I linked up with the masterminds behind the PROPE electronic music project. We chat the origins and all about their first EP of 2018, entitled ‘Excite’. You’ve got to read this interview if you’re a fan of underground vibes!
1 – Is it true that you met each other in a recording studio?
Yes, Thierry had some demo to produce and mix. He asked for a quote at the Jet Studios in Brussels where he met Pierre who was recording/mixing engineer and producer there. At the time, Pierre was developing a solo project, and as the friendship grew quite fast, and the attitude and taste regarding music were common, it seemed obvious to start a project together.
2 – Whose idea was it to name this project as PROPE?
It was a shared idea, and like a lot of bands, it was a coincidence. We found a few other good names first but of course, there were already taken. We didn’t want to use our names, and then after a few beers, we came up with PROPE.
3 – Does the sound of PROPE is 100% Techno?
No, it’s more complex than that. Our influences are wide and PROPE is a mix of them. We like Acid, House, Techno, Electronica, Ambient, DnB… It means we are eclectic but also very selective. We are not bound to one particular genre. We love heavy sounds, pumping drums mixed with some epic and deep melodic lines. So, Techno is a big influence but not only.
4 – How was it possible to create a hypnotic beat on your latest track “Excite”?
The first version we made was the Deep Mix. We were lucky that Mark Radford from London Audio Rehab loved the track and started to play it on Rinse FM, at Ministry London, and in Ibiza last summer. We knew through the crowd’s reaction that it was working well. We worked the sound design and arrangements, to get this kind of trance effect on the track.
5 – I’m really enjoying the remixes. In your opinion, how much variety does this EP offer?
We have chosen the remixers with care, and we knew the producers we selected would provide a range of different vibes. Dusty Kid is a genius and is pretty rare in the scene, he came up with a totally new interpretation of the original track. The chords he added gives some kind of epic almost baroque atmosphere. With Matchy, we wanted to have the German touch without going into the cliche of the genre. The way he worked on the hi-hats is awesome. Seb Legrand is Brussels-based, he produces mainly Minimal Techno, he provided a hard version of the track, with minimal influences.
6 – Do you think the original mix carries a dark sound?
Yes, we like that kind of darky heavy trippy sounds and we are also a bit like that ourselves, something like a dark happy positivism. In most of our productions, you can feel this fusion; this dark sound merging with other feelings induced by melodies, pads, drones…
7 – What’s your visual interpretation of the EP artwork? Who designed it?
The EP artwork was made by Aline Bouvy, a visual artist based in Brussels. We have been collaborating with her since the beginning of PROPE, she also conceived our visual identity. She always comes up with unexpected images that have a singular feel, maybe because she isn’t a graphic designer nor involved in music as such. We guess that in the artwork for the Excite EP, there’s something that deals with the idea of open flow and ecstatic feel of wholeness that blurs the boundaries of the body and its surrounding space.
Good question! Probably the spirit. Today, we feel that sometimes, Techno orients itself and follows the codes of the mainstream industry, like a new EDM wave. Appearance is becoming slowly more important than the culture and the music.
On one side, the genre wants to keep some old-fashioned purist underground codes but at the same time, develops the genre almost with the same codes and attitudes as Pop. It’s a bit like ‘look people, I’m cool, important and famous ; I’m a Techno DJ, my life is fantastic, I’m a healthy yogi vegan but actually, I’m dark and underground you know’.
As we are working on our future live set, we use many MIDI controllers and synths. The MIDI offers many possibilities. About DJ MIDI controllers, some propose handy and nice features (as some digital turntables), that you could not handle with classical analog vinyl turntables and mixers. On the other hand, with DJ controllers, it’s generally digital EQ and effects, so the sound can be pretty crap. We are not into that digital vs analog war. Anyway, it’s always concessions in one way or the other, depending on what you want to do. And for us, overall, the point of DJing is to select and play nice music for the listeners, whatever the used technology.
10 – Finally, What’s your best advice for newcomer producers?
Do your thing but at the same time know the reality of the industry. Find your own style, get involved, be patient but keep persisting. Work hard to become hard to avoid.
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Blind Mutation Discusses Experimental Music Video “Shadows”
If you’re into hypnotizing Ambient Techno tracks, then Blind Mutation should be on your radar. Her latest experimental music video “Shadows” was awarded and this exclusive interview explains it all!
1 — If I’m not mistaken, electronic music is your passion. How does this interest has come about?
I actually think my dad’s taste in music really influenced me a lot. He used to put on a lot of quality electronic music for me when I was a child, from classic Depeche Mode to more underground experimental electronic How to Dress Well. So, my interest in electronic music started growing from a very young age. When I became a teenager, my mental health started to get worse, and I started to relate, and thereafter, listen to darker and gloomier electronic music like dark ambient, triphop, or hard warehouse techno. That’s basically how my music taste was formed, and why I love electronic music.
2 — When exactly did you become Blind Mutation?
In theory, I think I became Blind Mutation pretty much as soon as I started producing and composing music which was 2 years ago. I began writing tracks with an emphasis on cinematic melancholic sounds that translated my deep intense emotions, and I still continue to do it exploring more and more ways to express my feelings through music. But, officially, let’s say, I became Blind Mutation when I released my first DJ Mix called “WAVE/PHONK MIX” on SoundCloud almost a year ago.
3 — Musically speaking, who is your biggest influence or inspiration?
I love to answer that question 🙂 I would say that my influences/inspirations have been changing throughout the years. When I was 14-16 my favorite band was Coldplay. I loved their not-that-well-known tracks which were more on the electronic/ambient side, like my all-time favorite “Midnight”. As for now, I very rarely listen to Coldplay. Now I am more into experimental dark emotional stuff like Techno, Dark Ambient, IDM, and Trip-Hop. Some of my inspirations/influences at the moment are Aphex Twin, Arca, Trentemoller, Clams Casino, Hans Zimmer, I Hate Models, and Crystal Castles.
4 — Congratulations on winning Best Experimental Video at the Indie Online Film Festival. Did you ever expect this result?
I was hoping for it 🙂 But I don’t really like expecting something to happen, especially when it comes to receiving awards. Because if you think you would win the prize, and then you don’t, you would probably get upset. But if you don’t really think about it and just let it happen, you get more excited if you win, and don’t really care if you don’t get an award 🙂
5 — Tell us more about how your collaboration with All Around came about.
We met a little more than 4 years ago in college in LA. He was a directing major, and I was an acting major. We’ve been very good friends since that time, and we’ve done small projects together here and there in college and just for fun. Then, when I switched from acting to music and started releasing my DJ Mixes, he began doing all the visuals for them. So, when I was ready to release my debut track “Shadows”, I knew that All Around would be my director, cinematographer, and editor. We have a similar vision when it comes to art (music/video/films, etc.), and so it’s very comfortable and fun for us to work together.
6 — Would you interpret this clip as a short horror film or is it something else?
Shortly, I would say, yes, it could be interpreted as a short psychological horror film. To elaborate: it’s interesting that when we showed the music video to our close surroundings, a good amount of people said that “Shadows” looked more like a short horror film rather than a music video. “Shadows” indeed has a much slower pace than a usual music video. In terms of cinematography, it’s also shot more like a film rather than a music video. But I think I would still call “Shadows” an experimental music video rather than a short horror film, because, in my opinion, it still has a dynamic of a music video, and our initial idea was to create a music video not a short horror film.
Well, the track itself was produced, mixed and mastered in Ableton. As for “Shadows” music video production, My friend All Around who I collaborated with, has an amazing RED Komodo camera, the music video was shot on it. Also, my face, chest, neck and my arms had to be bandaged in the shot all the time. We needed special bandages, the ones that stick to the skin and to each other. We had 3-4 shooting days, and not all of the bandages could be reused. So, I had to buy lots of them. Was driving from one CVS to another buying the entire available supply of those specific bandages 🙂
We also had a chance to work with an amazing super professional makeup artist, Darya Kholodnykh, who did the make-up for the “demon’s” hand that appears in the music video. She managed to find a creative way to make the hand look realistic and creepy although we had a very small budget.
8 — What can we expect from Blind Mutation next? Are you keen on exploring science fiction themes?
I love science fiction, and I would like to explore themes connected to it in the future. But as for now, I think I’m more focused on expressing my inner feelings and emotions through my music, and treating producing/composing/creating DJ mixes more as a therapy for myself. I’d love to dive deeper into the psychological aspects of our lives and have an influence on people’s emotions and their unconscious through my music. That’s what my next release will hopefully do! It’s a dark ambient track called “I come with the rain”, and it’s coming out in the beginning of January! I’m also working on a new dark warehouse techno DJ mix which will also come out around the same time.
9 — What do you think you’d be doing if you weren’t an artist?
I’ve always loved to think about this. I am very interested in psychology, so I would definitely study it in college, and then probably become a psychotherapist (do not mistake with psychologist or psychiatrist), I would do scientific research and come up with new more effective therapies.
I would also love to direct and shoot (be DOP and operate camera) my own film(s) in the future! It’s a big dream! Plus I got my first degree from a film college, so I am familiar with that stuff. By the way, I’m also super interested in graphic and game design! Would love to try doing that in the future too!
And just to top off the list with more geek stuff: if I had another life, I would become an astrophysicist to study and explore space.
10 — Lastly, do you have any specific goals for 2023?
The most important and clear goal is to get the artist visa in order to be able to stay and work in the U.S. Speaking of my artist goals, I would love to get my first DJ gig in 2023! I would also love to explore new music genres in my productions (like trip-hop or hard dark techno)! Finally, I have so many things I still have to explore and discover in terms of production, mixing sound design, etc. So, another very important goal is to just continue learning!
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Bubba Brothers Talk Last Summer And Tribal House EP ‘Basstribe’
Bubba Brothers continue to take the Electronic Dance music world by storm. Their latest release, ‘Basstribe’ was well received by listeners all over the world, marking a new milestone for the duo. Alongside impressive releases and powerful live shows, the duo recently celebrated their anniversary by playing at important venues all over the summer.
We found time to talk with them about their summer season, what they were up to and what was coming for them.
1 — Hello Bubba Brothers, how are you?
All good thanks. 😊
2 — Summer is now over, what have you been up to this past season?
This was a fantastic summer… we had great moments. A big thank you to all our fans all over the world.
3 — You released your EP ‘Basstribe’ around summertime, can you tell us more about what it was like working on this production?
It was really exciting; the timing was perfect and it was great to see and hear DJs playing the tracks live around the planet, so yes… ‘Basstribe’ was really fun. 😊
4 — Have you got any summer highlights?
So many… playing in Ibiza, having Oxia at our anniversary party, and sharing the decks… many good moments. And as said, we are very grateful for that.
5 — Which artists were on repeat for you during this summer?
Hahaha… great question! Tube and Berger, Dennis Ferrer, Kolsch, Themba, and many others. 😊
6 — Did you develop new projects or ideas during this season?
Yeah… just came back from Iceland, and a new track is already in the horizon. So, stay tuned! and also 2 finished tracks will be launched in a few weeks.
7 — What’s the last thing you learned over the summer?
To stay focused and humble. Keep your feet on the ground.
8 — Aside from performing, what other activities did you enjoy doing during the summer season?
Like any Portuguese, the beach and anything that involves the sea is our thing 😊 Missing summer already.
9 — What are you looking forward to doing next summer?
Playing in Europe as much as people book us and I hope they will do, a lot!
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Country-Pop Singer Taylor Sanders On New Song “Firecracker”
Taylor Sanders gained great popularity for her stunning renditions of hits by artists like Dolly Parton and Patsy Cline. Last month, she released her Country-Pop single “Firecracker,” whose lyrics put female empowerment at the forefront. Learn more about this song in our latest interview.
1 — First of all, what makes you smile, and what scares you the most when creating new music?
It makes me smile when I create a clever line or the lyrics just feel exactly right, then you know you’ve got something that really vibes.
At the same time, writing can also be scary from the uncertainty of effectively relaying my message where the listeners can understand. That’s why I love co-writing because I get to bounce ideas off others first.
2 — What are your goals in the music industry?
I want to perform at the Grand Ole Opry, go on a world tour, sell out the Madison Square Garden, write and record a theme song for a Marvel or Disney movie, have a number-one single, and win a Grammy!
3 — What do you enjoy the most about writing lyrics?
My thoughts can roam free.
Almost my whole life! I started singing when I was 5. At the time, I sang the national anthem at my kindergarten graduation because my teacher noticed I was singing it in class, and she went to my mom to ask her if I would sing for our graduation and my mom didn’t even know I knew the song or could even sing. After that, my mom put me in vocal lessons when I was 8.
5 — What’s the inspiration behind your latest single “Firecracker”?
A.) I wanted to write a song about me and my personality to introduce myself to the music world and talk about self-confidence and letting your light shine.
B.) I wanted to tell a story of how my husband and I really met. We met at a pool party while in school and I realized he matched that ambitious energy I carry.
6 — What came first the vocals or melody?
“Firecracker” as a title was pretty much determined from the get-go. When I was introduced to the co-writers, they were like, “Wow, she’s a firecracker!” and I guess that felt good and stuck. It was kind of perfect. The lyrics and melody came together all at once. The producers and lyric writers were all in 1 room and we all fed off each other to push the song concomitantly.
7 – Tell us more about the top-notch team that was involved in the production of this single.
My cowriters and producers have written songs for Jennifer Lopez (“Waiting for Tonight”) and Celine Dion and Carrie Underwood. These are icons I looked up to and I couldn’t have asked for a better collaboration.
8 — If you could choose a location to perform your new track “Firecracker,” where would it be?
The Grand Ole Opry, of course. But then also I see it being performed at a big rockin’ New Year’s Eve party right before the ball drops at midnight. I can see it so vividly, all the lights and fireworks going on with the song as I sing “Light it up, light it up!” That would be epic!
I dedicate it to my husband, not only for inspiration but also because he is such a big supporter of my dreams and really wants me to succeed. He’s a northern boy and so when we first met, I told him I was moving to Nashville after school and if he wanted to be with me, he’d have to come along. So, he’s here riding this crazy roller coaster with me.
10 — Where do you see Taylor Sanders in the next 5 years?
I hope I’ve built up a community of people who can appreciate the art I’m putting out there and that it can help brighten and change lives. I want to be valuable to people and bring enjoyment into their lives during hard times. I also hope to get into acting as well, and for my personal life, I see myself starting a family.