House
Wongo Enlists Yolanda Be Cool And More To Remix “Paradise”
Straight from the Gold Coast comes a summery tune courtesy of Australian native Wongo that will have you convinced that you’re posted up on a beach drinking a cold one. Wongo’s “Paradise” is soft and seductive, drawing the listener in with twinkling instrumentals and a muted bassline that is complemented by San Mei’s velvety voice. With its dreamy feel, the track paints a picture of heady escapism and a sun-drenched love affair that is as hot as the Aussie sun. “This is the first time I have collaborated with a fellow Gold Coast local. When I first heard San Mei, I had a feeling we would be able to come up with something special,” says Wongo of the creation of “Paradise.” “It’s a track that portrays our sunny hometown whilst staying true to the vibes of my production style.” The track is out now on Sweat It Out, which has also released tracks by What So Not, Yolanda Be Cool (who also remixed “Paradise”), Monkey Safari and more.
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Wongo wasn’t always making smooth house beats – before he was wooing crowds with his music, he was captivating them as an award-winning breakdancer, winning multiple titles in the UK and Australian Championships. After leaving the dancefloor for the DJ decks, Wongo caught the industry’s attention through his remixes of tracks by Beyonce and Azealia Banks. The party-starting producer also remixed Spank Rock, What So Not, A-Trak, Sweater Beats, and Sluggers. His original productions are just as hot: his track “Be 2 Be” featuring LA vocalist Ducky was both a radio and club success, receiving support from Triple J and all major dance radio across Australia. “Be 2 Be” experienced significant success and was featured across a multitude of playlists resulting in over 800k collective online streams. With support from Claude VonStroke, Chris Lake, Anna Lunoe, Motez, Shiba San and more, Wongo is skyrocketing to the top. Stay tuned for more grooves soon.
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House
Muzik Box’s “Karma” Futuristic Clip Is Finally Available For Everyone To Watch
What goes around comes around, that’s probably the best definition of “Karma”. Aaron, Caleb, and Lisa from Muzik Box just launched a new song and video about the law of cause and effect.
What goes around comes around, that’s probably the best definition of “Karma”. Aaron, Caleb, and Lisa from Muzik Box just launched a new song and video about the law of cause and effect. Interpreting the emotions covered in this haunting track, you’ll soon realize that for every action there’s always a reaction. With energetic beats and under their signature House sound, the Houston-based artists will give you an important life lesson.
In a certain way, the divalicious vocals turn listeners into instant fans. Plus, I would dare to say this could become a timeless masterpiece thanks to the epic funky bassline and stunning hooks. Additionally, visuals take you to a futuristic scenario in which tall buildings and flying cars dominate the cityscape. So, if this delightful single makes you eager for more, then check out the remixes for “Karma”. The dance community will love the versatility over the original, with refreshing tribal, deep, and tech-house versions. This is surely the place to kickstart your next Spotify playlist.
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SeeEyeGee is best known for his multiple bangers that have topped the electronic music charts on Digital DJ Pool. Hailing from Bellingham, Washington, his passion for political sciences and IT does not prevent him from being a prolific producer. While his style extends in directions far beyond housey vibes, “Crash” is all about fast-paced basslines strictly for the dancefloor. Here he knows how to quicken the intensity with energetic beats and soul-infused vocals.
At certain points during the sound design process of his tunes, he admits to experimenting with DnB, Trap, and Hip-Hop elements. Proving that versatility is perfect in order to break the mold in this competitive industry. What at first started as a recreational activity as a DJ for underground events soon turned into a career. Today, SeeEyeGee’s music encapsulates the creative influence of Eric B. & Rakim, Diplo, Skrillex, and Timbaland just to mention a few. With over 30K listens in 5 weeks across all platforms, you won’t want to miss his upcoming jams. Since dreams and dedication are a powerful combination, the artist aspires to play at festivals and make people dance all night long in the near future. Surely enough, his kids and grandkids will be proud of him.
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Mandalan‘s latest “¿Cómo Sabré?” (Spanish for “How Will I Know”) starts off accompanied by a groove flavored with Latin House music at its finest. Somehow, I feel all these tropical-esque beats can instantly make you feel like dancing. The mastermind behind this captivating production is Los Angeles-based producer James Brennan. He took sexy female vocals and laid them over tribal percussion (congas) mixed with upbeat electronic elements. Without a doubt, Emarie‘s singing talent isn’t something you hear every day. Press play below.
In short, lyrics reveal it’s better to listen to your heart or intuition, especially when you’re falling in love. Above and beyond, you will end up hopelessly addicted to this jam and its summery vibes after the first listen. Positively, there are strong similarities in Mandalan’s sound to other big names in the Latin music industry like Becky G, Jennifer Lopez, Tito El Bambino, among others. It might also be noted, his debut single “How We Live” became a hit on all major digital platforms surpassing 30K streams in such a short time. I truly believe “¿Cómo Sabré?” follows the same path of success.
So Foreign Productions and Mandalan are joining forces to create a special music video for this awesome track. They have just launched a campaign inviting Patrons to be part of the upcoming visuals. Their ultimate goal is to hire a dance team and production crew to create a high-energy clip. So, what are you waiting for?… You can be part of this project and receive great benefits. 👉 More Information.
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Charles B and Kamil Ghaouti team up for their triumphant debut collaboration “You’re Not Mine” on Protocol Recordings, which fuses their unique styles into a deep and groovy sonic journey. Opening with upbeat piano melodies, Charles and Kamil quickly up the ante by establishing a funky bassline complemented by warped synths. The track’s his-and-hers-style vocals add an emotive and progressive element to it, which will resonate with any listener who has ever experienced the pangs of unrequited love. “You’re Not Mine” is the latest experimental sound from Protocol artists, who have been releasing cutting edge new tunes even amid the global pandemic this year.
Nicky Romero and the Protocol crew can always be counted on for cutting-edge new music, melding a variety of genres for exciting and unexpected sounds. Their latest additions feel right at home with that mantra, bringing a fusion of future bass and progressive sounds with plenty of grooves to the table. French producer Charles B now counts three Protocol releases under his belt, with additional tracks on Hexagon, Darklight Recordings, and more. He’s also earned support from the likes of Martin Garrix, DJ Snake, and Diplo, among others. His music has been featured on BBC Radio 1, Sirius XM, Apple Music’s Beats 1, and more. Hailing from Spain, Kamil Ghaouti has signed tracks to Warner Music, Armada Music, Scorpio Music, and Strange Fruits, to name a few. His productions have been supported by Jonas Blue, Oliver Heldens, Lost Frequencies, and Mike Williams. Keep an eye out for more new tracks coming from Charles B, Kamil, and more!
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BROHUG are back, this time in collaboration with LA-based Saint Punk on their grungy new release “Brake”. After meeting on Instagram and supporting each other’s music, the producers eventually worked together to create their new single, which represents a perfect combination of Saint Punk’s gritty, rock-influenced sound, and BROHUG’s signature bass-house. “Brake” delivers a driving four-on-the-floor bassline with grimy synths and distorted vocal samples, making for the perfect dirty bass track you’ve been missing in quarantine. “Brake” follows BROHUG’s recent release “Mixtape 3” from earlier this month, hinting that the guys are busy in the studio cranking out new tunes. Check out what BROHUG and Saint Punk had to say about their collaboration below:
“Since day one starting this collab with Saint Punk, we shared the same idea and vibe. It came together so easy, and it was fun working together on ‘Brake’. The track contains a strong, powerful vocal chant, with a huge build and massive bass house drop to follow. We’re excited to share this to our combined fans!” – BROHUG
“The BROHUG guys and I began talking on IG over a year ago, always supporting each other’s music so coming together on this record was rad. We combined my grungy, gritty sound with their European bass-house sound and popped out ‘Brake’.” – Saint Punk
Regardless of their satirical stage name, BROHUG is not here to play games. Since John Dahlbäck and the Lunde brothers formed BROHUG in 2016, the trio has worked with Kaskade, Ghastly, remixed Steve Angello, and released on labels such as Confession, Spinnin’ Records, Dim Mak, Musical Freedom, and their label BROHOUSE. In 2019, their release schedule was packed with relentless hit after hit. Virtually unrivaled, their touring has been intense since the start. BROHUG has really put their name out, with sets on festivals like Ultra Music Festival in Miami and Tomorrowland in Belgium, touring Australia and several tours in the US and Asia. Even a global pandemic can’t keep BROHUG down, so keep an eye out for what’s next for this talented trio!
In addition to his monstrous studio output, Saint Punk graced the stage at Audiotistic in Southern California last year, and showcased his pioneering sonics at clubs across the country, including New York’s Brooklyn Mirage, Los Angeles’ Sound and Academy, and the 2019 Miami Music Week’s Confession Showcase. Saint Punk is coming off a sophomore release on his Graffiti Records imprint with “Molotov Cocktail” which shed light on his frustration on social injustice. He continues to pave a lane as an innovator of his grunge house sound and has a lot in store to end what may be the worst year in human history.
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