Don’t Get Lemon is a Texas-based trio whose music spans Heatwave, Post-Punk, New Wave, and beyond. These guys have a chat with Electro Wow about their debut album ‘Hyper Hollow Heaven,’ which is available in multiple formats (vinyl/digital/cassette/VHS) through à La Carte Records.
1 — First of all tell us about the start of Don’t Get Lemon as a trio?
We were all in a previous post-Black Metal band called funeralbloom, but we’re all really into Post-Punk and English Pop music. We wanted to avoid the traditional Hardcore/Black Metal/extreme music to the traditional spooky Post-Punk pipeline, so we actively avoid making anything that sounds remotely Darkwave even though we still get labeled Darkwave by people who associate synths and baritone vocals with Darkwave.
We also wanted to call ourselves “Lemon” for a while as a nod to The Stone Roses/’68 protests in France that included many situationist theorists, but once we searched the name we found out that we’d be grouped together with countless other bands. In order to stand out a little bit, and at minimum get us onto our own artist’s page on Spotify, we changed our name to “Don’t Get Lemon” which is a line from The Football Factory starring Danny Dyer. It’s a phrase that essentially means “don’t get smart”. Aside from contrasting this aggressive connotation against our upbeat music, we liked this change since it gave us an opportunity to use an acronym, DGL, where appropriate.
2 – Today’s music scene is constantly evolving and changing. What are some of the current trends that you find interesting?
Shoegaze is back!
3 — How does your homeland’s culture influence your music?
There is a song on our album called “D.I.E.I.N.T.H.E.U.S.A.” that is about not wanting to die in the USA because we’d find that depressing- so at least in the content of our music we are influenced by being disillusioned with our surroundings.
We find ourselves drawn more to the music culture of England or to Danish Synthpop. Music-wise this album was heavily influenced vocally and lyrically by Pulp, Echo and the Bunnymen, David Bowie, and The Cure among many others. Non-musically T.S. Eliot, Adam Curtis, and football (soccer) were all influential in various ways. Most of which is not really traditionally the culture of where we reside.
4 — How would you define your music style or genre?
The music is light because we like Pop music. We like fun songs. We don’t want to be labeled as just being a darkwave band or spooky post-punk, we actively try to create and carve out our own existence. The lyrics have dark and serious subject matter at times, but I don’t think they are deliberately dark or depressing. Yes, they can be tinged with a certain sadness, but there is also humor and beauty in the grotesque. We’ve jokingly called it heatwave because it has a more tropical and warm sound (like the climate we come from) compared to contemporary bands we may be grouped with that are icy and distant.
We’re big fans of the New Wave genre, more specifically Synthpop/Post-Punk and we enjoy the lore that comes with the pioneers of these genres, but we also don’t want to be confined by any one label. We try to experiment as all the great New Wave bands did, and along with any inspiration we find from modern bands we end up with what we think is a unique sound. We also achieve this through quite literal use of some vintage equipment, vintage synth models in newer synths combined with modern synths, and experimental ways of attaining the drum sounds we are looking to create.
5 – You have just released your new debut album ‘Hyper Hollow Heaven’ on à La Carté Records. What’s the concept behind this material?
Fear and anxiety about the future of Earth. Thinking about the reality we’re inevitably headed to can be debilitating, and the album is self-aware that art and individual creativity and freedom are helpless in changing anything. That change can only come through collective action, which is tough to commit to because it’s a form of self-sacrifice and goes against our own self-preservation. Which is ironically what we need to survive on this planet. Some of the images created can be dark and surreal but there is also tongue-in-cheek black comedy and humor to the absurdity of it all and in a twisted way there’s a seduction in seeing the end… The lyrics are conscious of the futility of art in saving us. That’s not to say art isn’t a reason for living or isn’t beautiful, but it in and of itself cannot bring widespread change.
It’s an 8 track, 34-minute album titled ‘Hyper Hollow Heaven.’ It’s our debut full length after a couple of EPs, singles, remixes, and a cover over the past couple of years. It was released on A la Carte Records on March 29th and will be available on both vinyl and cassette, as well as a limited VHS visual album.
6 – What kind of response have you received from the release so far?
Too early to really tell but the response has been great so far. Many people have told us they think if every world leader heard this album that they’d solve climate change.
7 – What is something about the recording process that might surprise listeners?
Reign energy drinks fuel most of the time we are in the studio- keep us awake with no sugar and no crash.
SXSW, we all met in Austin and think it is still probably a good place to be exposed to new music. Or Glastonbury Festival where we could headline in the mud.
9 – Are you currently working on music videos?
Not right now!
10 – Finally, what attributes do you believe contribute to being a successful music group?
The three of us have bonded over Bar Rescue with Jon Taffer and like his drive and standards. He is quick to shut things down that won’t be beneficial to the bar or won’t draw people in. We try to apply that kind of thinking to our work as well, and in fact, more people should watch Bar Rescue with Jon Taffer and pay attention to how he can revitalize bars and how that can be applied to revitalizing genres.
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Blind Mutation Discusses Experimental Music Video “Shadows”
If you’re into hypnotizing Ambient Techno tracks, then Blind Mutation should be on your radar. Her latest experimental music video “Shadows” was awarded and this exclusive interview explains it all!
1 — If I’m not mistaken, electronic music is your passion. How does this interest has come about?
I actually think my dad’s taste in music really influenced me a lot. He used to put on a lot of quality electronic music for me when I was a child, from classic Depeche Mode to more underground experimental electronic How to Dress Well. So, my interest in electronic music started growing from a very young age. When I became a teenager, my mental health started to get worse, and I started to relate, and thereafter, listen to darker and gloomier electronic music like dark ambient, triphop, or hard warehouse techno. That’s basically how my music taste was formed, and why I love electronic music.
2 — When exactly did you become Blind Mutation?
In theory, I think I became Blind Mutation pretty much as soon as I started producing and composing music which was 2 years ago. I began writing tracks with an emphasis on cinematic melancholic sounds that translated my deep intense emotions, and I still continue to do it exploring more and more ways to express my feelings through music. But, officially, let’s say, I became Blind Mutation when I released my first DJ Mix called “WAVE/PHONK MIX” on SoundCloud almost a year ago.
3 — Musically speaking, who is your biggest influence or inspiration?
I love to answer that question 🙂 I would say that my influences/inspirations have been changing throughout the years. When I was 14-16 my favorite band was Coldplay. I loved their not-that-well-known tracks which were more on the electronic/ambient side, like my all-time favorite “Midnight”. As for now, I very rarely listen to Coldplay. Now I am more into experimental dark emotional stuff like Techno, Dark Ambient, IDM, and Trip-Hop. Some of my inspirations/influences at the moment are Aphex Twin, Arca, Trentemoller, Clams Casino, Hans Zimmer, I Hate Models, and Crystal Castles.
4 — Congratulations on winning Best Experimental Video at the Indie Online Film Festival. Did you ever expect this result?
I was hoping for it 🙂 But I don’t really like expecting something to happen, especially when it comes to receiving awards. Because if you think you would win the prize, and then you don’t, you would probably get upset. But if you don’t really think about it and just let it happen, you get more excited if you win, and don’t really care if you don’t get an award 🙂
5 — Tell us more about how your collaboration with All Around came about.
We met a little more than 4 years ago in college in LA. He was a directing major, and I was an acting major. We’ve been very good friends since that time, and we’ve done small projects together here and there in college and just for fun. Then, when I switched from acting to music and started releasing my DJ Mixes, he began doing all the visuals for them. So, when I was ready to release my debut track “Shadows”, I knew that All Around would be my director, cinematographer, and editor. We have a similar vision when it comes to art (music/video/films, etc.), and so it’s very comfortable and fun for us to work together.
6 — Would you interpret this clip as a short horror film or is it something else?
Shortly, I would say, yes, it could be interpreted as a short psychological horror film. To elaborate: it’s interesting that when we showed the music video to our close surroundings, a good amount of people said that “Shadows” looked more like a short horror film rather than a music video. “Shadows” indeed has a much slower pace than a usual music video. In terms of cinematography, it’s also shot more like a film rather than a music video. But I think I would still call “Shadows” an experimental music video rather than a short horror film, because, in my opinion, it still has a dynamic of a music video, and our initial idea was to create a music video not a short horror film.
Well, the track itself was produced, mixed and mastered in Ableton. As for “Shadows” music video production, My friend All Around who I collaborated with, has an amazing RED Komodo camera, the music video was shot on it. Also, my face, chest, neck and my arms had to be bandaged in the shot all the time. We needed special bandages, the ones that stick to the skin and to each other. We had 3-4 shooting days, and not all of the bandages could be reused. So, I had to buy lots of them. Was driving from one CVS to another buying the entire available supply of those specific bandages 🙂
We also had a chance to work with an amazing super professional makeup artist, Darya Kholodnykh, who did the make-up for the “demon’s” hand that appears in the music video. She managed to find a creative way to make the hand look realistic and creepy although we had a very small budget.
8 — What can we expect from Blind Mutation next? Are you keen on exploring science fiction themes?
I love science fiction, and I would like to explore themes connected to it in the future. But as for now, I think I’m more focused on expressing my inner feelings and emotions through my music, and treating producing/composing/creating DJ mixes more as a therapy for myself. I’d love to dive deeper into the psychological aspects of our lives and have an influence on people’s emotions and their unconscious through my music. That’s what my next release will hopefully do! It’s a dark ambient track called “I come with the rain”, and it’s coming out in the beginning of January! I’m also working on a new dark warehouse techno DJ mix which will also come out around the same time.
9 — What do you think you’d be doing if you weren’t an artist?
I’ve always loved to think about this. I am very interested in psychology, so I would definitely study it in college, and then probably become a psychotherapist (do not mistake with psychologist or psychiatrist), I would do scientific research and come up with new more effective therapies.
I would also love to direct and shoot (be DOP and operate camera) my own film(s) in the future! It’s a big dream! Plus I got my first degree from a film college, so I am familiar with that stuff. By the way, I’m also super interested in graphic and game design! Would love to try doing that in the future too!
And just to top off the list with more geek stuff: if I had another life, I would become an astrophysicist to study and explore space.
10 — Lastly, do you have any specific goals for 2023?
The most important and clear goal is to get the artist visa in order to be able to stay and work in the U.S. Speaking of my artist goals, I would love to get my first DJ gig in 2023! I would also love to explore new music genres in my productions (like trip-hop or hard dark techno)! Finally, I have so many things I still have to explore and discover in terms of production, mixing sound design, etc. So, another very important goal is to just continue learning!
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Bubba Brothers Talk Last Summer And Tribal House EP ‘Basstribe’
Bubba Brothers continue to take the Electronic Dance music world by storm. Their latest release, ‘Basstribe’ was well received by listeners all over the world, marking a new milestone for the duo. Alongside impressive releases and powerful live shows, the duo recently celebrated their anniversary by playing at important venues all over the summer.
We found time to talk with them about their summer season, what they were up to and what was coming for them.
1 — Hello Bubba Brothers, how are you?
All good thanks. 😊
2 — Summer is now over, what have you been up to this past season?
This was a fantastic summer… we had great moments. A big thank you to all our fans all over the world.
3 — You released your EP ‘Basstribe’ around summertime, can you tell us more about what it was like working on this production?
It was really exciting; the timing was perfect and it was great to see and hear DJs playing the tracks live around the planet, so yes… ‘Basstribe’ was really fun. 😊
4 — Have you got any summer highlights?
So many… playing in Ibiza, having Oxia at our anniversary party, and sharing the decks… many good moments. And as said, we are very grateful for that.
5 — Which artists were on repeat for you during this summer?
Hahaha… great question! Tube and Berger, Dennis Ferrer, Kolsch, Themba, and many others. 😊
6 — Did you develop new projects or ideas during this season?
Yeah… just came back from Iceland, and a new track is already in the horizon. So, stay tuned! and also 2 finished tracks will be launched in a few weeks.
7 — What’s the last thing you learned over the summer?
To stay focused and humble. Keep your feet on the ground.
8 — Aside from performing, what other activities did you enjoy doing during the summer season?
Like any Portuguese, the beach and anything that involves the sea is our thing 😊 Missing summer already.
9 — What are you looking forward to doing next summer?
Playing in Europe as much as people book us and I hope they will do, a lot!
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Country-Pop Singer Taylor Sanders On New Song “Firecracker”
Taylor Sanders gained great popularity for her stunning renditions of hits by artists like Dolly Parton and Patsy Cline. Last month, she released her Country-Pop single “Firecracker,” whose lyrics put female empowerment at the forefront. Learn more about this song in our latest interview.
1 — First of all, what makes you smile, and what scares you the most when creating new music?
It makes me smile when I create a clever line or the lyrics just feel exactly right, then you know you’ve got something that really vibes.
At the same time, writing can also be scary from the uncertainty of effectively relaying my message where the listeners can understand. That’s why I love co-writing because I get to bounce ideas off others first.
2 — What are your goals in the music industry?
I want to perform at the Grand Ole Opry, go on a world tour, sell out the Madison Square Garden, write and record a theme song for a Marvel or Disney movie, have a number-one single, and win a Grammy!
3 — What do you enjoy the most about writing lyrics?
My thoughts can roam free.
Almost my whole life! I started singing when I was 5. At the time, I sang the national anthem at my kindergarten graduation because my teacher noticed I was singing it in class, and she went to my mom to ask her if I would sing for our graduation and my mom didn’t even know I knew the song or could even sing. After that, my mom put me in vocal lessons when I was 8.
5 — What’s the inspiration behind your latest single “Firecracker”?
A.) I wanted to write a song about me and my personality to introduce myself to the music world and talk about self-confidence and letting your light shine.
B.) I wanted to tell a story of how my husband and I really met. We met at a pool party while in school and I realized he matched that ambitious energy I carry.
6 — What came first the vocals or melody?
“Firecracker” as a title was pretty much determined from the get-go. When I was introduced to the co-writers, they were like, “Wow, she’s a firecracker!” and I guess that felt good and stuck. It was kind of perfect. The lyrics and melody came together all at once. The producers and lyric writers were all in 1 room and we all fed off each other to push the song concomitantly.
7 – Tell us more about the top-notch team that was involved in the production of this single.
My cowriters and producers have written songs for Jennifer Lopez (“Waiting for Tonight”) and Celine Dion and Carrie Underwood. These are icons I looked up to and I couldn’t have asked for a better collaboration.
8 — If you could choose a location to perform your new track “Firecracker,” where would it be?
The Grand Ole Opry, of course. But then also I see it being performed at a big rockin’ New Year’s Eve party right before the ball drops at midnight. I can see it so vividly, all the lights and fireworks going on with the song as I sing “Light it up, light it up!” That would be epic!
I dedicate it to my husband, not only for inspiration but also because he is such a big supporter of my dreams and really wants me to succeed. He’s a northern boy and so when we first met, I told him I was moving to Nashville after school and if he wanted to be with me, he’d have to come along. So, he’s here riding this crazy roller coaster with me.
10 — Where do you see Taylor Sanders in the next 5 years?
I hope I’ve built up a community of people who can appreciate the art I’m putting out there and that it can help brighten and change lives. I want to be valuable to people and bring enjoyment into their lives during hard times. I also hope to get into acting as well, and for my personal life, I see myself starting a family.