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Interview | Questions & Answers With Elder Grown

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Interview | Questions & Answers With Elder Grown
Elder Grown 
is all about original, organic and funkalicious grooves. The band from Durango, Colorado just released their self-titled album, so I took advantage of the occasion to interview them about this new record. Discover what these creative artists have to say below.

1 – First off, congratulations on the release of this project. Why is your self-titled album labeled as genre-bending?

In this album, you will hear clear voicings of classic rock, reggae, hip-hop, heavy metal, folk, and a variety of alternative styles.

2 – Do you think this is a trendy concept among musicians?

We think it is part trendy, part exploration, but also that there is a uniqueness to it with Elder Grown. Because three brothers with very different tastes and influences are in the band, the family plus influence difference creates a very unique musical exploration and experience.

3 – If you could choose a different title for this album, what would it be?

Dreaming, because this word captures the feeling that Elder Grown embodied in the evolution of this album, as we are on a beautiful journey of testing the limits of our influences and seeing what we can bring together in a single song and then album. Dreaming is the state of mind and attitude where we find our yummiest creative inspiration and greatest freedom to be ourselves, not be afraid to sound weird, and eventually find a lucid state of authenticity.

4 – What was the first song that you recorded together for this album? Is it also the first single?

“Animal” was the first song we started recording, and it is actually not the first single.

elder grown band
5 – What are some similarities and differences between this new record and ‘Fire On The Way’ released back in 2011?

The similarities are that a variety of genres are blended, the differences are that in the time between the recording of the two albums we became literally and figuratively a very different band.

6 – What made you all want to get back and record another album?

We are family and love to play music together, it is a way of life for us and the way we explore our creative nature as human beings. Recording comes naturally to us, and recording this album is only the beginning. Many of the songs are our older songs from up to 6 years back, and recording this record set the momentum for the new process to begin. We already have songs for the next album finalized, and we can now move forward into recording it, hoping to release it in the fall of 2087…I mean 2018

elder grown interview
7 – What was the most complex song to produce? Why?

“Rolling Thunder” was the most complex song to produce because every member of the band is playing at least one instrument, singing lead or harmony, and soloing.

8 – What kind of vibes are you hoping the listeners are getting from the album?

We hope that they are getting to explore different vibes: relaxing, fun, celebratory, sad, humorous, and love. The variety of our songs are intended to create a liberating experience for the listener, much like a radio station would, that allows the listener to relax into a shifting and evolving experience. Many albums can end up sounding like the same song over and over again, but this is not Elder Grown’s intention or Elder Grown’s way of doing things.

9 – What roles did each of you play in the band while producing this masterpiece?

Well, Josh Hoffman who’s the oldest of the three brothers in the band was who initially got the process going for recording this album. He bought pretty much everything you would need for a home studio and was the one who pushed us to start recording all of these tunes.

John Hoffman, as well as being one of the main songwriters, helped with scheduling and finding times that worked for the whole group to make these recording/ writing sessions happen.

Paul Hoffman was also one of the main songwriters on the album, helped arrange most of the tunes, but was the much needed comic relief at times when things got a little frustrating.

Brandon Clark helped fill in all the gaps. If we needed harmonies over a vocal line, he’s the guy. Some funky piano riffs, he’s the guy. You need a bass player because John (our main bass player) is the one singing and playing guitar on a tune, he’s your guy!

Sam Kelly was the one who finally cracked the whip though. The album had been taking longer than expected to record, and it was starting to wear on everyone, so he reached out to a professional recording engineer friend of his in town, Scott “Scooter” Smith, and they devised a plan to get the album done in a timely, orderly manner so the band would have some fresh material to tour with over the summer. He kind of manages the group from the business end of things. He books all of our shows, and does all of our social media and marketing and helps put a professional shine over everything we do.

album elder grown
10 – Finally, what can we expect from Elder Grown for the rest of 2018?

We plan to play a variety of strong festivals and shows throughout the southwest while touring our album, and are planning to release our next album at the end of the year. So look for Elder Grown in your area Colorado, New Mexico, and Arizona, and keep an ear out for the evolution that is Elder Grown. We are proud of our ability to evolve and grow as musicians while producing variety and freedom in our music. This pushes us to bring positive music into peoples lives that inspires them to be free with their hearts, explore their variety of interest, play many different instruments, and remember that Elder Grown is here to support all of our human journeys towards rich lives and holistic evolution.


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Hi, my name is Erick Ycaza. I have a BA in Advertising & Graphic Design. This blog is to provide you with daily music news and share my personal style.

Interviews

M.D. Chau Opens Up About Music And New Song “Stand Next To Me”

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M.D. Chau

M.D. Chau is a recording artist and music producer previously known as “Minh.” Today he shares a beautiful single titled “Stand Next To Me,” which carries a message of hope for humanity and a better world. Learn more about him in this interview.

1 — When exactly did you change your artistic name?

With the “Stand Next To Me” release, I decided to change my artist name to M.D. Chau. The main reason is there are so many Vietnamese artists named “Minh” and I just couldn’t come up with some clever name that was congruent with who I am.

2 — Musically speaking, are there any differences between Minh and M.D. Chau?

I think the difference is I’m no longer chasing fame or wealth in my music endeavors. I do well in business and I really don’t need much from the industry or even people in terms of approval or accolades. I want to make honest music and use sounds I personally enjoy. Under “Minh” I was trying to find “my sound” mostly because the industry forced that kind of thinking. Now, I don’t really care about any of that. And the music I make, I don’t need it to become popular.

3 — Do you still see yourself pursuing music as a career or a hobby?

The world may correlate or validate a “career” in art with monetary gain and not for the frequency of works being released by the artist. I don’t look at it that way. It’s always been a career for me and will continue to be, but it’s part of my entrepreneurial career – it’s a creative venture within the whole of my entrepreneurial life and my goals.

4 — Are you ever stuck for what record to make next?

Not personally, as far as creative direction or ideation. If something is not being created, it usually has to do with the time and resources I need to get what I want to create out. I have two songs now in the works and I’m letting it sit a bit so I can come back to it with an evolved perspective. One is called “Good To Me” and one is called “Broken Inside”, both of which I wrote in the studio when I decided to just book the room and see what comes out.


5 — Do you ever worry about staying relevant?

I think everyone does and I do too. I would say that it matters less the older I get and the more I realize how true that opening line from “Ted” the movie is… “No matter how big a splash you make in this world whether you’re Corey Feldman, Frankie Muniz, Justin Bieber, or a talking teddy bear, eventually, nobody gives a shit.”

6 – Your latest single “Stand Next To Me” is awesome! What are the lyrics about?

With the lyrics, I wanted to draw attention to the one thing I think we all have in common as humanity, no matter what our differences are… we want to see our families do well and not hurt. I feel like if we can all get around that, we might just gain enough empathy to come together and figure out a middle ground and stop hurting each other’s families. Because of all this hate and division, that’s all it’s doing. I hope the song can somehow be used to bring us together. If I can get the resources and connections I need, I’d love to do an essay and songwriting contest about unity in middle schools and high schools across the country with a scholarship prize with the theme “Stand Next To Me.”

7 – Who or what inspired you to write this song?

All the Asian hate crimes happening as well as the injustices happening to pretty much every race across our globe. I also always had a vision in my head of all the moms in the world that work so hard for their families, including my mom. And when we act like horrible human beings, we shame them – we shame the family that has been sacrificing so much for us. For another person, it may not be a mother – it may be their father, uncle, grandma, etc… we have to do better as humans, for our family’s sake.


8 – Did you collaborate with a gospel choir? Tell us more about your experience.

The pianist on my song is also an incredible music director, Rashad Howard. He’s played for some big names in music. He also plays in churches, so when I wanted a choir sound, he got some choir singers from a church he plays for and that’s what we came up with in the studio in a session. They did an incredible job!

9 – Are you already working on your next single?

Yes, there are two I’m working on that I mentioned in the previous question. But, I’m also thinking about re-doing some of the songs from when I was “Minh” and released five albums. Some of those songs I think deserve a new musical effort behind them.

10 – If you could change one thing about the music industry, what would it be?

I don’t think artists and songwriters are being compensated enough to make a living, yet songs permeate every aspect of our lives. I wish entrepreneurs could figure out a way to reward artists in their ventures that use music as a vehicle. I don’t think you can expect consumers to step up. I think business people need to consider the hard work behind every piece of music released for their use. I think artists also need to understand that if there’s not a marriage between art and commerce, none of us would be inspired by any of the artists that have influenced us – and that’s true in every artform! Many artists are too difficult when it comes to commercializing their art and they don’t reach someone that probably really needs a piece of what is coming out of them.


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Interview | Questions & Answers With Cultural Vultures

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Cultural Vultures

Danny Schneider aka Cultural Vultures is hoping to become the opening act for Coldplay and Black Eyed Peas via Audacy’s new competition. The winner will perform in the biggest concert of the year at the Hollywood Bowl. Get to know the artist better through this interesting interview.

1 — Did you begin playing drums or guitar just as you hit your teens?

Guitar has been my go-to instrument of choice, although I love the piano as well. Drums have always been intriguing to me and love beats and movement. Music takes me to a different place. It opens up parts of my brain that normal thought can’t access.

2 — How have you changed musically over the years?

Well, when I was younger I would listen differently than I do now. I would definitely not overthink or overcomplicate a song and just love it for what it was. Now I’m listening to all of the delicate intricacies that make a song. The arrangement, the melodies. Figuring out the key by just listening. I try to pick out all of the subtle instruments in the songs that you don’t know you are hearing. The melody in a lyric, etc.

3 — What do all your songs have in common?

People have gotten away from albums. Now people listen to a single song because of the platform they are on. I’ll write an entire album and although each song is separate there is a flow and they are all connected by sound. My songs as a whole usually tell a story collectively throughout the album. I will also use the same theme musically. For instance, in my songs, I have a huge orchestral element that I wrote for each song. All of the songs on the albums will have this because even though it’s a Rock song, to me it has to flow with the album. Like a DJ in a club, the transition from one song to the next should be seamless.

4 — Which musician other than yourself have you ever wanted to be?

I don’t think anyone wants to be someone else. There are musicians I admire Like Brian Eno, Trent Reznor, Bjork, and Tricky. I’d say in my opinion Prince was the greatest guitarist the world has seen. Even better than Hendrix. Prince’s biggest downfall was he was brilliant in every instrument so it overshadowed how incredible a guitarist he was.

5 — Is “Catch Hell For Comfort” your all-time favorite song from your catalog?

I am proud of that song and it’s been the one most people know me for. It’s not my favorite though, there are a few I’ve written but haven’t released yet which inspire me and make me giddy at times. As far as ones I’ve written and released I’d say “Time”, or “Surreal Sister” would be my favorites. Time builds on itself like you are walking up a mountain, then in a moment it’s like you are caught in an avalanche and you are falling. “Surreal Sister” to me is a beautiful yet fast-paced song that I love.

6 — Who would you dedicate these lyrics to?

There are those in my past who’ve moved me or made me feel certain ways. I’ll just say they are real truths I’ve experienced in my life and leave it at that.


7 — Are you currently signed to a record label?

I was the first artist signed to WatchMojo’s new record label SoundMojo. They primarily released my music videos though not my albums. So I would say as far as that is concerned I’m not signed to a label.

8 — We know you’re running to open for Coldplay and Black Eyed Peas at the Hollywood Bowl. Please tell us more.

Well, I was picked with several other bands to open for both of those bands but it’s a voting thing. I would need my fans to vote on Theopenact.com for it to happen. We will see what happens. I just love performing and getting lost in the music on stage.


9 — Do you have any special ritual to prepare your voice before performing live?

Haha, usually I’ll sing loud in my car trying to stretch those vocal muscles. Typically I’ll sing a lot of Mad Season songs, I’ve always loved Layne Staley’s voice.

10 — What else can we expect from Cultural Vultures for the rest of the year?

Well, I’m doing a couple more music videos, a live studio performance, and working on the fourth album. We will see what’s next, I’m always ready to keep working and living this adventure.


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The Two Fake Blondes Drop A String Of Hot Remixes, Full Interview Here

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The Two Fake Blondes

The Two Fake Blondes is a husband-and-wife duo based in Seattle, Washington. Since the release of their debut album ‘Out Of The Darkness,’ they’ve been gaining momentum across the electronic music scene. In this interview, we discuss their recent remixes and much more…

1 — Why did you decide to release a string of the remixes?

We really wanted to continue to breathe life into our album, and we thought – what better way to do that than calling up a few of our awesome friends and asking them to offer their own interpretations to songs off of our album via a remix?!

2 — How did these collaborations take shape?

When ‘Out Of The Darkness’ was released last fall, we already had three out of the four artists in mind that we wanted to get involved on remix duty. So in that process, we reached out and asked them to choose a song from the album that stuck out to them. Each of them came back with a song choice and really meaningful reasons on why they chose the song that they did. On the fourth remix, Sherm actually reached out to us explaining how much “Alone” spoke to him on a personal level and how instantly he knew he wanted to remix it.

3 — From a production standpoint, were things done drastically different with each remix?

Yes, each remix was drastically different from the original, which we loved! The most consistent aspect was Hannah’s vocal, but otherwise, everyone tapped into their own magnificent creative workflow and delivered remixes that blew us away. We couldn’t be happier with each one.

4 — All of them sound pretty dope, which one is good for clubs and festivals?

We’ve got Sherm’s Tech-House remix, which is guaranteed to go off at the clubs. Yabe’s Deep House would be a sick poolside party track. Deadman’s Future House remix would surely blow the speakers out on a festival stage and finally, you’ve got Neon Feather’s epic Synthwave/House track that you could listen to literally anywhere. It’s such a good range!

5 —How would you describe your role during the creative process?

When it came to these remixes, we just took our hands off the wheel and handed the keys over to the remixers. Because we were fans of each of their music already, (and had already worked with some) we knew we wouldn’t be getting anything less than fantastic from each of them. We did make tweaks for the final mixes, but otherwise, it was all them.


6 — What philosophy guides your music career?

Hard work and joy. We love to hustle and work hard, it’s literally in each of our DNA – it’s so fun for us! We love seeing results, we love reaping the rewards BUT at the end of the day – are we healthy? Are we burnt out? How is our marriage? We also try to see everything we do music-wise through our fans’ points of view. There’s nothing that makes us happier (when it comes to music) than being up on stage sharing incredible moments with the audience and getting to chat with them after. We’re here to give them an escape and hopefully enhance their lives in some way, big or small. We try to recreate that with our social media experience as well. We love our music fam!

7 — Do you believe being a husband-wife duo makes things easier while working together at the studio?

We’ve built our relationship on mutual respect, trust, and communication. We had no idea how much these traits would translate into the studio! We both also know each of our strengths so we don’t need to step on each other’s toes. We take credit for everything together equally, even if at the end of the day we know who did what. Haha! Ego is always left at the door when we head into the studio.

8 — Have you ever worked on solo projects separately?

Yes, Pete was just Petey Mac for a long time, producing House and Tech-House. Hannah was actually a Country music artist (Hannah Michelle Weeks) for almost two decades!

9 —So far, what’s the best feedback you’ve received about your debut album ‘Out Of The Darkness’?

Besides the positive comments from our fans on social media and personal stories from our remixers, I think the coolest thing has been seeing how many “saves” the songs are getting on Spotify. We all know, you really really have to like a song to make the effort to hit that heart! We’ve had so many amazing blog write-ups as well and feel so abundantly grateful for our supporters in the press.

10 — Musically speaking, what are your plans for the upcoming months?

We are actually having a baby in about 6 weeks! We are going to take some time off of social media and really soak up these last few weeks before parenthood begins – we cannot wait to meet our baby boy! For the rest of the year, we will be writing and working on brand new music for 2023 and working on booking our Summer tour for 2023 as well.


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