Thin King is an electronic music duo who are very passionate about what they do. It should be noted that their live shows are mixed with impressive visuals, as they declare themselves fans of photography. Discover everything about them + the ‘Leafless’ EP with this recent interview!
1 — Welcome to Electro Wow, when exactly did you form the duo?
Hi there, thanks for reaching out! We basically met at the end of high school, and we started playing around with the Op-1 synthesizer during lessons.
We’ve grown up with two different musical backgrounds, one coming from the electronic producer’s world, at the same time the other one has always been in music, thanks to his family, and he has a more personal approach to music through percussions, vocals, and guitars.
The passion for making records has been maintained over time by the duo but rarely expressed because of the two different paths of studies we took at the university.
After a few years of full dedication to developing our signature sound we formed ‘Thin King’ that produces and performs electronic music coupled with visuals and photography.
2 — Why the name “Thin King”?
Because we have been fascinated by this word since Riccardo noticed it’s semantic singularity: ‘Thin’ and ‘King’ are at odds, as we like to couple distant moods; moreover the word ‘thinking’ calls the action of reflection and thoughts, which is something we really like to do when we talk about music. Starting from that point the name has floated over years until it found its own dimension.
It’s hard to explain how our musical taste developed. Doubtless, there are some electronic artists who have molded and consolidated our vision over time as Nicolas Jaar, Thom Yorke, Daft Punk, Gorillaz, Bonobo, Jon Hopkins and Deadmau5 just to name a few. So It would be reductive to refer only to a musical genre in terms of influences.
Our taste is made by the diversity of what music we used to listen in the past: starting from Frank Sinatra and classical music to hip-hop, pop, rock or indie.
4 — How many hours a week do you try to dedicate to studio work?
Our studio is an environment where we can freely express ourselves, indeed we dedicate as much time as we can and more. Studio sessions can last hours or even days since we work till late nights sometimes we fall asleep on keyboards. Probably many people think that’s not the safest way to produce music but in our case, it all depends on the flow and the feelings we have. Inspiration is not a button that we can switch. So we do not give a defined time to music, we can compare our studio sessions to the Dragonball’s room of spirit and time! 🙂
5 — Has there been many career obstacles for the two you during your journey to this point?
Developing a musical duo that channels studio productions, live performances, and visual arts in today’s world it’s a hard job, but that’s the challenge!
It’s a project in continuous evolution over the years: we started with a single synthesizer, stepped to the use of a laptop and then by the construction of our studio we were able to add new instruments.
It took us different years to get here and we know we are just at the beginning of our path. Obviously, we encountered various obstacles, different moments and difficulties, but at least things that helped us being more conscious.
6 — For your new ‘Leafless’ EP, tell us a little about how the production process was for you both overall?
‘Leafless’ is the result of a few months of work. It’s the first piece of music we co-wrote inside our actual studio, so we feel it special. It was during the building of the studio, we were sketching ideas.
The vision we had on this EP, and with writing our music in general, comes from storytelling: we are trying to represent moments with sounds, arranging them as the story unfolds, so every section evolves every time that brings us back.
In other words, we are trying to create the contrast between happiness, melancholy and all the emotions through synthesizers, sound design, field and studio recordings. We take care of the entire process of creation, from the first sound to the mix & master: we feel this way we have a wider opportunity to express ourselves.
￼7 — Who provided the standout vocals across the EP?
I’m the singer of the duo (Riccardo) and I express my self-playing with acoustic and electronic percussions. I use to approach guitars or piano when we are jamming or writing, this comes from my childhood.
While Andrea provides sound synthesis and design to our productions, takes care of arrangements and audio technical knowledge. The truth is that our workflow is not always so defined, we complement each other with different skills.
8 — Is there a difference of sound in ‘Leafless’, compared to past records?
The differences between the two EPs are based on the writing decisions we made. The last EP ‘Leafless’ was born in our recording studio, while ‘Somethinks’ is the result of a experimentation, written in different places and moments.
The sound of the two EPs is quite distant in some ways, the last one is more focused on defined sounds and a drier mix, instead the other is a deeper mix of rough sounds and a fulfillment of field recordings.
9 — And finally, any tour dates lined up for this summer?
More information soon available! 🙂 Thank you guys for this interview.
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Exclusive Interview: COY SWEDE & J.O.Y Collab On “Never Ever”
This is the first time COY Swede ventures into RnB by joining forces with J.O.Y. In an instant, you will be blown away as the quality of his new single “Never Ever” feels like charting song material. Read our exclusive interview with both artists!
1 — How did you end up working together?
COY Swede: Me and J.O.Y also did “Closer” through Soundbetter platform together. And RnB being one of J.O.Y’s genres I knew we could make another magic track together.
It’s very rare I work with the same singer again. But we speak the same language musically and we connected, even more, this time.
J.O.Y: Me and COY Swede first met up online on Soundbetter (the leading platform where singers and producers meet to finish each other work). He wrote me to be his singer for his track “Closer.” From there on we became friends and collab more frequently together!
2 — How would you define RnB music?
COY Swede: It depends on how far you go back in time, 50, 70, or 90, and our time. Genre changes very fast in our time and gets a bit blurred or, some genres evolve into something new.
But for me, RnB is still pure Soul and Blues and also can be a flavour of Chill Pop and influences rhythms from Hip-Hop. That’s my personal thinking.
J.O.Y: RnB was my first love in music! I remember listening to greatness such as Joe, Brian Mcknight, and Craig David and was impressed by the runs, variation of tone, and vocal skills these guys have! This made me do a lot of cover songs of the RnB genre and me ending up having my singing style from them.
COY Swede: For me, it evolves me as a producer. Gives me more experience. I work only with the best singers that share my passion among the independent areas.
Over the years I also have learned how to know what I’m looking for around a genre and theme for the song. What vibe do I want to create.
Marketing strategies change all the time and we Indie artists work really hard with the tools we have.
The most important thing for me is to keep going and deliver the music to my listeners. Show interest in other artists, be helpful if I can, and also learn more about how to get my music out there.
J.O.Y: Doing collabs is one of the best ways to showcase your music and learn from it. You learn to see different kinds of colors of music. You are also forced to go out of your comfort zone which allows you to grow.
4 — What new things did you learn while recording “Never Ever”?
COY Swede: Well, it’s actually the first time I produce an RnB track 😊 I would be very happy if the listeners can connect to it. The bells in the intro are actually recorded by an instrument and then I added some effects using “Thermal from Output.”
Every track I make gives me something new. I’m very happy with the variated bridges in this track to be a little technical. And my challenge was, how to make a short song feel longer than it actually is. We also wanted this song to have a good hook and a chorus to sing along to.
J.O.Y made awesome work with his skills as a singer and writer.
J.O.Y: As a songwriter, you always get to learn a new perspective after each song. Especially here I evolved my songwriting by having the hook be a statement and the verses describing my story. I will definitely write more songs like this, where the hook is simple yet catchy and the verses a bit more complex.
5 — Who is the main songwriter of this new track? What inspired you to write the lyrics?
COY Swede: We worked from a theme I sent J.O.Y. And for the chorus, I recorded a sample of my voice. Then J.O.Y did his magic. Just a note, only the VOCAL is mixed together from 15 stems to give you a perspective. 😉
It’s also a love song for people that found new love and how to carry it forward. But as a songwriter/producer you are open to how a listener feels about it. You can, “Never Ever” know. 😊
J.O.Y: COY Swede presented me with the theme of the song, and explained it to me pretty well. From that on I felt inspired and tapped into some of my experiences to replicate this feeling.
The unique bells in the song maybe is a slight try to call on that upcoming Christmas vibe. Mariah Carey, are free to make a cover if she wants. 😉
J.O.Y: To all the listeners that go through a tough time right now. It’s that season again when tracks like these are needed.
7 — How would you imagine the music video?
COY Swede: No plan at this moment. Maybe a lyrics video on my YouTube channel.
8 — Are you planning to drop remixes for this release?
COY Swede: No plans at this moment.
9 — How do you spend your free time when not making music?
COY Swede: Family first, I love to travel around the world, health, training, and love cooking if I have time. I also read everything that has something to do with space research and am also engaged in earth’s environment and climate.
J.O.Y: Coy Swede nailed it. Family first. Sometimes music can feel like a job where all you think of is music. It’s good to have breaks to enjoy with your loved ones. Also, it’s very good for your creativity and finding new inspiration to write music.
10 — Lastly, what are your future plans?
COY Swede: Next year maybe I will try to do some more DJ appearances. I did one this year 2022 in Stockholm. Maybe together with my music bro Alan Walker or, even Tiesto would be really cool!
It would be cool to finally meet them both in real life, and talk about music experiences and future experimental stuff. You “Never Ever,” know! 😊
One thing is for sure I will keep doing this, and create more music. I would also like to try to make a score for movies or TV in the future, would be cool, if one of my released songs were featured.
J.O.Y: Be more active as a songwriter and have a lot more placements with bigger companies or TV/Film. I want to watch a show and hear my music in the background – that’s something I can imagine would be super cool and surreal.
Blind Mutation Discusses Experimental Music Video “Shadows”
If you’re into hypnotizing Ambient Techno tracks, then Blind Mutation should be on your radar. Her latest experimental music video “Shadows” was awarded and this exclusive interview explains it all!
1 — If I’m not mistaken, electronic music is your passion. How does this interest has come about?
I actually think my dad’s taste in music really influenced me a lot. He used to put on a lot of quality electronic music for me when I was a child, from classic Depeche Mode to more underground experimental electronic How to Dress Well. So, my interest in electronic music started growing from a very young age. When I became a teenager, my mental health started to get worse, and I started to relate, and thereafter, listen to darker and gloomier electronic music like dark ambient, triphop, or hard warehouse techno. That’s basically how my music taste was formed, and why I love electronic music.
2 — When exactly did you become Blind Mutation?
In theory, I think I became Blind Mutation pretty much as soon as I started producing and composing music which was 2 years ago. I began writing tracks with an emphasis on cinematic melancholic sounds that translated my deep intense emotions, and I still continue to do it exploring more and more ways to express my feelings through music. But, officially, let’s say, I became Blind Mutation when I released my first DJ Mix called “WAVE/PHONK MIX” on SoundCloud almost a year ago.
3 — Musically speaking, who is your biggest influence or inspiration?
I love to answer that question 🙂 I would say that my influences/inspirations have been changing throughout the years. When I was 14-16 my favorite band was Coldplay. I loved their not-that-well-known tracks which were more on the electronic/ambient side, like my all-time favorite “Midnight”. As for now, I very rarely listen to Coldplay. Now I am more into experimental dark emotional stuff like Techno, Dark Ambient, IDM, and Trip-Hop. Some of my inspirations/influences at the moment are Aphex Twin, Arca, Trentemoller, Clams Casino, Hans Zimmer, I Hate Models, and Crystal Castles.
4 — Congratulations on winning Best Experimental Video at the Indie Online Film Festival. Did you ever expect this result?
I was hoping for it 🙂 But I don’t really like expecting something to happen, especially when it comes to receiving awards. Because if you think you would win the prize, and then you don’t, you would probably get upset. But if you don’t really think about it and just let it happen, you get more excited if you win, and don’t really care if you don’t get an award 🙂
5 — Tell us more about how your collaboration with All Around came about.
We met a little more than 4 years ago in college in LA. He was a directing major, and I was an acting major. We’ve been very good friends since that time, and we’ve done small projects together here and there in college and just for fun. Then, when I switched from acting to music and started releasing my DJ Mixes, he began doing all the visuals for them. So, when I was ready to release my debut track “Shadows”, I knew that All Around would be my director, cinematographer, and editor. We have a similar vision when it comes to art (music/video/films, etc.), and so it’s very comfortable and fun for us to work together.
6 — Would you interpret this clip as a short horror film or is it something else?
Shortly, I would say, yes, it could be interpreted as a short psychological horror film. To elaborate: it’s interesting that when we showed the music video to our close surroundings, a good amount of people said that “Shadows” looked more like a short horror film rather than a music video. “Shadows” indeed has a much slower pace than a usual music video. In terms of cinematography, it’s also shot more like a film rather than a music video. But I think I would still call “Shadows” an experimental music video rather than a short horror film, because, in my opinion, it still has a dynamic of a music video, and our initial idea was to create a music video not a short horror film.
Well, the track itself was produced, mixed and mastered in Ableton. As for “Shadows” music video production, My friend All Around who I collaborated with, has an amazing RED Komodo camera, the music video was shot on it. Also, my face, chest, neck and my arms had to be bandaged in the shot all the time. We needed special bandages, the ones that stick to the skin and to each other. We had 3-4 shooting days, and not all of the bandages could be reused. So, I had to buy lots of them. Was driving from one CVS to another buying the entire available supply of those specific bandages 🙂
We also had a chance to work with an amazing super professional makeup artist, Darya Kholodnykh, who did the make-up for the “demon’s” hand that appears in the music video. She managed to find a creative way to make the hand look realistic and creepy although we had a very small budget.
8 — What can we expect from Blind Mutation next? Are you keen on exploring science fiction themes?
I love science fiction, and I would like to explore themes connected to it in the future. But as for now, I think I’m more focused on expressing my inner feelings and emotions through my music, and treating producing/composing/creating DJ mixes more as a therapy for myself. I’d love to dive deeper into the psychological aspects of our lives and have an influence on people’s emotions and their unconscious through my music. That’s what my next release will hopefully do! It’s a dark ambient track called “I come with the rain”, and it’s coming out in the beginning of January! I’m also working on a new dark warehouse techno DJ mix which will also come out around the same time.
9 — What do you think you’d be doing if you weren’t an artist?
I’ve always loved to think about this. I am very interested in psychology, so I would definitely study it in college, and then probably become a psychotherapist (do not mistake with psychologist or psychiatrist), I would do scientific research and come up with new more effective therapies.
I would also love to direct and shoot (be DOP and operate camera) my own film(s) in the future! It’s a big dream! Plus I got my first degree from a film college, so I am familiar with that stuff. By the way, I’m also super interested in graphic and game design! Would love to try doing that in the future too!
And just to top off the list with more geek stuff: if I had another life, I would become an astrophysicist to study and explore space.
10 — Lastly, do you have any specific goals for 2023?
The most important and clear goal is to get the artist visa in order to be able to stay and work in the U.S. Speaking of my artist goals, I would love to get my first DJ gig in 2023! I would also love to explore new music genres in my productions (like trip-hop or hard dark techno)! Finally, I have so many things I still have to explore and discover in terms of production, mixing sound design, etc. So, another very important goal is to just continue learning!
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Bubba Brothers Talk Last Summer And Tribal House EP ‘Basstribe’
Bubba Brothers continue to take the Electronic Dance music world by storm. Their latest release, ‘Basstribe’ was well received by listeners all over the world, marking a new milestone for the duo. Alongside impressive releases and powerful live shows, the duo recently celebrated their anniversary by playing at important venues all over the summer.
We found time to talk with them about their summer season, what they were up to and what was coming for them.
1 — Hello Bubba Brothers, how are you?
All good thanks. 😊
2 — Summer is now over, what have you been up to this past season?
This was a fantastic summer… we had great moments. A big thank you to all our fans all over the world.
3 — You released your EP ‘Basstribe’ around summertime, can you tell us more about what it was like working on this production?
It was really exciting; the timing was perfect and it was great to see and hear DJs playing the tracks live around the planet, so yes… ‘Basstribe’ was really fun. 😊
4 — Have you got any summer highlights?
So many… playing in Ibiza, having Oxia at our anniversary party, and sharing the decks… many good moments. And as said, we are very grateful for that.
5 — Which artists were on repeat for you during this summer?
Hahaha… great question! Tube and Berger, Dennis Ferrer, Kolsch, Themba, and many others. 😊
6 — Did you develop new projects or ideas during this season?
Yeah… just came back from Iceland, and a new track is already in the horizon. So, stay tuned! and also 2 finished tracks will be launched in a few weeks.
7 — What’s the last thing you learned over the summer?
To stay focused and humble. Keep your feet on the ground.
8 — Aside from performing, what other activities did you enjoy doing during the summer season?
Like any Portuguese, the beach and anything that involves the sea is our thing 😊 Missing summer already.
9 — What are you looking forward to doing next summer?
Playing in Europe as much as people book us and I hope they will do, a lot!