Jordana Moon, who is a member of the musical duo Moon And Aries, talks about the new EP ‘Break The Matrix (Episode Three).’ This material draws inspiration from the idea of breaking away from the old world and building a new, healthier paradigm. Learn more via this exclusive interview.
1 — What was the inspiration behind the concept for your new EP, ‘Break the Matrix (Episode Three)’?
Hello! This is Jordana Moon speaking with you today. Thanks so much for your time and inquiry about our latest “Moon And Aries: Break The Matrix Episode 3”
That’s definitely a loaded question that leans into a loaded answer, but I’ll do my best to give the cliff notes. Tom (Aries ) and I have a deep fascination with how reality works in this realm or matrix. Concepts of laws of physics, the law of attraction, laws of nature… things like that. Exploring the illusion, the limitations, the potentials, the infinite perspectives of truth …the ultimate truth. Why we are here? Who are we now and where are we going. These are the questions we explore in the full trilogy of “Break The Matrix”. Basically, challenging and breaking free from the old World to help create a new, healthier, paradigm.
2 — How would you describe the creative process of this project?
Tom and I talk about the concept of each song for a few months before Tom begins his initial ideas for the composition. We flush out the idea, see how it’s resonating through our lives, and then Tom captures the essence of our thoughts and feelings and puts them into his incredible compositions. So, we talk about each song individually and explore the concept of the album in full, simultaneously. We sort of live the concepts during the making of each song. Then I write the lyrics once the composition is near to complete, and it unfolds from there.
3 — What was your favorite song to work on from the EP and why?
Illumination Society. Tom and I love this concept a lot. It’s like, the whole trilogy leads up to this song. It’s a song about winning! The instrumental is so dynamic and I loved writing the lyrics in sort of a rap song type of way! This song has become our calling card.
4 — Is there a formula to create such futuristic sounds?
Yes and no. I feel like if you are in a state of creative channeling, almost like meditation, you’ll become a very clear channel of what the World possibly needs to hear. Indie music has the potential to be at the very tip of the music industry because we don’t need to play by the same trending rules. So, we have creative freedom. But from the conception of a song to its release, is usually a 9-month period for us. So, we need to always be hanging in the future and bringing that into the now in order to be at the forefront of the industry. Like the musical Marty McFly!
But, on the flip side, we are just doing what comes naturally to us. Some people think our sound is very nostalgic! Some think it’s current. Some think it’s futuristic because of the Sci-Fi type of concept. Tom and I are just acting on impulse and intuition. Creating the music, we want to hear.
This project was actually pretty smooth. We just had finished writing a 9-song album and a 5-song EP and we worked out a lot of kinks with those songs. Sometimes my lyrics are not in full alignment with my emotions if that makes sense. So, I have to get all of me to surrender to the song so that my vocal performance is on par with Tom’s instrumentals and my lyrics. My voice has to really sell the song. And I’m not going to lie, sometimes it takes me 8 to 10hrs to record a song, especially if I need to transmit a deep level of vulnerability.
6 — How does ‘Break the Matrix (Episode Three)’ differ from your previous works?
It’s definitely the episode with the most energetic songs. All dance floor vibes, a little more playful, a little more fun.
Honestly, we just try to create music that activates and puts people into a higher state as they listen. If you feel better during and after, that means the most to us. If you’ve had a few existential moments, even better 🙏🙌
8 — Can you talk about the music video for your recent single “From Another Dimension”?
The music video was created by our friend Lissete Real from Ecuador. She’s actually made around 10 of our videos, I believe. We love animation and simple videos that don’t overcomplicate the song’s meaning. This video highlights a lone astronaut who is both on land and in water. Now, it doesn’t exactly go into which planet he’s on, but water is consciousness and rebirth… so he’s on his existential journey of self-discovery, no matter which dimension he’s in. There are infinite versions of ourselves, and you could say there is a version of ourselves “watching and waiting” as we look upon the version of ourselves that is exploring and discovering.
9 — As a duo, how has your collaboration evolved throughout the years?
Tom and I have now known each other for 3 years! But have still not met in person! We are 9 hrs apart lol We will be meeting in person soon tho. And as we get to know each other better, our music becomes more cohesive. Even tho we clicked right off the bat, like anything, you grow and evolve and naturally get better if that’s what you desire. So now when we go to work on a song, our vision, and our truth is much more aligned.
10 — What can we expect from Moon And Aries in the upcoming months?
We will be re-releasing all 3 episodes as one full concept album. That will happen very soon! And after that, more music, and new concepts. We’ve got a lot we are working on right now. And we also have big plans (currently a secret) but that also revolve around meeting in person and performing live on stage together. So, stay tuned for those updates!! Thanks so much for chatting, it’s been a pleasure.
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Exclusive Interview: Paul Mayson Delves Into His Debut Album ‘One Life’
Paul Mayson‘s first-ever album, ‘One Life,’ is like a special mix of his love for House music, blended with different kinds of sounds and cool collaborations from artists all over the world. You definitely don’t want to miss this interview!
1 — With the release of your debut album ‘One Life,’ what are your expectations for how listeners will connect with the music?
My goal was to showcase my story and my sound. And for it to be an uplifting, positive, and summery album. Hopefully, it feels like that! It’s a collection of songs made at the moment, to make you feel happy and free. It’s about embracing life, the good things and the bad. And about doing what makes you happy.
2 — You’ve teamed up with a diverse range of international artists on this material. Please let us know how these collaborations came to be.
It was really exciting taking elements from different genres, working with a group of great artists who come from very different backgrounds, and bringing all of these sounds and flavors together on one project. A lot of artists I meet myself, reach out to the people I’m interested in. I often travel abroad to work on music together and do sessions in London or LA. Sometimes collabs can also happen through the label or the publisher, but ultimately it’s great to have an artist-to-artist relationship.
3 – What compelled you to emphasize the themes of life, freedom, and diversity in this album?
I’m very passionate about House music culture and the way it started. Which was all about positivity and celebrating life together. I love that message and think the soulful, feel-good element of House music is what always really attracted me to the genre. And to music in general, including other genres like Soul and RnB.
A few of the songs (like “Tell Me How” and “I Want You”) were basically made during one big jam session. It’s me just trying out completely different sounds, textures, and rhythms and experimenting with live drums, guitars, and whatever I feel like. Letting go of any rules connected to dance music allows for a really fresh approach to the album songs.
6 – How does the artwork complement the album’s concept?
It emphasizes the feel-good element and the overall message of the album. Life is in front of you, it’s there for the taking. You’re in the hallway, step into the light and embrace life.
7 – Will there be another amazing music video like “Have It All,” dropping in the near future?
We released a really cool art piece and visualizer for the album which I’m very excited about!
8 – Given your ambition to push boundaries within the Dance genre, do you think the bunch of producers already out there could make it tough for you to really stand out?
I think individuality is key. Doing something you’re passionate about. Telling your own story. If you go into that process, the outcome will be unique. Not following trends and doing my own thing is what helps me stand out and allows me to be ahead and I try to keep pushing myself.
9 – Among your studio essentials, what’s the item that you consider the cornerstone of your setup?
Quite a lot of my work is digital. I carry my laptop around and can produce and write anywhere with it, whether it’s my home studio, the studio in Amsterdam, a hotel, or even an airport. That’s what makes it flexible and international! Just being able to work anywhere and get the creative process going. At home I also love my Adam A77x monitors and I also use a Prophet synth.
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Exploring “My Friends”: Tobtok Talks Creative Process And More!
In this exclusive interview, Swedish producer Tobtok discusses all the details about his latest single as part of the ongoing countdown to the upcoming ‘My Friends’ EP. This is a collaborative effort with farfetch’d that you definitely shouldn’t overlook.
1 — Congratulations on the release of “My Friends.” Please tell us more about the influences and musical style that shaped this cool track.
Thanks! This tune has taken inspiration from bits and pieces of tracks I’ve been into over the last 10 years, everything from Daft Punk to Fred Again. It contains a lot of micro samples and vocal lines that are in a similar vein as old French House records, but we also wanted to experiment with the current UK rave sound, which we think ended up in a pretty unique and interesting way.
2 — How did you and farfetch’d navigate the creative process together, especially when faced with differing ideas or disagreements?
We were kind of on the same page with most things to be fair. Jerry from farfetch’d is a very creative guy and he loves to bash out new ideas, which worked well for me to develop into full songs. We worked on every track together in my studio and finished them off together. Of course, we had some different ideas about certain things but since none of us had a big ego, we just compromised. I think when you like the same kind of music, you usually think quite alike.
3 — What sets this collaboration apart from your previous singles?
I think this is possibly the strongest single from the EP. It feels catchy and is super simple yet not too boring. It also has Jerry’s voice in it which is unique to any other of our tracks.
4 — Can you share any funny anecdotes about specific moments while crafting “My Friends”?
We have hidden a few wacky voice notes in it as a sort of ambiance. It can be heard in the second verse or whatever you wanna call it. You clearly hear Jerry laughing about something, but I can’t remember what it was.
It’s track no.3 from our ‘My Friends’ EP which has a total of 6 tracks. It was released via Perfect Havoc on 29th September.
6 — What are your emotions when your music receives recognition and praise from other producers in the industry?
It’s always so much fun to get praise from your peers and colleagues. These people live and breathe music and probably hear way more stuff than the average listener, so I guess they tend to be less impressed by music.
Haha most definitely. I started out with French House which evolved into Nu-Disco. I later jumped on the Tropical House train (quite early on in my defense). Left that and tried something cooler with my track “ABER,” and from there, it’s been more of a mix between UK and Deep House.
8 — Is there any specific music genre you’re eager to explore?
Old School Disco and Soul. I’m a big fan of the 70s as a whole, that’s why I’ve bought a few vintage Roland pieces in my studio and a Rhodes Piano.
9 — Considering the global nature of music today, are there any international artists you’d love to collaborate with?
I love Jungle right now, for reasons made quite obvious in the previous question. They’ve mastered this cool retro 70’s/Motown sound and yet managed to make it sound fresh somehow. I’d love to just hang out in the studio with them and see what they do.
10 — As we conclude, do you feel that there’s a certain formula that artists can follow to produce chart-topping hits?
Nowadays, it’s all about doing something that stands out from what everyone else is doing and probably also adding a sprinkle of nostalgia and familiarity into something. A good example is the new Peggy Gou record which is a massive hit that takes inspiration from ATB but puts it in a new and interesting context. It doesn’t hurt to have a massive TikTok following either lol.
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From Drummer To EDM Producer: Kouss Opens Up About “Can’t Go Back”
You must read this interview with Kouss! He used to rock it as a badass drummer in the Stellar Revival band, but now he’s spilling the beans about how he switched things up and got into making electronic dance music (EDM). The spotlight is now on his latest track, “Can’t Go Back.” Learn more here.
1 — Putting your sound into words, how would you convey the mood and sensations that your music evokes to someone unfamiliar with it?
My music aims to be an uplifting and thoughtful blend of Progressive House and Dance-Pop. Even though the music is very dancefloor-friendly, the songwriting is very Pop-forward. I also love mixing live instrumentation with electronic production to create layered recordings. As a drummer, having live elements mesh with the electronic really brings out a unique texture.
2 — Your transition from Rock music with Stellar Revival to EDM is quite remarkable. Can you tell us more about it?
The transition from Rock to EDM is an exciting and natural creative evolution. I’ve always been passionate about electronic music, so finally being able to fully immerse myself in the genre as a producer and songwriter has been fulfilling. My background as a touring Rock drummer also gives me a unique musical sensibility that I try to incorporate into Kouss Records.
3 — As a drummer, you had to adapt to a different genre. How did you translate your rhythmic background into this new realm?
When approaching any genre, especially Dance music, I’m utilizing my background in percussion to create grooves and drum patterns. The drum parts still come from the same creative place whether I’m sitting behind a drum set or drawing with a MIDI controller. I will say that with EDM I find myself focused more on groove and restraint.
4 — In what ways have Illenium, Zedd, and David Guetta played a role in shaping the sound of your new single “Can’t Go Back”?
Illenium, Zedd, and David Guetta definitely influenced the melodic and atmospheric vibes in “Can’t Go Back.” Their music motivates and challenges me to produce massive soundscapes on the highest level. They’re all melodic magicians, and I continue to be inspired by their work. I also feel like I put my own spin on “Can’t Go Back.” It’s almost like the line between EDM and Pop became blurrier on this track.
5 — What’s the story behind the song title?
“Can’t Go Back” is generally about moving forward and not dwelling on the past. For me personally, it’s about evolving as an artist and person.
I was introduced to Anna soon after starting the Kouss project by “Can’t Go Back” co-producer and dear friend Phil Barnes. The second I heard Anna sing I knew I wanted to work with her. She’s an incredible songwriter and an awesome human. It was an organic collaboration that we’re both stoked about. Definitely be on the lookout for more collaborations with Anna in the future!
7 — How do you aim to connect with listeners on an emotional level through this single?
I aim to connect with listeners on an emotional level through the authenticity and musicality of “Can’t Go Back.” It’s about delivering that special feeling to the listener. We crafted this recording from a place of passion as artists. The lyrics are relatable and cathartic, and Anna’s vocals draw you into this sonic world we created. We also tap into some nostalgia with the Big Room House vibe. But overall the goal was to give listeners an authentic musical experience that resonates with them, regardless of what genre they usually listen to.
Yes, “Can’t Go Back” mixes electronic production with live drumming and live guitars. The live instruments give the song a dynamic texture and human feel. Not every Kouss song will have live instruments, but it’s definitely a major part of the debut EP coming in 2024.
9 — Looking ahead, how do you envision your music style evolving?
I want to continue bridging the gap between organic and electronic. Creatively, I think there’s a lot of meat on that bone. I also don’t want to limit myself to a single genre or style. I love all types of music and ultimately hope to develop a sound that draws from those diverse influences and experiences.
10 — Lastly, reflecting on your journey so far, what’s been the most memorable or rewarding moment of your music career?
Working with talented musicians and creators who are excited about my music has been humbling and inspiring. I didn’t expect it, but the reaction to “Can’t Go Back” has been both unexpected and validating. It’s so cool to see the song played in clubs, gyms, and cars. I’m truly fortunate to share my passion for music and connect with listeners who share the same passion.