Dubstep
SLANDER And Sullivan King Release Intense Bass-and-Metal Single “Welcome To The Fire”
One won’t typically find electronic music bassheads and diehard metal fans in agreement over music, but that is about to change. Enter “Welcome To The Fire“, the intense new track from duo SLANDER and multi-instrumentalist Sullivan King on Disciple Records, which melds the angst of heavy metal with the aggression of bass-focused electronic music. Listeners beware, this track is certainly not for the faint of heart – “Welcome To The Fire” creates a supercharged environment from its opening notes, incorporating screaming vocals, mechanical synths, and earth-shattering drops. Press play on this one on to release some pent-up emotions, to crush a workout or simply if a solid thrashing on the dance floor is in order. Expect to hear “Welcome to the Fire” lighting up clubs and festival stages on SLANDER’s “Superhuman” winter tour.
SLANDER first made waves in the scene when they debuted their remix of Showtek’s “We Like to Party” in 2014. However, SLANDER has proven they are capable of so much more than remixes. This year the duo has been making waves with their original productions and an evolved sound, as evidenced on “Superhuman” featuring Eric Leva, “We Out” with Danish producer Stoltenhoff, “One Life” on Spinnin’ Records, “Decapitation Celebration” EP (with Kayzo) and their recent rendition of Major Lazer’s “Know No Better” on Mad Decent. Their ability to produce both bass-heavy headbangers and emotionally stirring melodies distinguishes them as talented, multifaceted producers, not to mention their insane stage presence. SLANDER has been performing worldwide on their Superhuman tour, including headline stops at Ultra Music Festival, Lollapalooza, Moonrise, Creamfields, EDC Las Vegas and many more.
Los Angeles-based multi-instrumentalist/producer and solidified guitar powerhouse Sullivan King is shattering the mold and disrupting the electronic world – one lick at a time. Lifting the brash and rugged energy of bass music off the dance floors and the power of metal and hard rock from the stadiums, Sullivan King creates a musical mosh pit built entirely on rapid-paced, neck-snapping dubstep, intensely shredding guitars and a bold live show that pushes the boundaries of modern music performance. With recent releases on Excision’s label Rottun Recordings and Montreal’s bass staple Kannibalen Records, Sully is paving his own path as he pioneers this metal-EDM hybrid sound.
SLANDER‘s upcoming dates:
12/01 – Playstation Theater – New York City, NY
12/02 – Concord Music Hall – Chicago, IL
12/09 – 808 Festival – Bangkok, Thailand
12/10 – Aman Resort – Palawan, Philippines
12/15 – DJakarta Warehouse Project – Jakarta, Indonesia
12/28 – Gilt Nightclub – Orlando, FL
12/29 – The Ritz – Tampa, FL
12/30 – Decadence – Denver, CO
12/31 – Resolution NYE – Costa Mesa, CA
01/10 – Holy Ship – Cape Canaveral, FL
01/11 – Holy Ship – Cape Canaveral, FL
01/12 – Holy Ship – Cape Canaveral, FL
01/13 – Holy Ship – Cape Canaveral, FL
02/24 – EDC Mexico – Coyoacán, Mexico
02/25 – EDC Mexico – Coyoacán, Mexico
Sullivan King‘s upcoming dates:
12/06 – Soundcheck – Washington, DC
12/08 – Nest – Toronto, Canada
01/19 – NOS Events Center – San Bernardino, CA
01/27 – The Intersection – Grand Rapids, MI
02/03 – 1stBANK Center – Broomfield, CO
02/10 – Sunset Cove Amphitheater – Boca Raton, FL
MORE INFO ON SLANDER
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Blending the retro styles of the past with the eclectic sounds of today’s electronic realm, Effin announces his highly anticipated debut album ‘Cheap Thrills’ out now.
There is something beautiful and courageous about bringing new life to things forgotten. It takes something special to preserve the magic of what was while molding it into something fresh and spectacular. In the world of music today, many artists are merely interested in finding the newest sounds and styles in order to prove their originality. Effin, however, has found that sometimes the road to becoming one-of-a-kind is right under your nose.
With the release of ‘Cheap Thrills,’ Effin takes a deep dive into the ocean of his musical talents. Having taken years to develop his style, the artist was beginning to wonder if he would ever find his place in the industry. To his surprise, the path leading to his success was there all along. Pulling from his roots in Nashville, Tennessee, Effin renders an insanely energetic twist on old classics.
Sampling styles from the 50s and 70s eras, the artist completely revamps timeless tunes into some of the most sophisticated and original tracks to date. Not only does he harness the old-school sounds with integrity, but he channels them into something that is completely his own.
“Cheap Thrills is everything that Effin represents and will represent going forward. It’s an audio collage of hundreds of different sounds, styles, and influences slammed and crunched together. Above all things, it’s a love album. It pulls you in and spits you out, filled with digital nostalgia and distorted fantasies. This one is incredibly special to me and I think that will be obvious from the opening thrill until the final goodbye.” — Effin
Although the album demonstrates the raw talent that exudes from the artist, Effin has not had the easiest journey of finding his niche. Bringing older styles of music to the forefront can be risky, but with the proper attention to detail and dedication to stand out, the possibilities are endless. Effin, like many of the artists he sampled before him, took a chance on creating something eccentric and rooted in originality. Each track is vastly different from the next. Every breakdown brings forth a unique animation. The album brings listeners through decades of music, while continuously reminding them of the future of Effin’s sound. From beginning to end, the collection is a powerful and inspiring ode to the timelessness of music and the fruition of a creative mind.
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British Bass maestro Zomboy joins forces with the vocalist Micah Martin of The Zealots band for their powerful new single “Monsters,” delivering an unexpected and unique sonic experience that’s about to be the soundtrack to everything from your workouts to your next headbanging session.
The head of Rott N’ Roll Records artfully fuses angsty vocals that bring to mind Hardcore Rock of the early aughts with Drum & Bass production, complete with rapid-fire breakbeats, dark synths, and distorted basslines. The overall effect is an energetic, cathartically aggressive record that brings the listeners’ inner “Monsters” to the surface to be slayed and will appeal to fans of Heavy Metal, Bass music, and beyond as a track that is truly unbound by any genre.
It also serves as a follow-up to Zomboy’s ‘Dead Man Walking Pt. 1’ EP and his earlier collaboration with Micah – “Flatlined,” both from 2022. Read on for the artist’s inspiration behind “Monsters,” which represents Zomboy’s sonic exploration and sets the tone for future experimentation with Bass music.
“I am beyond excited to put ‘Monsters’ out into the world along with my amazingly talented friend Micah Martin. Not only has this song been absolutely destroying the dance floor, but it will forever symbolize a very difficult yet positive part of my life. Everyone deals with their ups and downs in different ways, and I am just so glad I could call on Micah to help me vocalize these feelings and emotions. I really hope everyone enjoys my first real step into drum & bass, something I’ve wanted to do for a long, long time.” — Zomboy
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Canadian DJ and producer Defunk releases his brand new 14-track body of work ‘The Voyage,’ his 1st in almost a decade and 5th in overall, and it is a true journey through the genre-bending soundscapes that have established him as a pioneer of bass-influenced music throughout his long career. It is also a deeply personal body of work for him, which serves as a testament to his journey both as an artist and as a man as he navigated both the global pandemic and becoming a father. From the opening notes of “The Departure,” Defunk makes it clear that the voyage the listener is about to embark on is not for the faint of heart, as the piano melodies and ethereal vocals fuse into the deep basslines and serrating synths of “Blast Off.” Each track melts into the next with liquid sophistication as Defunk expertly steers through the groovy tech-house beats of “Coming In Hot” to the headbanging, drum & bass-oriented synths of “Waves” and the hip-hop vocal bass of “All Your Love.” Wrapping up with the sparkling notes and futuresque drops of “Sunrise,” the album displays Defunk’s impressive versatility in a sprawling range of bass-focused gems and it’s clear that there’s heart and soul in every track. The album’s drop also launches Defunk’s “The Voyage Tour” across North America, which begins in September and spans across Detroit, Vancouver, Minneapolis, Portland, Kelowna, Las Vegas, and more till November.
“I can finally release my first full-length album in almost 10 years. I’ve never worked so hard on such a large project, with so much of my heart poured into every song. ‘The Voyage’ is a very personal 14-song concept album that tells the story of my evolution, both personal and musically, through the pandemic and into my new role as a parent. The voyage will be released on Westwood Recordings, and I couldn’t be more excited to share it with you.” — Defunk
Canadian-born Logan Anderson, known as Defunk, has made a distinct name for himself in the electronic music scene with his dirty, funky, bass music. Defunk’s unique fusion of funk, hip-hop, electro, and heavy bass music allows him to be a true connoisseur of genre-blending. His innovative style has paved the path for fans of all genres to venture into the bass music scene and a niche that has left him virtually untouched. He constantly pushes the boundaries of what bass music can be with live performances that captivate audiences all over. The versatility Defunk delivers in his sets, and live performances has caught the attention of Pretty Lights, GRiZ, Gramatik, LSDream, and others across the bass music scene. He’s played at the legendary Red Rocks Amphitheater in Colorado, Insomniac’s Electric Forest Festival, Canada’s Shambhala Festival and toured internationally for 10 years. Equipped with constantly changing sets and a rapidly expanding discography, Defunk constructs each performance to the brim with allure and absolute magic.
Defunk’s “The Voyage” Tour (tickets):
Sep 08 – Galaxie – Louisville, KY
Sep 09 – Unison Festival – Aztek, MN
Sep 15 – Tangent Gallery – Detroit, MI
Sep 16 – The Stache – Grand Rapids, MI
Sep 23 – The Red Room – Vancouver, BC
Sep 30 – Pryes Brewing Co. – Minneapolis, MN
Oct 05 – The Get Down – Portland, OR
Oct 07 – Waverly Hotel – Cumberland, BC
Oct 20 – Distrikt – Kelowna, BC
Oct 21 – Five Mile Hall – Grande Prairie, AB
Nov 04 – Arkadia Festival – Las Vegas, NV
Nov 09 – Summit Music Hall – Columbus, OH