There is no sweeter revenge than that in return for injustice. If any can capture such an emotion through music, it’s the talented maestro Notaker. The breakthrough American producer returns to mau5trap with his newest dark, atmospheric production “Retribution”, a hauntingly cinematic, spacey journey through the process of seeking – and finding – that reprisal. Notaker coaxes the listener through its opening with lilting instrumentals that build to sweeping melodies, all layered under an undulating bassline. The pressure begins to build and one can almost imagine Notaker’s inner warrior preparing for battle, finally triumphing at the track’s driving crescendo. Months after his release “Abyss,” Notaker demonstrates that he’s better than ever by the use of analog sounds in “Retribution”, a rare find in today’s synthesized world. It’s this raw, real quality that gives “Retribution” its undeniably visceral appeal. “This song was a step in a different, darker direction for me and the first time I’ve ever implemented analog sounds into my production process,” says Notaker, shedding further light on his inspiration. “The feeling of the song makes me imagine someone planning revenge on someone for the injustices they’ve done to them, hence the name Retribution.”
David Nothaker – better known as Notaker – has received much acclaim for his musical embodiments of ambiguous natural concepts, like his interpretation of fire through “Born in the Flames” on Armada Captivating, the subaqueous “Abyss” on mau5trap and the mystical “Genesis” EP recently released on Monstercat. With each impressive display of his prowess, Notaker is steadily evolving from talented newcomer to vetted dance music prodigy. He certainly has a unique musical style, one that has been praised by fans and tastemakers alike in his relatively short professional career. Inspired by legends like Hans Zimmer, Deadmau5, and Eric Prydz, Notaker specializes in creating an atmosphere around his productions to immerse the listener in the story of his sound, rather than just the track itself. 2017 has been quite a year for Notaker, and we can’t wait to see what he has up his sleeve next.
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The Anti-Stress Effects Of Lo-Fi Music Are Real, Meet Mind=Dead
Mind=Dead is an emerging producer from Salt Lake City who is taking all the right steps to bring you the best Lo-Fi music. Not to mention, his recent track, “Flutter” will relax your mind quickly. Although it seems unreal, its anti-stress effects are due to the combination of downtempo and orchestral elements. Needless to say, listening to its dreamy synths is the most appropriate thing to do after a busy day at work.
Likewise, the delicate piano chords can also restore harmony within yourself. I love the fact that Lo-Fi music has a steadily growing fanbase. It just shows how important are mellow beats in our life, especially in the middle of a pandemic. Indeed, stress may contribute to serious health problems. Precisely for that reason, Mind=Dead wants to make your days so much better. Follow him on all his streaming platforms to keep up with new laidback melodies.
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Film Composer Mario Anthony And His Enigmatic Instrumental Music
Mario Anthony is a fresh film composer from Chicago. This year, he brings under the spotlight his passion for enigmatic instrumental music. Not so long ago, he premiered the clip for his work of art titled “Atlantis.” Right from the start, his cinematic sounds evoke a sense of spatial imagery. What’s more, the airy synths can hypnotize you as if you were entering an unknown dimension. Indeed, the visuals below serve as a tour guide to an alternate reality where lone wanderers in special suits discover an extinct civilization. In particular, this intriguing piece is inspired by the fictional lost city cited in Plato’s works.
In 2003, movie scores of Spiderman and Hulk marked his life positively since childhood. At the early stage of his career, Mario Anthony learned to play the piano at a rapid pace. It was only later that he got fully immersed in film soundtracks after experiencing a concert by Hans Zimmer. The acclaimed Geman film composer is probably his musical hero to date. He is known for mixing orchestral instruments with Electronica.
One thing Mario Anthony and Zimmer share in common is that their imagination bustles with a frenzy of creativity. Artists in this field are on the mission to simulate a wide range of experiences through instrumental music. In the case of “Atlantis,” its charm arises from enigmatic sonic textures that approach a futuristic vision with high precision. Only time will tell if he can reshape the film industry by offering more original proposals.
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Spacey Electronic Music No One Should Miss Out, Listen To “Send Off”
Rising female producer Donna O. Raphael is back with spacey electronic music! Just think about the futuristic synths of her new track “Send Off” as the opening soundtrack of a sci-fi movie. It’s easy to see why she experiments with ethereal chords that naturally lean toward sonic textures of distant galaxies. Furthermore, the fantastic instrumentals are enriched by vintage-esque drum beats, which give it an appropriately old-school vibe.
Certainly, Donna’s spacey electronic music can be very effective if you need to clear your mind today. Press the play button below.
Independent filmmakers must check out her website World Instrumentals. By the same token, this site is a great resource for artists who are looking for original pieces of music mostly intended for flicks or visual campaigns.
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