opportunity arises, what new things would you be interested in exploring?

Selva: I’d like to have another go at exploring a RIOT-like anthemic chorus again, maybe in a higher BPM.

Öwnboss: Each collaboration is the reflection of the moment that I’m living. After that everything changes, so I think it’s hard to answer this question. I will always explore what is true and meaningful to me in that moment, so my music can speak to others.


CONNECT

Öwnboss
Facebook
Instagram

Selva
Facebook
Instagram

Continue Reading

Interviews

Exclusive Interview: Paul Mayson Delves Into His Debut Album ‘One Life’

Published

on

One Life Paul Mayson Interview

Paul Mayson‘s first-ever album, ‘One Life,’ is like a special mix of his love for House music, blended with different kinds of sounds and cool collaborations from artists all over the world. You definitely don’t want to miss this interview!

1 — With the release of your debut album ‘One Life,’ what are your expectations for how listeners will connect with the music?

My goal was to showcase my story and my sound. And for it to be an uplifting, positive, and summery album. Hopefully, it feels like that! It’s a collection of songs made at the moment, to make you feel happy and free. It’s about embracing life, the good things and the bad. And about doing what makes you happy.

2 — You’ve teamed up with a diverse range of international artists on this material. Please let us know how these collaborations came to be.

It was really exciting taking elements from different genres, working with a group of great artists who come from very different backgrounds, and bringing all of these sounds and flavors together on one project. A lot of artists I meet myself, reach out to the people I’m interested in. I often travel abroad to work on music together and do sessions in London or LA. Sometimes collabs can also happen through the label or the publisher, but ultimately it’s great to have an artist-to-artist relationship.

3 – What compelled you to emphasize the themes of life, freedom, and diversity in this album?

I’m very passionate about House music culture and the way it started. Which was all about positivity and celebrating life together. I love that message and think the soulful, feel-good element of House music is what always really attracted me to the genre. And to music in general, including other genres like Soul and RnB.


4 – Can you share more details about the process of integrating experimental elements into the music production of your album?

A few of the songs (like “Tell Me How” and “I Want You”) were basically made during one big jam session. It’s me just trying out completely different sounds, textures, and rhythms and experimenting with live drums, guitars, and whatever I feel like. Letting go of any rules connected to dance music allows for a really fresh approach to the album songs.

6 – How does the artwork complement the album’s concept?

It emphasizes the feel-good element and the overall message of the album. Life is in front of you, it’s there for the taking. You’re in the hallway, step into the light and embrace life.

Paul Mayson One Life
7 – Will there be another amazing music video like “Have It All,” dropping in the near future?

We released a really cool art piece and visualizer for the album which I’m very excited about!

8 – Given your ambition to push boundaries within the Dance genre, do you think the bunch of producers already out there could make it tough for you to really stand out?

I think individuality is key. Doing something you’re passionate about. Telling your own story. If you go into that process, the outcome will be unique. Not following trends and doing my own thing is what helps me stand out and allows me to be ahead and I try to keep pushing myself.

9 – Among your studio essentials, what’s the item that you consider the cornerstone of your setup?

Quite a lot of my work is digital. I carry my laptop around and can produce and write anywhere with it, whether it’s my home studio, the studio in Amsterdam, a hotel, or even an airport. That’s what makes it flexible and international! Just being able to work anywhere and get the creative process going. At home I also love my Adam A77x monitors and I also use a Prophet synth.


CONNECT WITH PAUL MAYSON NOW!

YouTube
Facebook
Instagram

Continue Reading
Don't miss out!
Subscribe To Newsletter
Invalid email address
Advertisement