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Full Interview Out Now, Munatix Will Release “You Just Keep Hanging On”

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Full Interview Out Now, Munatix Release "You Just Keep Hanging On"
“You Just Keep Hanging On”
by Munatix is a classic SynthPop song for the 21st-century generation to be released on July 31st. Music acts like Erasure, Giorgio Moroder, and Chromeo were the source of inspiration behind this great tune. Obviously, it was produced in a contemporary way to make it sound fresh. Learn more about this Belgian duo and their new single in this exclusive interview with one of its members, Josh Sleurs.

1 — I’m loving your new single, “You Just Keep Hanging On”, how many synths did you use for this tune?

The song started out as a bunch of chords that evolved towards a song by adding a piano melody. Then I started stacking the synth sounds and left out the piano in the end. The lyrics followed later.

The first synth line added was the MiniMoog bass. To make it exciting, we added a phaser and an evolving digital delay. Giorgio Moroder used this type of delay a lot on his Disco records. So, how many… including the drum computer, about 6 instruments.

2 — Personally, I think it’s a highly singable song. Are you planning to drop a lyric video?

The song has a melody and lyrics with meaning. These days it is popular to make lyric videos. So, it would be a logical thing to do. However, every single release is an opportunity for us to show ourselves. We want people to know who we are, what we look like, and what we stand for. Doing a video shoot for a new single is a great opportunity to do that. Currently, we are editing the video. The video will be released onto YouTube, a week after the single release.

3 — What message are you trying to send to your fans about relationships?

Well, the song is about long-distance relationships. Through social media, we are always connected every minute of the day. We just have to push a button on our smartphone and we are there. We don’t even have to dial a number.

Do you want to share an impression of the location you are at? Just make a picture and send it, instantly. This can make you feel close to a person, even if there is a physical distance. The song describes what that feels like. Being always connected but missing the physical contact.


4 — How did you learn to produce vintage-like music?

I started music when I was seven, I play synths since I was 9. That was the mid-eighties when bands using synths were revolutionary. My musical taste was formed in that era.

The synths from that era sound warm, phat, organic, lush, name it…, they just sound great. I lived through the digitization of electronic music instruments by the end of the ’80s and the ’90s. During the last 20 years, synth companies went through a lot of effort virtualizing the vintage analog sound in a digital way. In the last 10 years, there even is an enormous revival in analog electronic instruments.

Vintage analog synths are reissued, cloned in different ways. That means there is a lot of demand for that vintage sound. So the love for that sound, by musicians in general, never went away.

I remember playing a virtual software version of the Sequential Circuits Prophet 5 synthesizer in a music store 20 years ago. I fell in love immediately. I never had the opportunity to play that beloved and expensive original instrument. The software version got me acquainted with it. But I wanted the real thing. I wanted to be able to really play that instrument, touch it with my fingers, experience the presence, and see how it reacts to me when I turn the knobs.

Munatix interview
My love for these vintage synths combined with my love for melody, harmonies, and classic song structures make our retro sound. Still the producing part is not retro. We use a modern computer with the latest software for recording with a bunch of virtual plug-ins for processing. We try to make it sound also contemporary in a way.

On our first single, “The Rhythm Sets My Heart On Fire” most of the sounds were coming from software synths. To come back to your question. Today everything is on YouTube. Martin Garrix showed us behind his desk how he made his groundbreaking track ‘Animals’. Avicii modestly shared some of his secrets in a YouTube video. You just have to take the time to watch it. We can just learn from the masters themselves online. We don’t have to go to school anymore. We just look online for what we need and take it in.

5 — Synthpop is a culture, not music. Do you agree or disagree?

I am convinced people do not only listen to music because of the music itself, but also the aura surrounding it. When you look at Synthwave, that has become a culture. It comes along with art, fashion, lifestyle. So I think you can call Synthwave a culture.

I think for Synthpop maybe this is less prominent. In history, there were a lot of branches from Synthpop where it was more prominent if you talk about New Wave for instance. But it is not always easy to box music into a category. We think we make ‘Synthpop’ because we use ‘synths’ and want to make ‘Pop’ music. So that is a logic contraction. However “Groovin’ Is My Hobby” appeared in a lot of Synthwave playlists on Spotify. Some people like to call our music ‘Electro-Pop’. I do not always know what the exact outlines are for those categories.

6 — A lot of fans have a nostalgic connection with your music. Are you afraid of taking a new sonic direction?

We want to make music that feels good to us, set out our own path, and follow that. Of course, we hope to find our audience that likes our music. Trying something new can be a risk. But if you do what you are passionate about, I think we will radiate that passion towards our listeners.

Ricky and I have a guitar Rock song in the store that we want to release in the future that reminds of the style of AC/DC. We still want to mix in some synths, but it will remain a Rock song. So we might have surprises up our sleeves.

7 — Besides composing your own tracks, what kind of services do you offer to the public as a production duo?, Are you open to collaborations?

In order to realize the goals we really need to focus on priorities. Since we are indie musicians and do the whole process of writing and releasing ourselves, there is not much time left. The past months, 4 remixes of Munatix songs, made by fellow musicians came out, which we think is nice. To do remixes ourselves, or do collaborations, that would be too distracting at this moment. Our first priority is to write an hour of music so we can start gigging. “You Just Keep Hanging On” is our fifth single, so we still have some work to do.

8 — Which artists have you been listening to in Lockdown?

I discover new music via the Spotify Discovery Weekly playlist now. My recent discoveries are DJ Storken, with “Lille Vals” and Rex The Dog, with “Do You Feel What I Feel”. Also, I have been listening a lot to the Pur Zynth’s Synthwave playlists and the ‘Synthpop Your World’ playlist. Other than that, I think the new Erasure album coming out sounds promising.

9 — Can we expect a new Munatix album for 2020? If so, tell us more about it.

At a rate of releasing 3 singles a year, 2020 will be too soon. We aim for 2022. Until now we have done a video for each release. Organizing that and editing the video almost takes as much time as making the music itself. But it is fun to do.

10 — Any words of advice for those newbie talents who want to dive into the world of synths?

Gear has become relatively cheap and choices are plenty. Good sound has been democratized and is now available to almost everybody. That means everybody can take their shot at making music. If you like vintage synth sounds and tweaking hardware you can start out with some Behringer vintage synth clones. A 400$ analog hardware MiniMoog clone was unimaginable 10 years ago. We live in exciting times.


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Hi, my name is Erick Ycaza. I have a BA in Advertising & Graphic Design. This blog is to provide you with daily music news and share my personal style.

Interviews

Blind Mutation Discusses Experimental Music Video “Shadows”

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Blind Mutation music

If you’re into hypnotizing Ambient Techno tracks, then Blind Mutation should be on your radar. Her latest experimental music video “Shadows” was awarded and this exclusive interview explains it all!

1 — If I’m not mistaken, electronic music is your passion. How does this interest has come about?

I actually think my dad’s taste in music really influenced me a lot. He used to put on a lot of quality electronic music for me when I was a child, from classic Depeche Mode to more underground experimental electronic How to Dress Well. So, my interest in electronic music started growing from a very young age. When I became a teenager, my mental health started to get worse, and I started to relate, and thereafter, listen to darker and gloomier electronic music like dark ambient, triphop, or hard warehouse techno. That’s basically how my music taste was formed, and why I love electronic music.

2 — When exactly did you become Blind Mutation?

In theory, I think I became Blind Mutation pretty much as soon as I started producing and composing music which was 2 years ago. I began writing tracks with an emphasis on cinematic melancholic sounds that translated my deep intense emotions, and I still continue to do it exploring more and more ways to express my feelings through music. But, officially, let’s say, I became Blind Mutation when I released my first DJ Mix called “WAVE/PHONK MIX” on SoundCloud almost a year ago.

3 — Musically speaking, who is your biggest influence or inspiration?

I love to answer that question 🙂 I would say that my influences/inspirations have been changing throughout the years. When I was 14-16 my favorite band was Coldplay. I loved their not-that-well-known tracks which were more on the electronic/ambient side, like my all-time favorite “Midnight”. As for now, I very rarely listen to Coldplay. Now I am more into experimental dark emotional stuff like Techno, Dark Ambient, IDM, and Trip-Hop. Some of my inspirations/influences at the moment are Aphex Twin, Arca, Trentemoller, Clams Casino, Hans Zimmer, I Hate Models, and Crystal Castles.

4 — Congratulations on winning Best Experimental Video at the Indie Online Film Festival. Did you ever expect this result?

I was hoping for it 🙂 But I don’t really like expecting something to happen, especially when it comes to receiving awards. Because if you think you would win the prize, and then you don’t, you would probably get upset. But if you don’t really think about it and just let it happen, you get more excited if you win, and don’t really care if you don’t get an award 🙂

5 — Tell us more about how your collaboration with All Around came about.

We met a little more than 4 years ago in college in LA. He was a directing major, and I was an acting major. We’ve been very good friends since that time, and we’ve done small projects together here and there in college and just for fun. Then, when I switched from acting to music and started releasing my DJ Mixes, he began doing all the visuals for them. So, when I was ready to release my debut track “Shadows”, I knew that All Around would be my director, cinematographer, and editor. We have a similar vision when it comes to art (music/video/films, etc.), and so it’s very comfortable and fun for us to work together.

6 — Would you interpret this clip as a short horror film or is it something else?

Shortly, I would say, yes, it could be interpreted as a short psychological horror film. To elaborate: it’s interesting that when we showed the music video to our close surroundings, a good amount of people said that “Shadows” looked more like a short horror film rather than a music video. “Shadows” indeed has a much slower pace than a usual music video. In terms of cinematography, it’s also shot more like a film rather than a music video. But I think I would still call “Shadows” an experimental music video rather than a short horror film, because, in my opinion, it still has a dynamic of a music video, and our initial idea was to create a music video not a short horror film.

experimental music video
7 — What tools, instruments, or software were part of the production process of “Shadows”?

Well, the track itself was produced, mixed and mastered in Ableton. As for “Shadows” music video production, My friend All Around who I collaborated with, has an amazing RED Komodo camera, the music video was shot on it. Also, my face, chest, neck and my arms had to be bandaged in the shot all the time. We needed special bandages, the ones that stick to the skin and to each other. We had 3-4 shooting days, and not all of the bandages could be reused. So, I had to buy lots of them. Was driving from one CVS to another buying the entire available supply of those specific bandages 🙂

We also had a chance to work with an amazing super professional makeup artist, Darya Kholodnykh, who did the make-up for the “demon’s” hand that appears in the music video. She managed to find a creative way to make the hand look realistic and creepy although we had a very small budget.

8 — What can we expect from Blind Mutation next? Are you keen on exploring science fiction themes?

I love science fiction, and I would like to explore themes connected to it in the future. But as for now, I think I’m more focused on expressing my inner feelings and emotions through my music, and treating producing/composing/creating DJ mixes more as a therapy for myself. I’d love to dive deeper into the psychological aspects of our lives and have an influence on people’s emotions and their unconscious through my music. That’s what my next release will hopefully do! It’s a dark ambient track called “I come with the rain”, and it’s coming out in the beginning of January! I’m also working on a new dark warehouse techno DJ mix which will also come out around the same time.

9 — What do you think you’d be doing if you weren’t an artist?

I’ve always loved to think about this. I am very interested in psychology, so I would definitely study it in college, and then probably become a psychotherapist (do not mistake with psychologist or psychiatrist), I would do scientific research and come up with new more effective therapies.

I would also love to direct and shoot (be DOP and operate camera) my own film(s) in the future! It’s a big dream! Plus I got my first degree from a film college, so I am familiar with that stuff. By the way, I’m also super interested in graphic and game design! Would love to try doing that in the future too!

And just to top off the list with more geek stuff: if I had another life, I would become an astrophysicist to study and explore space.

10 — Lastly, do you have any specific goals for 2023?

The most important and clear goal is to get the artist visa in order to be able to stay and work in the U.S. Speaking of my artist goals, I would love to get my first DJ gig in 2023! I would also love to explore new music genres in my productions (like trip-hop or hard dark techno)! Finally, I have so many things I still have to explore and discover in terms of production, mixing sound design, etc. So, another very important goal is to just continue learning!


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Interviews

Bubba Brothers Talk Last Summer And Tribal House EP ‘Basstribe’

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Bubba Brothers
Bubba Brothers
continue to take the Electronic Dance music world by storm. Their latest release, ‘Basstribe’ was well received by listeners all over the world, marking a new milestone for the duo. Alongside impressive releases and powerful live shows, the duo recently celebrated their anniversary by playing at important venues all over the summer.

We found time to talk with them about their summer season, what they were up to and what was coming for them.

1 — Hello Bubba Brothers, how are you?

All good thanks. 😊

2 — Summer is now over, what have you been up to this past season?

This was a fantastic summer… we had great moments. A big thank you to all our fans all over the world.

3 — You released your EP ‘Basstribe’ around summertime, can you tell us more about what it was like working on this production?

It was really exciting; the timing was perfect and it was great to see and hear DJs playing the tracks live around the planet, so yes… ‘Basstribe’ was really fun. 😊

4 — Have you got any summer highlights?

So many… playing in Ibiza, having Oxia at our anniversary party, and sharing the decks… many good moments. And as said, we are very grateful for that.

5 — Which artists were on repeat for you during this summer?

Hahaha… great question! Tube and Berger, Dennis Ferrer, Kolsch, Themba, and many others. 😊


6 — Did you develop new projects or ideas during this season?

Yeah… just came back from Iceland, and a new track is already in the horizon. So, stay tuned! and also 2 finished tracks will be launched in a few weeks.

7 — What’s the last thing you learned over the summer?

To stay focused and humble. Keep your feet on the ground.

8 — Aside from performing, what other activities did you enjoy doing during the summer season?

Like any Portuguese, the beach and anything that involves the sea is our thing 😊 Missing summer already.

9 — What are you looking forward to doing next summer?

Playing in Europe as much as people book us and I hope they will do, a lot!

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Country-Pop Singer Taylor Sanders On New Song “Firecracker”

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Taylor Sanders

Taylor Sanders gained great popularity for her stunning renditions of hits by artists like Dolly Parton and Patsy Cline. Last month, she released her Country-Pop single “Firecracker, whose lyrics put female empowerment at the forefront. Learn more about this song in our latest interview.

1 — First of all, what makes you smile, and what scares you the most when creating new music?

It makes me smile when I create a clever line or the lyrics just feel exactly right, then you know you’ve got something that really vibes.

At the same time, writing can also be scary from the uncertainty of effectively relaying my message where the listeners can understand. That’s why I love co-writing because I get to bounce ideas off others first.

2 — What are your goals in the music industry?

I want to perform at the Grand Ole Opry, go on a world tour, sell out the Madison Square Garden, write and record a theme song for a Marvel or Disney movie, have a number-one single, and win a Grammy!

3 — What do you enjoy the most about writing lyrics?

My thoughts can roam free.

Taylor Sanders
4 — How long have you been working as a singer?

Almost my whole life! I started singing when I was 5. At the time, I sang the national anthem at my kindergarten graduation because my teacher noticed I was singing it in class, and she went to my mom to ask her if I would sing for our graduation and my mom didn’t even know I knew the song or could even sing. After that, my mom put me in vocal lessons when I was 8.

5 — What’s the inspiration behind your latest single “Firecracker”?

A.) I wanted to write a song about me and my personality to introduce myself to the music world and talk about self-confidence and letting your light shine.

B.) I wanted to tell a story of how my husband and I really met. We met at a pool party while in school and I realized he matched that ambitious energy I carry.

6 — What came first the vocals or melody?

“Firecracker” as a title was pretty much determined from the get-go. When I was introduced to the co-writers, they were like, “Wow, she’s a firecracker!” and I guess that felt good and stuck. It was kind of perfect. The lyrics and melody came together all at once. The producers and lyric writers were all in 1 room and we all fed off each other to push the song concomitantly.

7 – Tell us more about the top-notch team that was involved in the production of this single.

My cowriters and producers have written songs for Jennifer Lopez (“Waiting for Tonight”) and Celine Dion and Carrie Underwood. These are icons I looked up to and I couldn’t have asked for a better collaboration.

8 — If you could choose a location to perform your new track “Firecracker,” where would it be?

The Grand Ole Opry, of course. But then also I see it being performed at a big rockin’ New Year’s Eve party right before the ball drops at midnight. I can see it so vividly, all the lights and fireworks going on with the song as I sing “Light it up, light it up!” That would be epic!


9 — Who would you dedicate this song to?

I dedicate it to my husband, not only for inspiration but also because he is such a big supporter of my dreams and really wants me to succeed. He’s a northern boy and so when we first met, I told him I was moving to Nashville after school and if he wanted to be with me, he’d have to come along. So, he’s here riding this crazy roller coaster with me.

10 — Where do you see Taylor Sanders in the next 5 years?

I hope I’ve built up a community of people who can appreciate the art I’m putting out there and that it can help brighten and change lives. I want to be valuable to people and bring enjoyment into their lives during hard times. I also hope to get into acting as well, and for my personal life, I see myself starting a family.


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