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Interview | Questions & Answers With Konjecture

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Interview | Questions & Answers With Konjecture

Josh Tonnissen is gearing up for a new musical adventure under his moniker Konjecture. He shares with us the most important details about his brand new EP ‘Catching Butterflies’, recorded in California. He simply loves electronic music as much as we do. Get to know him better through this exclusive interview!

1 – We know you have released previous tracks under different aliases such as Praxis and Josh Tonnissen. What makes Konjecture’s music different?

Throughout the 2000’s I had been releasing and performing under the name Praxis, where the focus on the sound was a heavy London Acid Techno drive skewed a bit on the psy tip. The music was much faster, very heavy and much more of a wall of sound or maximal production. Over the years I have been shifting my sound down BPM a bit (124-128) and focusing on more subtle modulations and timbre development. The Konjecture sound is certainly more minimal than my previous works, but hardly minimal in the genre definition. A major theme in my current sound it to decorate the stereo field with evolving polyrhythmic drum hits that have a continuous and non-repeating shift in timbre, almost developing in a music concrete random sort of fashion. Still rooted in driving Techno, the new sound is a bit more mature, refined, and is a snapshot of future technology and the human interface.

2 – Why did you name your debut album ‘Catching Butterflies’?

The album is a gesture toward capturing the burst of creative energy that swells upon you while in the state of flow. While some days in the studio deliver no results, others are a rush of ideas and concepts that often arrive at such a rate that there is simply no way catch them all. The Monarch butterfly migrates through Santa Cruz where I live, and when you watch the way they interact with each other and the moments of instant flight they have, it reminds me of these instances in the studio. One moment they are calm, and the next there are millions of butterflies in flight, and to catch them is to harness creativity at its core.

3 – Which track was the most difficult to create? Why? 

Probably “Ballad Of The Tarantula Hawk”. This track had a series of challenges to keep the modular in check as there were lots of parameters that were being modulated by a host of various LFOs and sequencers. The main lead synth line that has a psy feel to it, was running through a 3/16th delay module that I had the feedback path patched through a Wasp filter, and both the cutoff and resonance of the filter were being modulated by different LFOs that were not synced to a clock. Since this filter module is a bit unstable, and the feedback from the delay unit could get out of hand times, keeping the system from pretty much exploding was testing, to say the least. Attenuating attenuators is the name of the game in modular synthesis, so this sort of treatment is pretty much standard operating procedure.

4 – What type of listeners do you believe would be interested in this project?

This album has the opportunity for a large audience of Techno/House fans to take note. People who are looking to keep a solid groove while still exploring sounds that have never existed before on any other project will take the most away for sure. There is a very subtle melodic theme throughout the album, so people that are not quite ready to peel away the various layers for deep sonic exploration will still have motifs to hold on to. The album is truly experiential, so sitting back and getting lost in the subtle movements is the goal…

konjecture interview
5 – What underground producers have influenced this album?

I am inspired by so many folks from so many different types of music, but a few folks that I always find a home base with would be Joel Mull, Cari Lekebusch, John Tejada, Dominik Eulberg, Richie Hawtin, Richard Devine, Gui Boratto, and Gaiser.

6 – Will there be a change of style or any variation in your upcoming works?

While developing this uncharted sub-genre through my experimentations, I think there is still a great deal to explore that could fit nicely into the style. So that said, while the style of my music is in constant flux and development, I do see this style staying around for a while. There is some room of course for some more bangin’ jams as well, so well see what happens!

7 – How do you actually perceive the electronic music scene in Santa Cruz?

Santa Cruz doesn’t have much of a dance music scene here, unfortunately, but being a short drive from the San Francisco Bay area there is a rich assortment of underground sound to be heard. SF is known for House and Psy-Trance, but there is actually a good deal of Techno to be found if you look in the right places. Both Oakland and SF have been cracking down on the renegade warehouse events, but the music can always be found. The best part of the scene here is the number of promoters doing renegade 3-day campout events up in the mountains. These events really capture what the local scene is about and is a great place to explore the style of music found on Catching Butterflies.

8 – What are your favorite tools in the studio? Are there any plugins or synths that you cannot do without?

I am pretty sure I can’t live without my modular synth or vintage Roland gear. Computer stuff comes and goes, and all I really use is Ableton and its various native devices. I have one or two plug-ins that I may use (mostly Expert Sleepers Silent Way), but pretty much everything I do is outside the box. Once I record into Ableton, I will often pipe the computer processed sound back out and through various hardware, pieces to add a bit of edge.

konjecture
9 – In your opinion, what is the trend for future music?

Genres are constantly evolving, and I would imagine that while I don’t think I can accurately forecast a future change in style, I do believe that the interface of human and production technology will evolve quickly. AI is going to play a major role in how people create sounds and music, so certainly, lots to be explored! For music, I think folks will want to infuse a complete listening experience over time, and reducing the full-blown melodic components and infusing more hypnotic flavors could do just that.

10 – Are you planning to perform live anytime soon?

Currently trying to find a balance between work, music, bike riding, and family is the goal at the moment, but indeed bringing out the hardware Live PA is certainly in the future.

Contact / Booking info: omniscientrecords@gmail.com


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Hi, my name is Erick Ycaza. I have a BA in Advertising & Graphic Design. This blog is to provide you with daily music news and share my personal style.

Interviews

Blind Mutation Discusses Experimental Music Video “Shadows”

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Blind Mutation music

If you’re into hypnotizing Ambient Techno tracks, then Blind Mutation should be on your radar. Her latest experimental music video “Shadows” was awarded and this exclusive interview explains it all!

1 — If I’m not mistaken, electronic music is your passion. How does this interest has come about?

I actually think my dad’s taste in music really influenced me a lot. He used to put on a lot of quality electronic music for me when I was a child, from classic Depeche Mode to more underground experimental electronic How to Dress Well. So, my interest in electronic music started growing from a very young age. When I became a teenager, my mental health started to get worse, and I started to relate, and thereafter, listen to darker and gloomier electronic music like dark ambient, triphop, or hard warehouse techno. That’s basically how my music taste was formed, and why I love electronic music.

2 — When exactly did you become Blind Mutation?

In theory, I think I became Blind Mutation pretty much as soon as I started producing and composing music which was 2 years ago. I began writing tracks with an emphasis on cinematic melancholic sounds that translated my deep intense emotions, and I still continue to do it exploring more and more ways to express my feelings through music. But, officially, let’s say, I became Blind Mutation when I released my first DJ Mix called “WAVE/PHONK MIX” on SoundCloud almost a year ago.

3 — Musically speaking, who is your biggest influence or inspiration?

I love to answer that question 🙂 I would say that my influences/inspirations have been changing throughout the years. When I was 14-16 my favorite band was Coldplay. I loved their not-that-well-known tracks which were more on the electronic/ambient side, like my all-time favorite “Midnight”. As for now, I very rarely listen to Coldplay. Now I am more into experimental dark emotional stuff like Techno, Dark Ambient, IDM, and Trip-Hop. Some of my inspirations/influences at the moment are Aphex Twin, Arca, Trentemoller, Clams Casino, Hans Zimmer, I Hate Models, and Crystal Castles.

4 — Congratulations on winning Best Experimental Video at the Indie Online Film Festival. Did you ever expect this result?

I was hoping for it 🙂 But I don’t really like expecting something to happen, especially when it comes to receiving awards. Because if you think you would win the prize, and then you don’t, you would probably get upset. But if you don’t really think about it and just let it happen, you get more excited if you win, and don’t really care if you don’t get an award 🙂

5 — Tell us more about how your collaboration with All Around came about.

We met a little more than 4 years ago in college in LA. He was a directing major, and I was an acting major. We’ve been very good friends since that time, and we’ve done small projects together here and there in college and just for fun. Then, when I switched from acting to music and started releasing my DJ Mixes, he began doing all the visuals for them. So, when I was ready to release my debut track “Shadows”, I knew that All Around would be my director, cinematographer, and editor. We have a similar vision when it comes to art (music/video/films, etc.), and so it’s very comfortable and fun for us to work together.

6 — Would you interpret this clip as a short horror film or is it something else?

Shortly, I would say, yes, it could be interpreted as a short psychological horror film. To elaborate: it’s interesting that when we showed the music video to our close surroundings, a good amount of people said that “Shadows” looked more like a short horror film rather than a music video. “Shadows” indeed has a much slower pace than a usual music video. In terms of cinematography, it’s also shot more like a film rather than a music video. But I think I would still call “Shadows” an experimental music video rather than a short horror film, because, in my opinion, it still has a dynamic of a music video, and our initial idea was to create a music video not a short horror film.

experimental music video
7 — What tools, instruments, or software were part of the production process of “Shadows”?

Well, the track itself was produced, mixed and mastered in Ableton. As for “Shadows” music video production, My friend All Around who I collaborated with, has an amazing RED Komodo camera, the music video was shot on it. Also, my face, chest, neck and my arms had to be bandaged in the shot all the time. We needed special bandages, the ones that stick to the skin and to each other. We had 3-4 shooting days, and not all of the bandages could be reused. So, I had to buy lots of them. Was driving from one CVS to another buying the entire available supply of those specific bandages 🙂

We also had a chance to work with an amazing super professional makeup artist, Darya Kholodnykh, who did the make-up for the “demon’s” hand that appears in the music video. She managed to find a creative way to make the hand look realistic and creepy although we had a very small budget.

8 — What can we expect from Blind Mutation next? Are you keen on exploring science fiction themes?

I love science fiction, and I would like to explore themes connected to it in the future. But as for now, I think I’m more focused on expressing my inner feelings and emotions through my music, and treating producing/composing/creating DJ mixes more as a therapy for myself. I’d love to dive deeper into the psychological aspects of our lives and have an influence on people’s emotions and their unconscious through my music. That’s what my next release will hopefully do! It’s a dark ambient track called “I come with the rain”, and it’s coming out in the beginning of January! I’m also working on a new dark warehouse techno DJ mix which will also come out around the same time.

9 — What do you think you’d be doing if you weren’t an artist?

I’ve always loved to think about this. I am very interested in psychology, so I would definitely study it in college, and then probably become a psychotherapist (do not mistake with psychologist or psychiatrist), I would do scientific research and come up with new more effective therapies.

I would also love to direct and shoot (be DOP and operate camera) my own film(s) in the future! It’s a big dream! Plus I got my first degree from a film college, so I am familiar with that stuff. By the way, I’m also super interested in graphic and game design! Would love to try doing that in the future too!

And just to top off the list with more geek stuff: if I had another life, I would become an astrophysicist to study and explore space.

10 — Lastly, do you have any specific goals for 2023?

The most important and clear goal is to get the artist visa in order to be able to stay and work in the U.S. Speaking of my artist goals, I would love to get my first DJ gig in 2023! I would also love to explore new music genres in my productions (like trip-hop or hard dark techno)! Finally, I have so many things I still have to explore and discover in terms of production, mixing sound design, etc. So, another very important goal is to just continue learning!


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Interviews

Bubba Brothers Talk Last Summer And Tribal House EP ‘Basstribe’

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Bubba Brothers
Bubba Brothers
continue to take the Electronic Dance music world by storm. Their latest release, ‘Basstribe’ was well received by listeners all over the world, marking a new milestone for the duo. Alongside impressive releases and powerful live shows, the duo recently celebrated their anniversary by playing at important venues all over the summer.

We found time to talk with them about their summer season, what they were up to and what was coming for them.

1 — Hello Bubba Brothers, how are you?

All good thanks. 😊

2 — Summer is now over, what have you been up to this past season?

This was a fantastic summer… we had great moments. A big thank you to all our fans all over the world.

3 — You released your EP ‘Basstribe’ around summertime, can you tell us more about what it was like working on this production?

It was really exciting; the timing was perfect and it was great to see and hear DJs playing the tracks live around the planet, so yes… ‘Basstribe’ was really fun. 😊

4 — Have you got any summer highlights?

So many… playing in Ibiza, having Oxia at our anniversary party, and sharing the decks… many good moments. And as said, we are very grateful for that.

5 — Which artists were on repeat for you during this summer?

Hahaha… great question! Tube and Berger, Dennis Ferrer, Kolsch, Themba, and many others. 😊


6 — Did you develop new projects or ideas during this season?

Yeah… just came back from Iceland, and a new track is already in the horizon. So, stay tuned! and also 2 finished tracks will be launched in a few weeks.

7 — What’s the last thing you learned over the summer?

To stay focused and humble. Keep your feet on the ground.

8 — Aside from performing, what other activities did you enjoy doing during the summer season?

Like any Portuguese, the beach and anything that involves the sea is our thing 😊 Missing summer already.

9 — What are you looking forward to doing next summer?

Playing in Europe as much as people book us and I hope they will do, a lot!

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Country-Pop Singer Taylor Sanders On New Song “Firecracker”

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Taylor Sanders

Taylor Sanders gained great popularity for her stunning renditions of hits by artists like Dolly Parton and Patsy Cline. Last month, she released her Country-Pop single “Firecracker, whose lyrics put female empowerment at the forefront. Learn more about this song in our latest interview.

1 — First of all, what makes you smile, and what scares you the most when creating new music?

It makes me smile when I create a clever line or the lyrics just feel exactly right, then you know you’ve got something that really vibes.

At the same time, writing can also be scary from the uncertainty of effectively relaying my message where the listeners can understand. That’s why I love co-writing because I get to bounce ideas off others first.

2 — What are your goals in the music industry?

I want to perform at the Grand Ole Opry, go on a world tour, sell out the Madison Square Garden, write and record a theme song for a Marvel or Disney movie, have a number-one single, and win a Grammy!

3 — What do you enjoy the most about writing lyrics?

My thoughts can roam free.

Taylor Sanders
4 — How long have you been working as a singer?

Almost my whole life! I started singing when I was 5. At the time, I sang the national anthem at my kindergarten graduation because my teacher noticed I was singing it in class, and she went to my mom to ask her if I would sing for our graduation and my mom didn’t even know I knew the song or could even sing. After that, my mom put me in vocal lessons when I was 8.

5 — What’s the inspiration behind your latest single “Firecracker”?

A.) I wanted to write a song about me and my personality to introduce myself to the music world and talk about self-confidence and letting your light shine.

B.) I wanted to tell a story of how my husband and I really met. We met at a pool party while in school and I realized he matched that ambitious energy I carry.

6 — What came first the vocals or melody?

“Firecracker” as a title was pretty much determined from the get-go. When I was introduced to the co-writers, they were like, “Wow, she’s a firecracker!” and I guess that felt good and stuck. It was kind of perfect. The lyrics and melody came together all at once. The producers and lyric writers were all in 1 room and we all fed off each other to push the song concomitantly.

7 – Tell us more about the top-notch team that was involved in the production of this single.

My cowriters and producers have written songs for Jennifer Lopez (“Waiting for Tonight”) and Celine Dion and Carrie Underwood. These are icons I looked up to and I couldn’t have asked for a better collaboration.

8 — If you could choose a location to perform your new track “Firecracker,” where would it be?

The Grand Ole Opry, of course. But then also I see it being performed at a big rockin’ New Year’s Eve party right before the ball drops at midnight. I can see it so vividly, all the lights and fireworks going on with the song as I sing “Light it up, light it up!” That would be epic!


9 — Who would you dedicate this song to?

I dedicate it to my husband, not only for inspiration but also because he is such a big supporter of my dreams and really wants me to succeed. He’s a northern boy and so when we first met, I told him I was moving to Nashville after school and if he wanted to be with me, he’d have to come along. So, he’s here riding this crazy roller coaster with me.

10 — Where do you see Taylor Sanders in the next 5 years?

I hope I’ve built up a community of people who can appreciate the art I’m putting out there and that it can help brighten and change lives. I want to be valuable to people and bring enjoyment into their lives during hard times. I also hope to get into acting as well, and for my personal life, I see myself starting a family.


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