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DJ Jounce Interview 2015



DJ Jounce Interview 2015
DJ Jounce continues to captivate and attract greater amounts of EDM fans with his music productions. Recently, his name is on everyone’s lips due to the success of his newest single, entitled “Nobody Knows“, which features the well-known singer Christina Novelli.

I asked him a few questions about his music for our Electro WOW fans. Enjoy this interview!

1 – What got you into music? Were you part of a band?

For as long as I can remember, I’ve always loved music so I think it’s just something in my DNA. I grew up playing instruments starting with piano around age 5. I went to public schools but we were very fortunate to have music programs. I played various instruments including bass in Jazz band and trumpet in the concert band. I even played tuba at one point. No joke. I played guitar and sang in a Rock band and we played at school dances and even the local bar, which was a trip. My mom is an angel for having put up with the noise of me practicing.

2 – When did you start producing EDM?

I didn’t really dive into EDM as a producer until about 2011. I had gone to music school and was familiar with traditional instruments and music theory. So I foolishly thought the transition to quantized electronic music would be easy, but … not so much. Unlike my guitar which is basically a set instrument, soft synths, plugins and everything in the DAW are so vast it’s insane. One thing I love and hate about electronic music is that the possibilities are virtually infinite. Honestly, some days I feel like throwing my computer out the window. But when I am able to get the right sound, it’s so much more gratifying because of all the hell that went into it.

3 – Do you ever give your music away for free?

Oh yeah. At my shows, I give away these “DJ Jounce” bottle openers that double as a USB flash drive and are loaded with my music, videos and other media. On my SoundCloud, folks can download my original track “The Place To Be and Die” for free. We’re going to give away more stuff on my Facebook and elsewhere online, which is great so I can reach fans no matter where they are. We ship worldwide!

4 – How has the Internet influenced you as a music producer? Any interesting stories to share?

The Internet is beneficial but also adds complexities. I’ve found helpful tips from other producers and it’s enabled long distance collaborations. The Internet also creates more opportunities for sharing your work with fans. But it’s also a distraction because now we all have to play the social media game, and fight for attention along with everyone else. My management and PR tell me to be more active online, and rightfully so … but I’d honestly rather focus on just the music and not on updating people with every silly thing I’m doing at the moment. Well I’m trying to improve that. So follow me online for all my latest interesting stories. All my social media handles are @djjounce! How’s that? LOL

5 – Where do the inspirations for the songs come from? Who writes the lyrics?

I don’t know. I’m guessing all the sounds in my head are some twisted amalgamation of everything I’ve heard throughout my life. And something will trigger me to grab certain noises. It could be the mood I’m in, something I just saw out the window, or something from the Internet. For example, I’ve woken up in the middle of the night with a random melody in my head. I couldn’t tell you where it came from, but I just use it if it works. I still listen to a lot of non-EDM, which I think helps approach song writing differently and hopefully come up with something unique.

I do write lyrics and eventually want to do a vocal track of my own. But most lyrics of my past collaborations were done exclusively by the singer and I don’t want to take any credit away from them. Christina wrote all the vocals for “Nobody Knows”.

6 – At what point did you know that Christina Novelli was the best singer for your latest track “Nobody Knows”?

Ever since I heard her voice for the first time on “Concrete Angel”, I knew I wanted to work with her on something. My manager had sent her some samples of a few new song ideas I had and we had agreed to collaborate. But “Nobody Knows” didn’t really come about until Christina sent me her vocals. She’s in the UK and I’m in LA so I worked on the instrumentation and production remotely. We’ve had a lot of great feedback so far and are thankful for the support we’ve received.

7 – What’s your perspective on the relationship and the balance between technological advances, music and the art of DJing?

I know some producers who will use 1000’s of dollars worth of plugins and hardware, but wouldn’t dare even consider using a laptop to DJ. Some of these guys are my friends who I love and respect. But if they were a film producer, would they insist on using a VCR for playback even if it could play HD? Or would they be a telemarketer using a rotary phone? I understand the desire to “keep it real” and shun tools that enable virtually anyone to call himself “DJ”; but I think the focus should be on advancing the art to do even more than what technology does by itself. I can already envision the hate comments coming from my comments here. Ha ha ha…

8 – Are you against the sync functionality on DJ gears?

I don’t have strong feelings one way or another. I know hardcore DJ’s hate it because it’s flooded the field with people who can’t really beat match and OG DJ’s are pissed because they spent years honing that skill that used to be essential. So yeah, it does suck in that sense but we have to evolve. Even though I use Serato for the music video and other digital functionality, I do not use any sync function. I also DJ with USB but have never used sync. The only way I could foresee me using any sync function is if I were using Ableton and combining dozens of tracks, sounds or instrument components into a live performance and essentially playing a live production. No matter what, I try to avoid the heated arguments about sync because I’d rather spend time making music.

9 – What’s the weirdest DJ name you have ever heard in your life?

Hmmm not many things are weird to me. So maybe I’ll just say Dead Mow Five? Yeah, I’ve met some non-EDM people in the music industry who have said that. It hasn’t happened lately since I think he’s become more of a household name. I like his name and music, but it’s weird when people say it wrong. Ha ha ha…

10 – Please recommend two DJs to our readers which you feel deserve their attention.

The 1st DJ I’ll generically say is the real turntablist. Two of my favorites are old school guys Q*Bert and DJ Angelo. One of the best things about DJ’ing is the power to start, stop, reverse, and cut up a song or sounds as if all the instruments are perfectly in lock step with the motion of your hand. You can’t do this as a live band and it’s nearly impossible to program in electronic music. Scratching is a powerful and creative DJ skill and these guys are awesome at it.

Another DJ I’d like to mention is Mark Robinson from the UK. I met him when he came to DJ in the US. Just a super cool and nice guy with great skills. No attitude, gimmicks or inflated ego. I’ve met some real characters in this business and it’s refreshing to see someone doing great music primarily for the love of great music.

Hi, my name is Erick Ycaza. I have a BA in Advertising & Graphic Design. This blog is to provide you with daily music news and share my personal style.


More To Discover: Additional Insights Into Rubayne’s EP ‘Connections’



Rubayne Connections
Don’t miss out on rising artist Rubayne’s new EP ‘Connections,’ a blend of genres he calls Bass Pop exploring the ups and downs of love. With a special live performance airing on February 24th and music videos planned, it’s an EP not to be missed. Read the interview to learn more.

1 — What is the main theme you explore in your new EP ‘Connections’?

The EP is a set of eclectic love stories that are connected to each other. Throughout the EP, you will discover the feeling of falling in love, being in love, and holding on to love in the toughest time.

2 — Is there any special meaning behind its title?

There are multiple. Firstly, the titles of the songs relate to each other. In addition, I made a stronger connection with my music by involving myself in the songwriting as well.

3 — Did you collaborate with other artists or producers on this project?

Yes. There are a couple of great singers involved with ‘Connections’! Some new, some I do know from the start. I must give credit and big ups to Romy Dya, Yunnee, EthanUno, and Ansaly for their amazing work.

4 — How did you go about crafting the overall sound and style?

The approach for creating ‘Connections’ was different in comparison to my regular creative approach. With each project, I first focused on selecting a main instrument that would characterize the song. Unattainable has the guitar, “Connections” has the bass, and “In Love Tonight” has the piano. After the main instrument and its melody, I would carve out the full production.

5 — Did you have any specific genre in mind while producing this material?

I had not, but I focused on having a blend of genres that I and the love theme associate with. I would say this blend of genres can be best described as Bass Pop.

6 — Is there a particular track on the EP that you have a special connection with?

Nope! They are equally special to me and as they complement each other, I feel that I have a special connection with the project as a whole.

7 — Are there any things you wish you had done differently?

When it comes to the EP, there’s nothing I wish I had done differently.

8 — In what ways do you think your songs will resonate with listeners?

I think this project, as well as other songs I have made, encourages its listeners to open up and acknowledge their feelings. I hope my music provides the listeners with a better understanding of themselves.

9 — Have you ever considered creating a music video for any of these news tracks?

I did! I feel like each of the songs has a visual story to tell. However, I have prepared something special for this EP which is visually pleasing as well.

10 — Is there anything else you would like to share about the EP that we haven’t covered in this interview?

To celebrate the release of  ‘Connections,’ I recorded a live performance of the EP with all the vocalists and an amazing guitarist (Rob). It will air on February 24th and you can get notified here.



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Discovering Lucii’s Musical Journey And Her New Song “Narcissist”



In this exclusive interview, Lucii shares more about her journey as a musician, the meaning and inspiration behind her new single “Narcissist, and her plans for the future, including incorporating a live band into her performances and releasing a new album.

1 — How did you first become interested in music and what led you to pursue it as a career?

So I always sang and made songs on guitar as I was growing up but never thought I was good enough. I went to a rave at 17 and really loved it so I started DJing and producing and started to use my vocals on my tracks and it turned into a career!

2 — As a member of the LGBTQ community, how do you feel your identity influences your songs?

I feel like Idk I just write songs about girls, but I think cause I’m female writing about a female gives this extra sparkle of divine femininity.

3 — How do you aim to use your artistic platform to uplift and inspire others in the community?

I just want to make people feel something, music is a form of expression sometimes easier than talking. Mac Miller helped so much with my mental health and I just wanna be that to someone. Make people not feel alone, especially the LGBTQ community.

4 — Please tell us more about the meaning and inspiration behind your new single “Narcissist.”

I was in therapy and was describing this person to my therapist and she said (her name is Andrea and I shout her out in the song) “well that person sounds like a Narcissist” I NEVER heard of that word in my life so I started writing that night “you’re a Narcissist says my therapist” and that’s how it came about. I just wanted an angry song about a Narcissist so I made it.

5 — What’s your favorite lyric line?

Probably “thank god for Andrea I should send the bill to ya for all the times I’m in the chair wondering how I got here” Andrea is my therapist and I just think that’s a BA.

6 — How has your experience been as an electronic music producer and how has that influenced your shift into the Pop genre?

I feel like it influenced my Pop music a lot because I want my songs to have energy even if they’re sad, I want that emotional wave rollercoaster to feel like dance music gives.

7 — Are you planning to incorporate a live band into your performances?

YES!! I cannot wait to start playing with my band. I can’t wait to be closer to my audience and just play my songs, that is my dream and I can’t wait to do that soon hehe.

8 — Can you share a bit about the creative process of your upcoming album?

Details on the upcoming album will be announced soon.

9 — What message would you like to send to aspiring LGBTQ musicians looking to break into the industry?

I would say just fucking go for it we NEED you. Look at fletcher she is breaking boundaries right now she is a full-on amazing Pop star and watching her grow has just been so inspiring and made me realize I can do this, I can make the move from being a DJ to being a live performance act.

10 — How do you see your music evolving in the future?

I see myself going through eras, I really love how Taylor Swift each of her albums feel like a chapter to read from ‘1989’ to ‘REPUTATION’ and OMG ‘Folklore.’ All of them are AMAZING but I just want to give that feeling with every one of my albums, as you listen to it and you’re transported back in time to a feeling.



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Exploring An Experimental Album With XENOBYT — Interview



Are you a fan of electronic music with a hint of nostalgia and horror? Look no further, as XENOBYT‘s new album ‘Nine Nights In The House Of Harrow’ is exactly what you’ve been searching for. In this exclusive interview, the up-and-coming artist gives you an inside look at the inspiration and creative process behind his original work.

1 — How would you describe your sound to someone who has never heard it before?

I try to make music that people can vibe to. Something you can put on and get lost in while driving or doing something mundane. There is something fascinating about using a synthesizer, which for a long time was considered the sound of the future, but using it to make music that reminds us of the past. I like to think that if you like Horror and synth music and enjoy the groove of the song over the technicality of what’s played, you would enjoy what I am trying to do here.

2 — Which artists are you most influenced by?

When I was younger, I was a huge Metalhead, but my dad was a big tech geek and loved messing around with a synthesizer and listened to a lot of Kraftwerk and Giorgio Moroder. So I had an early appreciation for it. I was big into Horror movies and really dug the soundtracks that John Carpenter was doing, and Brad Fiedel’s Terminator 2 soundtrack was another of my favorites. But I didn’t decide to start making this kind of music until I heard Carpenter Brut and Perturbator for the first time.

3 — What drew you to the experimental genre and what sets it apart from other electronic music styles?

I went to college for sound design, so I love taking a sound that people are familiar with and messing with it to make something completely new. And I try to incorporate that into my music in ways that aren’t done very often. Classifying yourself as experimental kind of takes the chains off and resets expectations of what your fans expect to hear when they listen to your music.

4 — What inspired the title of your new album ‘Nine Nights In The House Of Harrow’?

Usually, I come up with a simple horror theme for an album before I even start writing the songs for it. The last album, New Retro Witch, was about witchcraft and this album was about malevolent spirits. The concept of getting hired for a certain time to caretake a haunted mansion resonated with me and the things I had going on in my life at the time. I was facing a lot of old trauma I had buried and this concept paralleled with what I was dealing with in my own head, so I based the title of the album around that idea.

5 — How does this material differ from your previous works?

I wanted this album to be heavier than my last album from the start. I wanted to incorporate more Rock and Metal vibes into it but keep some of the same beauty and melancholy that I really liked about New Retro Witch.

Because of the more personal nature of this album, I didn’t really do any big collaborations on it, which is something I normally try to do.

experimental electronic music
6 — How long did it take you to complete this project?

I started working on this album in the Spring of 2021 and had 9 songs written for this album by the end of summer, but I wasn’t happy with it and scrapped all but 3 songs. I kind of fell into an artistic rut after that and sat on it until February of 2022 and wrote, mixed, and mastered the remainder of the album over the spring and summer.

7 — Could you tell us where ‘Nine Nights In The House Of Harrow’ was recorded?

I have my own recording studio here in Austin and I did all of the writing, mixing, and mastering for this album there.

8 — How did you approach the design of the artwork?

During that artistic rut I had mentioned earlier, I got really enthralled in AI Art Generation and went as far as learning how to and coding my own AI Art Generator. I made a bunch of stuff with it that actually helped inspire me to finish the album. While I am a big fan of collaborating with other artists, I was really proud of the fact I made this art-making machine and how it helped me get back on my grind. I wanted to showcase what it was capable of with this release.

9 — Is there a particular song on this album that stands out to you?

“Deluge,” because there is a sad and dark story behind it. I suffer from depression and PTSD and had a bit of a mental breakdown last summer. That song was created live while I was in the midst of that breakdown. I felt like I was drowning, and I wanted the song to sound like I felt. But I also wrote the song I wanted to hear to feel better, and it worked. I still put it on when I am feeling depressed, and it still makes me feel better.

10 — Are you open to collaborations? If so, what are the requirements?

Absolutely! I am always open to collaborating with other artists. My only requirement is ensuring proper credit is given to everyone involved.



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