R. Dabizha talks about his new single “Talia,” released today, and the Afro House energy driving it. He shares how his move from Ukraine to Spain shaped his melodic and organic sound, his production philosophy, key influences like Sébastien Léger, and what’s next. Happy reading!
1. What was the spark that triggered “Talia”? Was there a specific sound, groove, or moment that turned this from a concept in your head into a track?
The idea behind “Talia” was actually pretty simple. I wanted to create an Afro House track that felt fresh, energetic, and built for the dance floor. I started experimenting with percussion, melodies, and textures until everything clicked naturally. I wasn’t trying to follow any trend—I just wanted to make a track that DJs would enjoy playing, and people would genuinely enjoy dancing to.
2. What does the name “Talia” mean to you? How does that title connect to the deep grooves you’ve woven into the production?
I chose the name because it matched the feeling of the track. To me, “Talia” sounds elegant, memorable, and a little mysterious. I didn’t want the title to explain the music—I wanted it to leave space for imagination.
Everyone experiences music differently, and I like when people create their own story while listening.
3. Since moving from Ukraine to Spain, how has the local music scene shaped your production style?
Living in Spain has definitely expanded my musical perspective. The local electronic scene is incredibly diverse, and being surrounded by different styles has naturally influenced my productions.
While Melodic and Organic House have always been part of my sound, “Talia” leans more toward Afro House. I don’t like limiting myself to one genre if the music feels authentic.
4. Did you design the hypnotic energy of “Talia” for an intimate club or a massive open-air crowd?
I always try to imagine both. A good track should work whether it’s played in a small underground club or at an open-air festival. The details matter in intimate spaces, while the groove and energy have to translate to bigger crowds.
If people connect with the track in both situations, that’s the best outcome I could ask for.
5. What is the hardest part of the production process for you when trying to make organic elements sound powerful yet modern?
The biggest challenge is balance. Organic sounds have their own character, and it’s easy to lose that if you over-process them. At the same time, they need enough impact to work in modern club systems.
I spend a lot of time choosing the right sounds instead of trying to fix everything later with plugins.
6. In your opinion, what separates a genuinely underground tribal groove from a mainstream Melodic House track?
For me, it comes down to intention. Underground music isn’t built around instant gratification—it takes its time and lets the groove develop naturally.
The rhythm becomes the main character instead of a catchy hook. That’s what makes people lose themselves on the dance floor without even realizing it.
7. Which artists or labels have most shaped your approach to Melodic and Organic House?
I’ve always respected artists who focus on creating atmosphere instead of chasing trends. Sébastien Léger is definitely one of them. I also enjoy music released on labels like All Day I Dream, Lost & Found, and Sudbeat because they consistently put quality and identity first.
Those artists and labels remind me that music should have personality, not just good production. My sound is rooted in Melodic and Organic House, but I also enjoy exploring Afro House when it feels natural.
8. Across all your tracks, what’s the secret to making sure every single drum beat has its own room to breathe?
Less is usually more. I don’t believe in adding layers just to make a track feel bigger. Every drum hit should have a purpose and its own space in the mix.
If something isn’t improving the groove, it doesn’t stay. That approach helps keep the rhythm clean, dynamic, and powerful.
9. If you could collaborate with any artist in the electronic music scene, who would be your absolute dream partner? Why?
I’d love to work with Sébastien Léger. I’ve admired his productions for a long time because they always sound musical and timeless. He has a unique way of combining emotion with groove, and I think that would make for a really interesting collaboration.
10. Where is this creative momentum taking you next? Are there more releases or events in the works?
The immediate focus is the release of “Talia” on July 20, and I’m really looking forward to sharing it with listeners. Beyond that, I’m already working on new music and continuing to explore different directions within electronic music while staying true to my own sound.
My goal is simple: keep improving with every release and create tracks that people want to come back to, whether they’re listening at home or hearing them on a dance floor.
CONNECT WITH R. DABIZHA
Hi, I’m Erick Ycaza — a music blogger with a BA in Advertising & Graphic Design. I created this blog to keep you updated with daily music news. Surprisingly, I’ve been writing about music since 2007. If you’re an artist and would like to be featured, feel free to reach out: info@electrowow.net
