Snails will be embarking on one of the largest tours in North America this year with his 52 date tour, which will feature his brand new stage The Shell 2.0. The stage is being called a “holographic bass music experience powered by groundbreaking production” and is done in part with Beama Visuals, the stage production wizards for Excision and other impressive clientele. The tour kicks off at the iconic Red Rock Amphitheater with his own festival Sluggtopia where “The Shell 2.0” is being unveiled to the world. The tour also features some incredible support with Kill The Noise, Liquid Stranger, Cookie Monsta, Svdden Death, Ubur and Hekler with some more tba. All dates are below.
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Snails also just dropped the fourth release from his upcoming remix album of “The Shell: Remixes,” and it’s an epic spin on the original. Kill The Noise takes on remixing Snails and NGHTMRE’s track “Only Want U” featuring Akylla, cycling through a myriad of bass music’s dirtiest tricks: stabbing synths, mechanical percussion, hardstyle-esque basslines and a warped intermittent vocal sampling. Earlier this summer, Snails and Kill The Noise collaborated on “Shake the Ground” featuring Sullivan King and Jonah Kay, which was the first release on the king of Vomitstep’s new label Slugz Music. Since then, Snails has released the first three remixes from the album – including Funtcase’s “Forever” remix, Megalodon’s version of “Russian Roulette,” and Virtual Riot’s take on “WFSU” – on Slugz Music.
Frédérik Durand, better known as his DJ/producer alias Snails, is truly an artist whose music has no boundaries. After spending years crafting music featuring the most grimy sounds and unrelenting bass – including working with Skrillex and Diplo on their Grammy-winning album – his “Vomitstep” sound found a home on labels like OWSLA, Dim Mak and Monstercat – along with a cult following that truly embraces it. His singles “Into the Light” feat. Sarah Hudson, “WFSU” with Waka Flocka Flame, and “Only Want U” with NGHTMRE and Akylla set the stage for his game-changing debut album “The Shell,” which served as a testimony to exactly who Frédérik is as an artist. Now with the launch of Slugz Music, Snails has a home for his music and others’ that is as outrageous as they want it to be. “I want to release music that really inspires me and is just as weird as me,” he quips. Stay on the lookout for more upcoming, blackout-worthy releases from Snails and Slugz Music!
09/02 – Boca Raton, FL – Sunset Cove Amphitheater
09/07 – La Cygne, KS – Dancefestopia
09/08 – Gatineau, QC – Riverside Fest
09/15 – Thornville, OH – Lost Lands
10/05 – Denver, CO – Red Rocks Amphitheater
10/11 – Missoula, MT – The Wilma
10/13 – Seattle, WA – WAMU Theater
10/15 – Reno, NV – Cargo: Whitney Peak Hotel
10/16 – Boise, ID – Revolution Center
10/17 – Chico, CA – El Rey Theater
10/18 – Fresno, CA – Rainbow Ballroom
10/19 – San Jose, CA – City National Civic
10/20 – Los Angeles, CA – Hollywood Palladium
10/21 – San Luis Obispo, CA – Fremont Theater
10/24 – Tucson, AZ – Rialto Theatre
10/25 – Albuquerque, NM – Sunshine Theater
10/26 – Las Vegas, NV – World Market Center
10/27 – Phoenix, AZ – The Van Buren
10/30 – Columbia, MO – The Blue Note
10/31 – Fayetteville, AR – Fayetteville Town Center
11/01 – Tuscaloosa, AL – Druid City Music Hall
11/02 – New Orleans, LA – Republic NOLA
11/03 – Atlanta, GA – Buckhead Theatre
11/04 – Birmingham, AL – Iron City
11/07 – Greenville, SC – The Firmament
11/08 – Norfolk, VA – The NorVa
11/09 – Richmond, VA – The National
11/10 – Charlotte, NC – Fillmore Charlotte
11/12 – Mobile, AL – Soul Kitchen Music Hall
11/14 – Tallahassee, TN – Bajas Beachclub
11/15 – Tampa, FL – The Ritz Ybor
11/16 – Orlando, FL – House of Blues
11/20 – Syracuse, NY – The Westcott Theater
11/21 – Pittsburgh, PA – Stage AE
11/23 – Montreal, QC – Telus
11/24 – Toronto, ON – Danforth Music Hall
11/26 – Portland, ME – State Theatre
11/28 – Buffalo, NY – Town Ballroom
11/29 – Boston, MA – House of Blues
11/30 – Washington, DC – Echostage
12/01 – New York, NY – Terminal 5
12/08 – St Paul, MN – The Myth
12/14 – Dallas, TX – South Side Ballroom
12/15 – San Marcos, TX – The Marc
More info on Snails
Get Ready For MARAUDA’s Heavy Dubstep Bomb, “AVOIDABLE CAUSE”
This heavy Dubstep single called “AVOIDABLE CAUSE” is literally a dancefloor bomb. When you hear MARAUDA‘s music for the first time, you get a sense of adrenaline rushing through your veins. Naturally, the aggressive basslines get your heart pumping and your feet moving. Interestingly enough, under the former alias Mastadon, he started producing Bass music at the early age of 16.
Speaking of his career, the young Australian artist has a strong fanbase in America. The joy of DJing at Global Dub Festival, Lost Lands, Bass Canyon, Ubbi Dubbi, and headlining a tour marked his life positively. Probably, his most notable milestone to date is his debut EP, ‘MALIGNANT’, where he exposes his signature rapacious sounds. His reputation has been built on intense drops and prominent wobbles. “AVOIDABLE CAUSE” is just an appetizer for his next explosive bangers. Today, MARAUDA is on the mission to reinvent the heavy Dubstep genre, so stay alert for more releases on his socials down below.
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Best New Dubstep Song Of 2020, “Find My Way” By JAD3D
For sure, this is the best new Dubstep song of 2020. I’m referring to JAD3D‘s hottest release on Careless Records, called “Find My Way”. You will be very stoked once you hear energetic drops and the melodic voice of Alley Parton. Get lost in with such singable verse lines straight away. What’s more, if you’re feeling the melancholic sensation on this track, then that’s a good sign as the artist has served its purpose.
The super chill piano intro + the splashing of raindrops give a clue this is not the typical track with generic Dubstep beat drum or wobbles on repeat. Actually, “Find My Way” is quite the opposite as the Chicago-based producer showcases a solid sound design and lyrical base that exudes so many emotions. The production quality is insane, so I think it deserves to top the electronic music charts anytime soon. Without further ado, expect JAD3D to continue to gain momentum in the Bass scene. It would be a crime if you forget to hit the play button down here. Enjoy it.
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“WAKE UP”, The New Effort From JAD3D & Demitri Medina Via Careless Records
Who doesn’t like dark and melodic beats? JAD3D‘s properly titled single “WAKE UP”, released via Careless Records, really gave me a buzz. Trust me, it feels like a new strain of Dubstep that’s accompanied by passionate vocals from Demitri Medina, which brim with emotive impact. With this in mind, this piece is not based solely on wobble bass and electrifying synths. Conversely, the hard-hitting lyrics also carry a deep message.
Inspired by a life story of how recovery can take you down a certain path, this tune provides a moment of reflection. In terms of sound and approach, it dabbles in uplifting dynamics. It becomes crystal clear, that the softness and loudness of the music are the fuel behind this banger. In some way, “WAKE UP” bears a certain resemblance to those classic Pop-Punk/Emo hits that all 2000s kids used to love. However, instead of guitars, here you have heavy bass-driven tones and big drops. Do us a favor and take a listen below. You’ll thank us after.
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GG Magree’s New Single “Nervous Habits” Ft. Alt-Punk Singer Joey Fleming
Australian powerhouse GG Magree teams up with In Her Own Words lead singer Joey Fleming on “Nervous Habits”. Magree’s sonic ambition is on full display, as she duets tight hooks over melodic Dubstep instrumentation.
Australian powerhouse GG Magree teams up with In Her Own Words lead singer Joey Fleming on “Nervous Habits”. Magree’s sonic ambition is on full display, as she duets tight hooks over melodic Dubstep instrumentation. Although GG Magree has made a name for herself through her raucous bass music, “Nervous Habits” showcases a vulnerable side through personal, refined lyrics. Both GG and Joey flex their singing chops on the single, balancing honeyed lines with angst-ridden verses that roll off like a conversation between a star-crossed couple. A deep synth bass lurks beneath the vocals, which drops into a heavy and intense breakdown that feels like wading through the darkness of this particular relationship. Together Magree and Fleming fuse raw emotion, breathtaking vocals, and bone-shaking bass to create a powerful Dim Mak debut.
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“Everyone has that one love that they can’t break away from… ‘Nervous Habits’ is a story about mine.” – GG Magree
GG’s indisputable talent as a DJ, producer, and singer/songwriter has made her a triple threat in the electronic music industry. She first made waves in 2016 with her vocal debut “Frontlines,” in collaboration with NGHTMRE & Zeds Dead, which has amassed over 28M streams on Spotify alone. GG is also well known for her reload-worthy remix of Billie Eilish’s “Wish You Were Gay,” in addition to original singles like “I Wanna Lose You,” “Ghost” with Jauz, and “Flatline” alongside Sullivan King. In her native Australia and beyond, Magree has become a highly sought after artist known for bringing electric energy to audiences worldwide; by far the best way to experience GG is at a live show. She has graced the stage with the likes of Pharrell, DJ Snake, Wu-Tang Clan, Zeds Dead, Virtual Self, Iggy Azalea, NGHTMRE, and many more.
Joey Fleming is the lead singer of the American alt-punk band In Her Own Words, based in Los Angeles. With roots in the underground punk rock scene, Fleming packs high intensity and angst into heartfelt lyrics and melodies to make his listeners feel what he feels. He was introduced to creating and writing at a very young age, which has allowed him to evoke unparalleled passion and unique personality within his music. Fleming has released multiple EPs and albums via In Her Own Words since 2013 and now is breaking into the electronic scene with his feature on “Nervous Habits.”
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Heavyweight Records Drops Six Heavy-Hitting New Tracks Via ‘Lockdown’ EP
Carnage‘s Heavyweight Records camp has just released their brand new ‘Lockdown’ EP, filled with top-notch fresh bass music curated entirely during live demo sessions on Twitch. The six-track EP runs the gamut of bass music, from 2AM & Elusion’s bone-shaking, menacing “Down” to the rapid-fire snares of Fito Silva’s “Indian Riddim” and Steez’s mechanical, synth-driven “To The Face.” Rounding out the second half of the EP, “Hit a Lick” delivers hip-hop influenced bass by Freaky x Hay!, Elle’s “Ah Shit” presents as one of the more melodic tracks but quickly shows its darker side. Zoobstool’s “Block Huggaz” makes for a heavy-hitting, apocalyptic finale fitting of the current state of the world. The Heavyweight team selected all six tracks for the release while livestreaming the demo sessions on Twitch; listeners could comment about which tracks they liked best, bringing a creative new way for a record label to connect with fans when current circumstances have live shows on hold. Tune into the “Lockdown” EP to bring Heavyweight into your home!
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Since the beginning of his music career, Carnage has made a name through breaking the rules and staying true to himself. The Las Vegas-based artist established himself as the reigning champion of hard bass and trap music with early hits, later being one of the first artists to transition electronic music into hip-hop, rap and urban styles. Carnage founded his label Heavyweight Records in 2017 as a home for hard bass and hip-hop music. Since then, he has gathered a formidable crew of cronies on the imprint, from the masked mastermind GRAVEDGR, Gommi, Sludge, Lil Texas, and more. Follow Heavyweight Records for more cutting-edge music from Carnage himself and his gang.
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